Calendar

The Euphemists

Dave Goldman — piano
Alan Snyder — fiddle
Paula Hamlin — winds
Kaye Blesener — trombone
Jerry Nelson — guitar, percussion

Enjoy contradancing but miss that Big Band sound? Then you’ll love the Euphemists, a band whose motto is “All fiddle tunes get better with horn riffs!” Over the past few years, various pairings of these Portland musicians have said, “We should form a band!” Finally, inspired by the recent immigration of fiddler Alan Snyder from warmer climes, The Euphemists congealed in 2011. The band features a brass front line of Paula Hamlin, Kaye Blesener, and Jerry Nelson, while Jerry’s several guitars share backup rhythmic duties with the keyboard of Dave Goldman.

Eric Curl calling

Eric started calling in 1996 and called in California and Colorado before moving Seattle in 2006. A mechanical engineer working for Boeing, he now enjoys calling in Washington, Oregon and British Columbia on a semi-regular basis. In his spare time, he likes to hike, snowshoe, camp, visit friends and family, play music, and of course, dance and call.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

Potluck at 6:00 p.m.  Hosts: April & Craig Hall Cutting, 1975 SE Crystal Lake Dr #192, Corvallis (in CoHo Ecovillage); 541-754-7040.

First and Third Saturdays of the month except July, August. Occasional special dances.

Unleashed!

Since its members came together in 1999, UnLeashed! has been one of Portland’s favorite contra bands. Fiddler Jocelyn Goodall leads the pack with the driving style she learned from famed Irish fiddle master Tommy Peoples. On guitar, banjo, and fiddle, Rick Macquoid provides enough energy to keep dancers going all night long, while Eliza Romick’s percussive dulcimer and banjo-ukulele add that infectious pulse that dancers love. With Rick Piel’s incessant keyboard backup supplying intensity and rhythm, an evening with UnLeashed! is guaranteed to make you howl with joy!

Erik Weberg

I danced my first contra dance in Moscow Idaho in the Fall of 1986.  Several excursions to the dance hall were necessary for me to find the courage to actually dance, but once I, tried it caught hold quickly and I became a regular dancer. Christian Petrich encouraged me to try calling for the first time in 1990 and soon after that I started regularly attending the first Wednesday open mic in Spokane Washington. I called dances around Eastern Washington and Northern Idaho for a few years before moving west of the Cascades in 1993. I was soon asked to call dances in Portland and up the Willamette Valley. Since then I’ve been calling dances, festivals and weekends around the country from Seattle to Boston, from Fairbanks to Tuscon and most places between. I am able to enjoy this craft because of the good folks who encouraged and taught me to call dances years ago, the booking agents and local dance committees who have given me wonderful opportunities to practice in their communities, and the thousands of dancers and musicians who forgive me my mistakes and make it all worthwhile. If you’re reading this you’re probably one of them; so, thank you!

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

The Bridgetown Boys

• Victor Fiore – fiddle
• Lanny Martin – piano
• Jon Neff – guitar

We’re all experienced contra dance musicians. We’re in the Portland Megaband and, following a rehearsal, we jammed together and decided to form a band. We sound sound pretty darn good, if we say so ourselves. (Formerly named “Magpie”, then “Lanjovic”)

Tarka Ayres

Tarka Ayres credits contra dance with helping keep her mental stability through school. She started dancing in 2004 and has called dances in Oregon and Washington since 2012. Dancers appreciate her ability to integrate new dancers into the community, her clear teaching and succinct calling, and her choices of challenging dances.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

Potluck at 6:00 p.m with host Relan Colley, 745 NW 16th St; 541-753-2617. (Located near the south side of Corvallis High School and several blocks east of Fred Meyer. The closest intersection is NW Taylor & NW 16th.) Probably in the backyard if the weather is good!

First and Third Saturdays of the month except July, August. Occasional special dances.

Gerry O’Connor
with Richard Mandel

(and afternoon workshops – see below)

From Dundalk, County Louth, Gerry O’Connor has played and recorded with such highly regarded groups as Lá Lúgh (Eithne Ní Uallacháin, Sony Music) and Skylark. Gerry has toured and recorded with members of all the legendary groups including Planxty, Bothy Band and others.  Lá Lugh’s album “Brighid’s Kiss” was voted Album of the Year 1996 by readers of the Irish Music Magazine. His solo album “Journeyman” was counted in the top five Albums of the year 2004 by the Irish Times.

