Carrie Newcomer

John McEuen
& the String Wizards

McEuen has now assembled a unique cast for a special night to share the music and memories of the landmark Will the Circle Be Unbroken record and his incredible career with the Nitty Gritty Dirt Band.
The cast includes:
Les Thompson bass, vocals, bouzouki an original NGDB founding member
John Cable guitar/vocals/mandolin also toured Russia as NGDB member.
Matt Cartsonis vocals/mandola/guitar 25- year music partner with John
All join host John McEuen with his banjo, guitar, fiddle, and mandolin as they share, in front of a movie screen, hits and stories behind the music leading up to that magic time when three generations came together.
His multi-media show with archival photographs, film, (including 8mm footage from 1967), Circle session photos, narrative (and early) NGDB music takes us on his 50+ year journey – interwoven with Dirt Band favorites and hot bluegrass.

Unfortunately, Tracy tore her ACL and has canceled all her concerts through October

Buy her CD, Low Tide, FOLK RADIO’S #9 MOST-PLAYED ALBUM OF 2018, as it is apparently excellent (and she needs the money).

Tracy Grammer

Tracy Grammer first appeared on the folk scene as the partner of singer-songwriter Dave Carter.  After his sudden death in 2002 she continued playing his music and started writing her own.  Today her album Low Tide is one of the most played albums on folk radio, and she tours on her own and as part of the Eliza Gilkyson Trio.

“Tracy Grammer is a brilliant artist and unique individual. Her voice is distinctive, as is her mastery over the instruments she plays.” – Joan Baez

Che Apalache

A blend of Appalachian and Latin music

Immigration is a powerful topic for Che Apalache bandleader Joe Troop. A polymath, polyglot, and world traveller, Troop left home at a young age, emigrating from this country in search of a better life. Raised in the North Carolina Piedmont, in the foothills of the Appalachian mountains, Troop came of age to the music of bluegrass and all-night jam sessions at festivals, but being a young, queer man in the South, at a certain point he no longer felt welcome in his own home region. He took refuge abroad, traveling Europe and immersing himself in his two great loves: music and language. He studied Spanish in Spain, spent summers in Morocco, and eventually moved to Japan to teach English. He carried his music and his fiddle with him always, picking up elements of flamenco, jazz manouche, and swing. In 2010, Joe immigrated to Argentina, and, looking to make friends and build a scene, he began teaching bluegrass.

Nine years later, Che Apalache, led by Troop, features three powerhouse Latin American musicians – two from Argentina, Franco Martino (guitar), Martin Bobrik (mandolin), and Pau Barjau (banjo) from Mexico – and has been taking audiences by storm with their fusion of Latin and American roots music. Famed banjo player and cross-genre trailblazer Béla Fleck was so taken with the band that he signed on to produce their new album, Rearrange My Heart, coming August 9, 2019 on Free Dirt Records. “I love to work with music that intrigues, excites and inspires me,” Fleck explains, “and that describes Che Apalache to a T! We first met at my Blue Ridge Banjo Camp last year. They had come from Buenos Aires and asked to play for me. I was blown away and they blew away the crowd a few days later. It’s been a blast to get to know them in the creative environment; together we’ve come up with what I believe is a truly striking album. I hope you’ll enjoy listening as much as I enjoyed producing.”

With Béla Fleck as producer and a new album on its way, Che Apalache is a success story, but Troop hasn’t returned to the States after over a decade abroad to comfort listeners. He’s here to challenge the narrative, to speak directly on what American policies and perspectives are doing to the world. “We’re trying to take our message to the people who most need to hear it.” Troop explains. “We want to have respectful dialogue with people that aren’t coming from the same place we are, and we want to challenge their way of thinking.” Opening with a traditional greeting in the Uruguayan murga style before segueing into the song “María,” which has touches of candombe, flamenco and Spanish Sephardic Jewish music, Che Apalache’s global sensibilities are clear. The heart of the album, though, lies with the powerful song “The Dreamer,” written about Troop’s friend Moises Serrano. A queer North Carolinian immigrant from Mexico and a DACA recipient, Serrano was raised in the same region as Troop. “The Dreamer” states Che Apalache’s mission: subvert the narrative from within. “We’re reeling people in with music they understand,” Troop explains, “but then we give them a twist. This is all intentional, I’ve had years living outside this country to think about how to do this.” The power of the subversion lies in how well Troop understands Appalachian and Southern audiences, and also in an honest love for the music. The band spent years perfecting Stanley Brothers-style harmonies, trying to get the sound just right. They then married that sound with brutally honest lyrics lamenting Trump’s rhetoric for “The Wall.” This level of subversion brings its own risks though. They sang the song at a famous Virginia fiddler’s convention the same day that Nazis marched in the streets of nearby Charlottesville, and had to drop everything and run for safety when an enraged audience member stormed the backstage to attack them.

Che Apalache was formed to enjoy music, to honor it, and to bridge the gap between North and South America, creating a vision of a truly “American” music. Through the controversy and the political fire that fuels Che Apalache’s music, Troop hasn’t lost sight of what first inspired him, the first moment he fell in love with the music. At just fourteen years old, in a small diner in Boone, North Carolina, he heard a humble man playing with his friends and family. That man was Doc Watson. For Troop and Che Apalache to come full circle and to create a new album with another legend of bluegrass, Béla Fleck, that’s the American dream that Che Apalache embodies.

