de Groot & Hargreaves

Allison de Groot & Tatiana Hargreaves: 
 
Traditional music is not static; it shifts with the times, uncovering new meanings in old words, new ways of talking about the communal pathways that led us to where we are today. For master musicians Allison de Groot & Tatiana Hargreaves, traditional banjo and fiddle music is a way to interpret our uncertain times, to draw artistic inspiration and power from the sources of meaning in their lives. History, family, literature, live performance, and environmental instability all manifest in the sounds, feelings, and sensations that permeate their music. Their 2022 sophomore album, Hurricane Clarice is a direct infusion of centuries of matrilineal folk wisdom, a fiery breath of apocalyptic energy.


Individually they are both leaders in the young generation of roots musicians, de Groot being known for intricate clawhammer banjo work with Bruce Molsky, and Hargreaves bringing powerhouse fiddling to the stage with Laurie Lewis and David Rawlings in addition to teaching bluegrass fiddle at UNC-Chapel Hill. Their first self-titled album released in 2019 garnered attention from CBC Q, Paste Magazine and Rolling Stone Country, earning the duo the Independent Music Awards “Best Bluegrass Album” and a nomination from IBMA for “Best Liner Notes of the Year.” The duo has been booked at festivals and venues such as Newport Folk Festival, Savannah Music Festival, Winnipeg Folk Festival, the Red Hat Amphitheater in Raleigh, NC, and Red Wing Roots Music Festival. Allison de Groot & Tatiana Hargreaves create a sound that is adventurous, masterful, and original, as they expand on the eccentricities of old songs, while never losing sight of what makes them endure.


I Would Not Live Always video: https://www.youtube.com/watch?v=2f1M2owWaPI

Jordan, Tatiana, Allison
Jordan Tice:
Jordan Tice is a singer, songwriter and guitarist who combines witty, well-crafted songs with deft fingerstyle and flatpick guitar playing. His performances have been compared to those of legends like Leo Kottke, John Hartford, and David Bromberg for their mix of virtuosity and playfulness and his songs have been compared to those of writers, Bob Dylan and John Prine for their humor, introspection and philosophical nature.
 
His 5th record, Motivational Speakeasy, released last September, features only Jordan, his voice and his guitar. It was produced by Kenneth Pattengale of the Milk Carton Kids and has been garnering rave reviews from outlets such as NPR Music, PopMatters, American Songwriter, and No Depression. From the classic Mississippi John Hurt style melodic blues of “Matter of Time” and “Goin on Down”, to the dissonant Tom Waits-like shuffle of “Creation’s Done” to the philosophical early Dylanesque chatter of “Walkin'” and “Where I’m At”, Tice spins his influences into a variety of highly personal, well-crafted songs. In addition, the album contains 3 instrumental tracks where Tice showcases his narrative guitar-playing and composing with performances that range from British Isles inspired whistlefulness (“Stratford Waltz”) to quirky ragtime (“Bachelorette Party”, “Ghost Story”).
 
Folk fans might recognize Jordan Tice as a member of the instrumental bluegrass supergroup, Hawktail as well as his sideman work with many other artists in the folk/bluegrass genre such as Dave Rawlings, Andrew Marlin (Mandolin Orange), Yola, Tony Trischka, and comedian Steve Martin.