Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
The Alchemists
George Penk is a well-known fiddle player across the USA, especially in the Pacific Northwest. He lives in Portland where he currently plays with the bands Joyride and Jigsaw. George collaborates with many musicians in various musical adventures, including being part of the Portland Collection project through his playing on the Portland Selection CD’s. His spirited and rich fiddle style is a delight to listen to. George is widely appreciated as a consummate dance fiddler working with callers to make sure the music is in-tune with the spirit of the dances.
Heather Pinney, also a member of Jigsaw, joins on piano and fiddle.
Steven Skolnik has been steeped in percussion for most of his life, playing professionally from jazz to classical and folk, adding taste and power to our driving and lyrical melodies.
Maia Hoffman is studying viola at the Cleveland Institute of Music and allows us to tap into her talents when we snatch her for our contra dance gigs indulging us with twin or triple fiddling.
Erik Weberg
I danced my first contra dance in Moscow Idaho in the Fall of 1986. Several excursions to the dance hall were necessary for me to find the courage to actually dance, but once I, tried it caught hold quickly and I became a regular dancer. Christian Petrich encouraged me to try calling for the first time in 1990 and soon after that I started regularly attending the first Wednesday open mic in Spokane Washington. I called dances around Eastern Washington and Northern Idaho for a few years before moving west of the Cascades in 1993. I was soon asked to call dances in Portland and up the Willamette Valley. Since then I’ve been calling dances, festivals and weekends around the country from Seattle to Boston, from Fairbanks to Tuscon and most places between. I am able to enjoy this craft because of the good folks who encouraged and taught me to call dances years ago, the booking agents and local dance committees who have given me wonderful opportunities to practice in their communities, and the thousands of dancers and musicians who forgive me my mistakes and make it all worthwhile. If you’re reading this you’re probably one of them; so, thank you!
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
First and Third Sundays
We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions. Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.
Corvallis Guitar Society
The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.
Our Mission
To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.
We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.
SVER
play grand Norwegian folk music with relentless energy and seductive spark taking you on a fantastic musical journey guaranteed to excite you. Ranging from the very dreamy to a swinging, pounding and sweaty madness – you are invited to the party, greeted by a welcoming primal force that pulls you into the dance. SVER consists of Olav Luksengård Mjelva (fiddle and hardangerfiddle), Anders Hall (fiddle and viola), Leif Ingvar Ranøien (diatonic accordion), Adam Johansson (guitar) and Jens Linell (Drums and percussion). Olav and Leif Ingvar have played together since 2002. Vidar Berge joined the group in 2007 on guitar and together they released the self titled album “SVER”. In the spring of 2008 Anders and Jens completed the band, and they released “Fruen” in 2010. Vidar quit the band later that year and Adam joined the group. Since 2011 SVER has collaborated with the Swedish dance-hall artist Snakka San.
The Nettles
Laura Brophy – fiddle
Kevin Johnsrude – guitars
Michael Proctor – bass
Brian Bucolo – percussion
The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere. .
Noah Grunzweig
Noah has been calling contra dances in Corvallis for a couple of years now.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
First and Third Sundays
We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions. Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.
7:30 Dinna Fash
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of traditional and modern Celtic tunes so you can leave your worries behind. Kevin Craven, recently arrived from Hawaii is a local violin teacher and also plays with the OSU Symphony. Maria Blair on fiddle and cello, most recently from Durango Colorado, is also a step dancer. She brings special rhythm and vitality to the music. Beth Brown has been playing Celtic cello on the Corvallis scene for over 10 years, previously with the bands Three Fingered Jack and Lark. The trio is heavily influenced by Alasdair Frasier and Natalie Haas and has attended their camps and workshops. Along with traditional Irish, Scottish, Québécois and Shetland tunes, they play some of the modern tunes composed by the new generation of Celtic influenced musicians.
8:30 Suz Doyle and Friends
Suzannah Doyle is a composer, performer, and on-the-spot songwriter whose work appears in productions world-wide. She plays with and in groups of all sizes, from classrooms to concert halls, from singers and instrumentalists to improv groups, and she is the chief comedy wrangler of Ringtone Theatre.
She played by invitation at the White House in Washington, D.C., and appears live and on 23 albums with a diverse array of performers in the Pacific Northwest, including her most recent group “The Wallop Sisters” (formerly “the Ukes of Hazard”), with whom she co-hosts the monthly Corvallis Ukulele Cabaret community Singalongs.
Suz’s music can be heard in network television, PBS, commercials and videos, in Piano Dreams: the Movie, in Jane Eyre, the Musical Classic (with playwrite Kristina Harris), and on the CD “Ringtone Theatre: Volume 1” featuring short musical comedy sketches for cellphones and comic relief. Her songs are available online at many nifty digital marketplaces.
The best Cellar is a once-a-month evening of acoustic music. Admission is “pay what you will,” and kids are free. Cookies and coffee areavailable. Located in the cellar of the Methodist Church on 11th and Monroe, in Corvallis. For more information, or to join the volunteer team, contact Mark Weiss at mjweiss@cmug.com
RUNA
“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times
Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.