Richard Mandel (guitar, tenor banjo, bouzouki) fell into the well of Irish music in the mid-‘90s and was soon driving every session he could get into.  As a first-call accompanist, Richard has performed and toured with legendary Irish musicians including Gerry O’Connor, Paddy Keenan, Jimmy Keane, Mick Maloney, Paddy O’Brien, Tony DeMarco and many others.  Richard plays in the trio Three Mile Stone with mandolinist Marla Fibish and fiddler Erin Shrader. Three Mile Stone released its debut CD, produced by John Doyle, in March 2010 and has received rave reviews.  In addition to Three Mile Stone, Richard can be heard on Christa Burch’s CD “Love of the Land”, Radim Zenkl’s, “Restless Joy”, and Tipsy House’s CD, “Sets in the City.”

[P]owerful guitar work, whether taking the form of a high-energy rhythmic input or a more intricate embellishment. —David Kidman, Living Tradition Magazine

Richard’s guitar playing is a perfect support and backdrop for Marla’s and Erin’s tune conversations. It never draws attention to itself except by its excellence and appropriateness. And he can play the snot out of the tenor banjo, too! —Roger Landes (Irish bouzouki master and Zoukfest founder)

[A] lightning right hand and spot on chord choices. He is also a precise and powerful tenor banjo player.—Kevin Carr, FolkWorks

Advance Tickets (at Grassroots Books, 227 SW 2nd St.) are recommended  as space is limited.

Afternoon Workshops on May 17 !  ($7/$5 CFS members)

2pm:  DADGAD Guitar Accompaniment w/ Richard Mandel
4pm:  Irish Tunes for all Instruments w/ Gerry O’Connor 

A reprise of a dance cancelled in December 2017 because of icy roads

The Nettles

Laura Brophy – fiddle
Kevin Johnsrude – guitars
Michael Proctor – bass
Brian Bucolo – percussion

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere. .

Michael Karcher

From New York via Seattle.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

CFS Annual Membership Meeting with Potluck at 5:00 pm (all are welcome) at South First Alternative Co-op meeting room, 1007 SE 3rd ST

First and Third Saturdays of the month except July, August. Occasional special dances.

InTentCity

Betsy Richards – fiddle
Graham Richards – guitar, fiddle
Seth Richards – piano, bass
David Richards – percussion

From North Idaho, InTentCity is more than just a contradance band. We bring all the fun family dynamics that come with years together of living, working, playing, dancing, traveling, eating, sleeping, joking, talking, walking, singing – you get the idea. And after all this time we still cannot think of a better way to spend our time together than playing and dancing in the contradance community. During the summer we set up our big canvas wall tents and live outside. Now you know why the name.

Jacqui Grennen

Jacqui Grennan is a contra dancer, caller, and choreographer from Los Angeles. She is known for her clarity in teaching and her ability to adjust to the dancers on the floor. She breaks down the dance figures and gets dancers moving so that they can immediately feel the connection with other dancers. As a caller, Jacqui likes to put together a session of dance that is varied and enjoyable for newer dancers as well as for those who have been dancing for years.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Treehouse

• Rachael Young, piano
• Benjamin Young, whistle and guitar
• Kevin Craven, fiddle
• Shari Ame, fiddle
• Bo Leyden, mandolin, flute

bring a mix of Irish, Quebecois, and New England style, and put it together with Pacific Northwest flair. Becky has played for dances throughout Vermont, New Jersey, Arizona, and California, and previously played with Amazon Creek in Eugene. Ben and Rachael come from the Irish traditional session background, having played with many groups across Canada and throughout Washington, Oregon, and California. Bo and Shari play with several Corvallis area bands.

Noah Grunzweig

Noah Grunzweig is a master of stories and dance!  He called in Corvallis most recently last November. Noah brings enthusiasm and encouragement to new and experienced dancers alike. He promotes safe dancing and a culture of consent that welcomes children and adults to contra dancing. Noah is fluent in traditional and techno contra.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

RUNA

“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times

Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.

