Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Bring your instrument or just yourself and sing, play or just listen.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Bring your instrument or just yourself and sing, play or just listen.
Bring your instrument or just yourself and sing, play or just listen.
Melody Pie Trio
Neo-Traditional Folk • Roots • Music
Melody Pie Trio is fiddler Kevin Craven, cellist Beth Brown and singer-songwriter Ralph Penunuri – in melodious neo-traditional folkroots conversation. Playing an eclectic variety of original and traditional stylings, MPT free-ranges from storysong folk balladry and lyrical tone poems, to traditional Celtic tunes, bluegrass, country rock, jump blues, swing grooves and improv jam.
Bring your instrument or just yourself and sing, play or just listen.
Heron Valley
Heron Valley are an energetic, young traditional band from Scotland who have serious enthusiasm for the music they play. Their roots lie in Scottish and Irish traditional music, while taking influence from various Folk, Country and Bluegrass styles. The five-piece, energy fuelled group comprises piper/guitarist/whistle player Euan McNab, banjo player/drummer Nick Hamilton, pianist Arlene Mackechnie, guitarist/vocalist Abigail Pryde and bassist Callum Cronin.
Since their inception in 2014, Heron Valley have always ensured that they are conveying the highest amount of energy they have to every crowd they play to, ensuring that people who come to see them live have a fantastic experience. In 2015, they set themselves the challenge of releasing a music video and a debut single, to allow people to clearly see their intentions. This began with their set of tunes, Pressed for Time, and their original idea of filming out on open water on a yacht. The storyline took the band from performing out on this moving boat, to their journey to and performance at a gig. The idea of this was to convey to their audience the enjoyment people have when they come to see them live. This was extremely well received and racked up 85K views, with people all over the world purchasing the single. A year later, they released their second single ‘Home’ along with an extremely diverse music video. This time, they set off at 4AM to climb up Beinn an Lochainn, a hill in the west coast of Scotland. The video sees this journey from bottom to top and shows them playing on cliff edges in the area they all grew up. This gathered an incredible 173K views, and was shared over 2,000 times.
Due to this success, Heron Valley then quickly made a massive impact on the folk scene in Scotland, and 2016 seen them on their tour of 11 Festival stages over the UK, while 2017 seen them on a tour of over 20 festivals around the UK and Europe. Johnny Walley at Folk Music Radio was ‘particularly impressed by the structure of their set, building up the energy incrementally in a series of waves, taking the audience along with them every step of the way.’ With the unbelievable reaction they received at these gigs, and the demand for more recordings of their music, Heron Valley released their debut album, Roam, in May 2017. This has been extremely well received by the public, and has been the focus of their gigs during their 2017 Summer tour. This features 8 brand new tracks of self-penned songs and lively sets of tunes.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Alasdair Fraser
&
Natalie Haas
cutting-edge fiddle and cello explorations of Scottish and global music
” … you would think they’d been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello’s throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter.” — Boston Globe
“As many gigs as they must have played together over the past decade or so, there remains a striking spontaneity about Fraser and Haas’s music-making. He has tonal variation and attack to spare, but what makes them so consistently absorbing is the responsiveness each shows to the other. Haas is more than a cellist: she’s the rhythm section who uses the percussive chip’n’chop of her bowing and the double bass-like pulse of her pizzicato playing to great effect. The accompanist’s role moves so fluently between them, building tension all the while, and then they’ll slip into unison and it’s like floodgates opening. ”
— The Herald
“Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner…A positive joy.”
— The Scotsman
The musical partnership between consummate performer Alasdair Fraser, “the Michael Jordan of Scottish fiddling”, and brilliant Californian cellist Natalie Haas spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 18 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding and the joyful spontaneity and sheer physical presence of their music.
Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who’s who of the fiddle world including Mark O’Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.
This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo’s debut recording, Fire & Grace, won the coveted the Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record four more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
SAC Presents welcomes fiddling supergroup Childsplay with Irish singer Karan Casey in their first-ever appearance in Oregon. This special evening will feature the beautiful singing of Casey, a native of Ireland, with the voices of violins all made by the renowned Massachusetts violin maker, Robert M. Childs. Childsplay brings virtuosic fiddling and features a wide range of outstanding all-star instrumentalists, ranging from all-Ireland and Scottish fiddle champions to members of the Boston Symphony Orchestra, and includes National Heritage award winning Irish step-dancer Kevin Doyle and Pilobolus dance theater member Molly Gawler. This is a multi-faceted evening of live performance you won’t want to miss
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Amelia Hogan
The Murray Irish Dancers
(out of Portland)
will present an evening of music, song and dance associated with the festive season. The performance will include Christmas songs both old and new, all played with a Celtic twist, as well as selections from the band’s new album.
The California-based group has toured internationally since 2000 as an acoustic band, releasing thirteen CDs. In early 2016 the band traveled north to a secluded retreat among the redwoods on the Mendocino coast, where they worked night and day to put together a record that could surpass the band’s previous 12 releases. In addition to a wealth of lively Irish and Scottish jigs and reels, for this new album, “Lift”, they also recorded Scandinavian and French melodies, tapped into the old-time American tradition, and departed to include a Swedish song melody on bagpipes, and melody from a hurdy-gurdy jam which leads into a Quebecois reel.
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Amelia Hogan sings traditional, Irish, Scottish, British, American and contemporary folk music with lilting grace and subtle power. She transports you with a spell into another time and place, where the beansidhe (banshee) cries and lovers embrace. Haunting melodies, stirring passion, and evocative storytelling are what you’ll find with Amelia’s music.
The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 13th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
“A seriously joyous, masterly musical experience.”
— Tom Clancy, Irish Music Magazine
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
These folks gave an outstanding concert last year. The crowd was enthusiastic, especially when the musicians upped the tempo and the Irish dancers joined in with gusto. David Brewer is the most vigorous piper I have ever seen. He also plays whistles and bodhran (Celtic drum). The group has fun playing songs of the season with a Celtic twist. Amelia has a gorgeous voice and lovely vocal ornamentation.
SVER
play grand Norwegian folk music with relentless energy and seductive spark taking you on a fantastic musical journey guaranteed to excite you. Ranging from the very dreamy to a swinging, pounding and sweaty madness – you are invited to the party, greeted by a welcoming primal force that pulls you into the dance. SVER consists of Olav Luksengård Mjelva (fiddle and hardangerfiddle), Anders Hall (fiddle and viola), Leif Ingvar Ranøien (diatonic accordion), Adam Johansson (guitar) and Jens Linell (Drums and percussion). Olav and Leif Ingvar have played together since 2002. Vidar Berge joined the group in 2007 on guitar and together they released the self titled album “SVER”. In the spring of 2008 Anders and Jens completed the band, and they released “Fruen” in 2010. Vidar quit the band later that year and Adam joined the group. Since 2011 SVER has collaborated with the Swedish dance-hall artist Snakka San.
RUNA
“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times
Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.
The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.
“Timeless and flawless…” – Jim Allford, PA Music Scene
RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.
RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier
Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.
“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News