The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.
“Timeless and flawless…” – Jim Allford, PA Music Scene
RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.
RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier
Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.
“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News
The Outside Track
The Outside Track is a Pan Celtic group that performs Scots, Irish and Cape Breton songs and stepdance.
Mairi Rankin, one of the hugely influential Rankin Family – legends on the Canadian music scene – plays fiddle, sings and also step-dances up a storm. Born in Mabou, Nova Scotia, Mairi has been influenced by some of the best Cape Breton traditional musicians and instructors on the island. She has developed her own unique style by being immersed in such a rich musical culture. She has toured nationally and internationally as a solo artist, a sideman and is a member of the Cape Breton Celtic super group Beolach. She has performed with the Rankin Sisters, Unusual Suspects and Bruce Guthro to name but a few. Mairi has recorded one solo album, two CDs with Beolach and has been featured on numerous compilations and recordings
Teresa Horgan, from Co. Cork, has an emotive singing style. “She has just enough world weariness in her vocals to interpret…songs and make them her own.” – Tony Lawless, Tradconnect. Teresa was immersed in music from a young age, playing with her family and later went on to obtain an honours degree in Irish Music and Dance at the University of Limerick. She recorded two albums with award-winning Irish band, ‘FullSet’, and one album with guitarist, Matt Griffin, called ‘Brightest Sky Blue’. She was also privileged to perform on the prestigious TV show, ‘The Late Late show’. She has toured extensively and shared the stage with The Chieftains, Declan O’Rourke, Andy Irvine, Lúnasa and more.
From the Highland village of Evanton, Fiona Black developed a love of music and dance from a young age. The feisean movement provided her the opportunity to nurture her passion through learning to play the piano accordion. Fiona went on to attend the National Centre of Excellence in Traditional Music where she honed her skills as an accordionist and gained valuable experience arranging, performing, composing and recording. Fiona set off for Limerick in 2005 where she completed a BA with Honours in Irish Music and Dance. During this degree, Fiona further developed her skills as a performer, arranger, teacher and composer while also traveling to Cape Breton during her third year of studies. Fiona’s accordion style incorporates many different influences, intertwining her native Scottish style with Irish, Swedish and Cape Breton repertoire, always adding her distinctive rhythm and vibrancy.
Ailie Robertson from Edinburgh is widely regarded as one of Scotland’s leading young traditional musicians. She is a musician in the broadest sense: composer, arranger, teacher, improviser and harp virtuoso. Her accomplishment on the clarsach is such that leading Irish flautist Niall Keegan said: “Ailie’s synthesis of Irish, Scottish and contemporary harping technique into an individual style represents the realisation of otherwise unimagined possibilities for the Celtic harp.” Ailie grew up in Edinburgh, Scotland, and was immersed in the harp world from an early age. She began playing the clarsach when she was eleven years old and through her piano and clarsach lessons she developed a love for both classical and traditional music. In 2009 she was nominated for ‘Up and Coming Artist of the Year’ in the BBC Alba Scots Trad Music Awards. Ailie is in great demand as a teacher around the world, and has published six books of harp music.
Michael Ferrie is an award-winning guitarist and composer from Callander, Scotland. A former student of Sgoil Chiùil na Gàidhealtachd (National Centre of Excellence in Traditional Music) and the Royal Conservatoire of Scotland, Ferrie is currently studying on the MMus Folk Music program at the Sibelius Academy in Helsinki, Finland. Ferrie was named Highland Young Guitarist in 2010. In 2013 Ferrie was commissioned to compose for the Royal Scottish National Orchestra’s ‘Out and About’ week, and in the same year was nominated for the BBC Radio 2 Young Folk Award with Scottish folk band ‘Thalla’.
Coriolis
Dave Hamlin – fiddle, mandolin,
Jon Neff – guitar, bass,
Victor Fiore -fiddle
Two thirds of the Steeltones and one third of Mad Robin.
Rich Goss
Most weekends, and sometimes on weekdays, I can be found in a dance hall somewhere calling, playing, doing sound, or contra dancing. I also play percussion once or twice a year with The Portland Megaband, a 75-80 member contra orchestra!!
The Pacific NW is such a terrific place to live! It’s great for calling and playing opportunities. In addition to established contra dances, I also enjoy calling for parties, weddings and community dances.
I’ve called dances from coast to coast for events ranging from large to small, novice to experienced, in a driveway to very large dance halls. My goal is to call fun accessible dances with clear concise teaching, always with a good-natured, easy-going style.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
Michael Hurley
Michael Hurley is an American folksinger, guitarist and fiddler who became a part of the Greenwich Village music scene in the late ’60s and ’70s. Born and raised in Bucks County, Penn., Hurley released his first album in 1964 on Folkways Records. But he remained inactive in his solo career, occasionally lending songs to the Holy Modal Rounders and the Youngbloods until the early ’70s, when he wrote two more albums: Armchair Boogie and Hi-Fi Snock Uptown.