The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.

“Timeless and flawless…” – Jim Allford, PA Music Scene

RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.

RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier

Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.

“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News

The Fire

• Rebecca Lomnicky on Scottish fiddle,
• David Brewer on Highland pipes and whistles,
• Adam Hendey on guitar & bazouki

The Fire is a high energy pure-drop Scottish music band, with world class fiddling in combination with bagpipes, guitar, bodhran, whistle, and bouzouki. The group includes, International Scottish Fiddle Champion Rebecca Lomnicky, multi-instrumentalist David Brewer of the popular Celtic band Molly’s Revenge, and Adam Hendey on guitar and bouzouki.  Members of the trio have each spent copious amounts of time delving into the traditions of their respective instruments, with Rebecca and David having additionally lived and studied in both Edinburgh and the highlands of Scotland. Together, The Fire performs captivating Scottish music which bridges the gap between the fiddle and bagpipe music of Scotland—two worlds united, into a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. The Fire has headlined at Celtic festivals such as The Pleasanton Scottish Highland Games, The Utah Scottish Association Highland Games, The Portland Highland Games, The Sedona Celtic Harvest Festival, The Northwest Folklife Festival, The Oregon Scottish Festival, The Yachats Celtic Music Festival, The Monterey Scottish Games and Celtic Festival, and has performed at a variety of venues throughout the United States, United Kingdom, and Ireland.

The Fire is currently based out of Santa Cruz, California, and has recorded two albums together. (Rebecca is from Corvallis)

The Nettles

Laura Brophy – fiddle
Kevin Johnsrude – guitars
Michael Proctor – bass
Brian Bucolo – percussion

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere. .

Michael Karcher

Michael has been having the time of his life calling around the U.S. and Canada since 2011.

He has honed a warm and concise style of teaching and calling, to the delight of dancers across North America.

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Heron Valley

Heron Valley are an energetic, young traditional band from Scotland who have serious enthusiasm for the music they play. Their roots lie in Scottish and Irish traditional music, while taking influence from various Folk, Country and Bluegrass styles. The five-piece, energy fuelled group comprises piper/guitarist/whistle player Euan McNab, banjo player/drummer Nick Hamilton, pianist Arlene Mackechnie, guitarist/vocalist Abigail Pryde and bassist Callum Cronin.

Since their inception in 2014, Heron Valley have always ensured that they are conveying the highest amount of energy they have to every crowd they play to, ensuring that people who come to see them live have a fantastic experience. In 2015, they set themselves the challenge of releasing a music video and a debut single, to allow people to clearly see their intentions. This began with their set of tunes, Pressed for Time, and their original idea of filming out on open water on a yacht. The storyline took the band from performing out on this moving boat, to their journey to and performance at a gig. The idea of this was to convey to their audience the enjoyment people have when they come to see them live. This was extremely well received and racked up 85K views, with people all over the world purchasing the single. A year later, they released their second single ‘Home’ along with an extremely diverse music video. This time, they set off at 4AM to climb up Beinn an Lochainn, a hill in the west coast of Scotland. The video sees this journey from bottom to top and shows them playing on cliff edges in the area they all grew up. This gathered an incredible 173K views, and was shared over 2,000 times.

Due to this success, Heron Valley then quickly made a massive impact on the folk scene in Scotland, and 2016 seen them on their tour of 11 Festival stages over the UK, while 2017 seen them on a tour of over 20 festivals around the UK and Europe. Johnny Walley at Folk Music Radio was ‘particularly impressed by the structure of their set, building up the energy incrementally in a series of waves, taking the audience along with them every step of the way.’ With the unbelievable reaction they received at these gigs, and the demand for more recordings of their music, Heron Valley released their debut album, Roam, in May 2017. This has been extremely well received by the public, and has been the focus of their gigs during their 2017 Summer tour. This features 8 brand new tracks of self-penned songs and lively sets of tunes.