Hurley intermittently released albums throughout the ’80s and ’90s, mostly by himself or on small labels. In 2001, Locust Music reissued his first album, renaming it Blueberry Wine, with new artwork by Hurley himself. In 2011, Hurley’s first book of lyrics was released by the Quebec book publisher L’Oie de Cravan. It contains the original English lyrics to 19 of his songs calligraphed by the author, a foreword by critic Byron Coley and a French version by Marie Frankland, winner of the 2007 John-Glassco prize for translation.
Opening for Michael Hurley will be
Mouth Painter
Mouth Painter’s music is at the intersection of country/folk, drone, & exotica, blending the lines of tradition and experimentation. Their music is influenced by the sounds of nature, the geologic continuum, Keith Whitley, Elisabeth Waldo, Halpern, etc
First and Third Sundays
We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions. Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.
Corvallis Guitar Society
The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.
Our Mission
To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.
We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.
Frankie Gavin
The Whiteside Theatre Foundation and the Corvallis Folklore Society are announcing a pre-sale of reserved and general admission tickets for the Corvallis premier of Frankie Gavin, on February 7, 2019, at 7:00 pm. These tickets will not be announced to the general public until late December so this is your opportunity to get the best seats before they are gone. 90 reserved seats in the center floor, front section of the theater and the first-row balcony are available during this presale. These tickets are available now at https://FrankieGavin.bpt.me They are regularly $20 but with the password “wtfcfs” on the brown paper tickets website, members qualify for $2 discount on each ticket. General admission tickets are available for $17 and also qualify for the membership discount.
Frankie Gavin is one, and perhaps the best of, Ireland’s premier traditional fiddle players. And in a land that produces many prodigiously talented players, that is saying a lot.
In a nutshell, Frankie has been playing since the age of four, when he was handed a whistle, and has since performed for four presidents beginning at the age of six; is a founding member of the legendary Irish traditional band De Danann, in the forefront of the renaissance of trad Irish music along with Bothy Band and Planxty (and the reformed New De Danann); performs and records with other luminaries in the Irish traditional music scene and more, such as Yehudi Menuhin; was in the 2010 Guinness Book of World records as the world’s fastest fiddler; has just recently win the 2018 Musician of the Year award from Ireland’s prestigious Gradam Ceoil Arts Academy; AND recently performed for the Pope in Dublin!
Frankie’s artistry is amazing; he is a master of control over bow and fiddle, and making each piece of music delight the ear. He strives to bring each traditional piece into a setting that is appreciated equally by lovers of old and new, and is rousing enough to get you to kick up your heels! His concerts also share anecdotes about his childhood and life on tour, themselves worth the price of admission! But perhaps a Frankie Gavin concert can be best summed up by Fintan Vallely in the Irish Sunday Tribune:
“Innovation may be the buzz-word in Traditional music, but Frankie Gavin’s digressions are not in the common areas of tempo and superficial style-impressions. His contemporary borrowings of art-deco and music-hall Irishness are re-jigged in original avenues of exploration. His dextrous treatment of troublesome tunes might get even the Pope out on the floor, his orchestration could break hearts.”.
To have the opportunity to watch him play and see the joy he has for the music, and to feel the energy he packs into his shows, is an uplifting and rousing experience for all ages!
CFS annual Corvallis Contra Weekend
Registration opens Nov 15, 2018
Genticorum
Over the past 18 years the trad Quebec group Genticorum has become a fixture on the international world, trad, folk and Celtic music circuit. The band’s six albums met with critical acclaim in Canada, the United States and Europe, assuring the band a brilliant future. Known for its energy and its stage presence, Genticorum has given more than a 1000 concerts in more than 15 countries.
Firmly rooted in the soil of their native land, the energetic and original traditional ‘power trio’ also incorporates the dynamism of today’s North American and European folk cultures in their music. They weave precise and intricate fiddle, flute and accordion work, gorgeous vocal harmonies, energetic foot percussion and guitar accompaniment into a big and jubilant musical feast. Their distinctive sound, sense of humour and stage presence makes them a supreme crowd pleaser.
KGB
- Julie King – piano
- Claude Ginsburg – violin, concertina, viola
- Dave Bartley – mandolin, guitar, cittern, etc.
This KGB is not a spy organization, but a band from Seattle that plays for New England style contradance, English Country Dance (as MI-5), Mostly Waltz and other social dance events, concerts, and private functions such as wedding receptions. We write a lot of our own music, and the rest comes from all over the world: the British Isles, French Canada, the Northeastern USA, Western and Eastern Europe, South America, the rest of the USA, and places we haven’t yet identified. Their last (first) dance in Corvallis in January was cancelled because of a major storm.
Cis Hinkle
Cis Hinkle has delighted contra and square dancers since 1985 with her skilled teaching, welcoming manner, playful enthusiasm, and masterful selection of dances. She is in great demand at music and dance festivals all over the US, England, and Denmark. When not on the road, Cis teaches t’ai chi classes in her native Atlanta, Georgia.
Michael Karcher
Michael has been having the time of his life calling around the U.S. and Canada since 2011.
He has honed a warm and concise style of teaching and calling, to the delight of dancers across North America.