The BFD

• Betsey Branch – fiddle
• Fran Slefer – button accordian
• Dan Compton – guitar

The BFD plays for a contra dance about every other month at Fulton Community Center in Portland. Betsy is a versatile musician who loves to explore multiple genres of music. She has wandered her musical way through music from Ireland, Scotland, Appalachia, Quebec, Sweden, England, Bulgaria and New England, to mention a few. She plays regularly for contra and English Country Dances. Fran plays button accordion and fiddle. She grew up in Limerick, Ireland, and lived in Luxembourg, Belgium, Holland, and Dublin before moving to the United States. Fran began playing the fiddle in Dublin, learning from Tralee fiddle player Maire O’Keeffe. Her repertoire delves into the dance music of Ireland, Québec, France and Brittany. Dan Compton is a long-time folkie in the Pacific Northwest music scene, and has performed at numerous concerts, festivals, and music- and dance camps. He’s a captivating fingerstyle player as well as a dynamic flatpicker and accompanist.

Gordy Euler

Gordy has been dancing and calling in this area for over 15 years, and he’s good!

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Birch Pereira
and the
Gin Joints

A staple of the Seattle music scene, the Gin Joints delight audiences with their western-tinged Americana and jazz originals along with modern interpretations of old blues, swing and even early rock’n’roll tunes. Born out of a love of the American song traditions, upright bassist /vocalist / composer Birch Pereira has created unique arrangements and originals that showcase the considerable talents of the Gin Joints musicians.  He is now described as “Making gems of the past sound new and writing new songs that sound like forgotten gems of the past.”   

On the way to their juried showcase at the Arts Northwest Conference, Birch Pereira will bring an expanded version of the Gin Joints for a great evening of music on Sunday, October 7th at 7 PM.  Joining the usual excellent trio of Jason Goessl on guitar and Adrian Van Batenburg on percussion will be New Orleans native Rex Gregory on sax and clarinet and Portland-basedJordan Vale on trumpet.

Through a special collaboration with the Corvallis School District Theaters, Birch Pereira and the Gin Joints will be performing at the Corvallis High School Main Stage Theater and there is a special student price.  An alumnus of CHS, Birch Pereira began his musical journey in Corvallis with elementary strings and the Heart of the Valley children’s choir.  He followed that with music programs at both high schools including Camerata Orchestra, CHS jazz choir and the Corvallis Youth Symphony.  Birch Pereira received his BA in Jazz Studies (bass performance) from the University of Washington in 2005.   Since then he has become well-known in Seattle as a highly versatile bass player, band leader, composer, producer/engineer and teacher.  With the formation of the Gin Joints he moved out front as vocalist, arranger, composer and bass player — and hasn’t looked back since.

New recording and videos at:  https://www.theginjointsband.com/

Treehouse

• Rachael Young, piano
• Benjamin Young, whistle and guitar
• Kevin Craven, fiddle
• Shari Ame, fiddle
• Bo Leyden, mandolin, flute

*Treehouse* brings a mix of Irish, Quebecois, and New England style, and
put it together with Pacific Northwest flair. Ben and Rachael come from the
Irish traditional session background, having played with many groups across
Canada and throughout Washington, Oregon, and California. Kevin Craven is
recently arrived from Hawaii. He is a Corvallis violin teacher and also
plays with the OSU Symphony. Shari teaches fiddle and has played with
several Corvallis area bands including Three Finger Jack.

Laurel Thomas

Laurel Thomas has called contra dances all over Oregon and Washington since 2008. Dancers appreciate her clear teaching, her articulate calling and her carefully crafted programs designed to build skill for beginning dancers while keeping experienced dancers happy with an appropriate level of challenge.

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Bill Staines

Anyone not familiar with the music of Bill Staines is in for a special treat (if you buy your tickets in advance – he sold out quickly last time).  The Martha Room is a very intimate space and a great place to hear great music.

For forty-five years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.

Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing over 175 concerts a year. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”

Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.

Bill Staines has recorded twenty-six albums. He has written over three hundred songs, many of which have been recorded by the likes of Peter, Paul, and Mary, Makem and Clancy, Nanci Griffith, Glen Yarborough, Celtic Thunder, and Jerry Jeff Walker. His music is sung at campfires and folk music gatherings, and in living rooms all around the country. Songs like “All God’s Critters,” “Roseville Fair,” “Child of Mine,” and “River,” have become folk classics. Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”

Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.

In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.

As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.

“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.

In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”  A true honor.

Mike and Carleen McCornack

Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes.  While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.

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