Bill Staines

Anyone not familiar with the music of Bill Staines is in for a special treat (if you buy your tickets in advance – he sold out quickly last time).  The Martha Room is a very intimate space and a great place to hear great music.

For forty-five years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.

Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing over 175 concerts a year. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”

Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.

Bill Staines has recorded twenty-six albums. He has written over three hundred songs, many of which have been recorded by the likes of Peter, Paul, and Mary, Makem and Clancy, Nanci Griffith, Glen Yarborough, Celtic Thunder, and Jerry Jeff Walker. His music is sung at campfires and folk music gatherings, and in living rooms all around the country. Songs like “All God’s Critters,” “Roseville Fair,” “Child of Mine,” and “River,” have become folk classics. Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”

Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.

In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.

As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.

“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.

In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”  A true honor.

Mike and Carleen McCornack

Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes.  While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.

 “i

Compton & Newberry
Roots of Bluegrass Tour

Nationally recognized Bluegrass duo Mike Compton and Joe Newberry have agreed to swing through Jordan while on their West Coast tour!

Compton is a Grammy award-winning mandolinist and Newberry is an IBMA award-winning songwriter who have teamed up for the “Roots of Bluegrass” tour. Their combined music industry endeavors have enabled them to entertain millions of people, including the more than 4 million regular listeners of A Prairie Home Companion, and through the Grammy Award-winning soundtracks from the movies, O Brother, Where Art Thou and Cold Mountain.

Mike Compton has entertained from Carnegie Hall to the White House – and lots of good folks’ houses in between. The New York Times calls him “a new bluegrass instrumental hero.” He has performed on 100+ CDs in a variety of genres with some of the most beloved artists of our day. At heart, Mike Compton is a preservationist, continuing the music that Bill Monroe innovated on the mandolin and which set the standard for two generations of bluegrass mandolin players.

Joe Newberry is a prizewinning guitarist, songwriter and vocalist known far and wide for his powerful banjo playing. He won the songwriting prize for “Gospel Recorded Performance” at the 2012 IBMA Awards for his song “Singing As We Rise”, and was co-writer [with Eric Gibson] of the 2013 IBMA “Song of the Year,” “They Called It Music.” A longtime guest on A Prairie Home Companion, he was a featured singer on the Transatlantic Sessions 2016 tour of the U.K., and at the Transatlantic Session’s debut at Merlefest in 2017.

Allison de Groot
&
Tatiana Hargreaves

Described as a cant-miss pair in 2019, by Paste Magazine, Allison de Groot & Tatiana Hargreaves create a sound that is adventurous, masterful, and original, as they expand on the eccentricities of old songs, while never losing sight of what makes them endure. Already leaders in the young generation of roots musicians, de Groot has become known for her intricate clawhammer banjo work with Molskys Mountain Drifters, while Hargreaves has brought her powerhouse fiddling to the stage with Gillian Welch and Laurie Lewis. Their new album on Free Dirt Records is a powerful opening statement that has been called a big step forward (CBC Q) and dives deep into the old-time style and comes up with something wonderfully fresh (Vinyl District). Ranging from intricate banjo-fiddle instrumental performances inspired by early commercial and field recordings to more contemporary tunes and songs from the likes of Judy Hyman (the Horseflies) and Alice Gerrard, their repertoire reflects on which voices we seek to hear as we explore the expansive, diverse canon of American roots music. Their rendition of Alice Gerrards song Beaufort County Jail is included in Rolling Stone Countrys 10 Best Country and Americana Songs to Hear.

de Groot and Hargreaves have used their platform to broaden our horizons, both of the music our forebears created and the causes they sought to advance in their art. ~No Depression

two of the foremost old-time virtuosos on the scene today, executing these timeless songs and melodies with a clean and straightforward approach that sacrifices neither innovative thought nor modern embellishments to do so.  ~ The Bluegrass Situation

Jan Michael Looking Wolf
and
Robin Gentlewolf

Native American Flute Music

Native American flautists Jan Michael Looking Wolf and Robin Gentlewolf share the stories and music of their Native American families and cultures. A display of instruments and lecture at 2:30pm will precede the 3:00pm concert.

Dàimh, Gaelic Supergroup and unchallenged champion, play straight in the eye Highland music and are based around West Lochaber and the Isle of Skye.
Formed around the turn of the century and taking the name from the Gaelic word for kinship Dàimh (pronounced Dive) have taken their contemporary take of Highland and Gaelic music to over 20 countries, setting audiences alight from Moscow to San Francisco.

With a reputation as giants of the Bagpipes and Fiddle, Angus Mackenzie and Gabe McVarish lead the melodic powerhouse with fellow founder member Ross Martin underpinning the groove on the Guitar. The Band is joined by new guy Murdo Yogi Cameron on Mandola and Accordion to complete the instrumental line up.

Recent accolades include last year’s award for the “Best Folk Band in Europe” at the prestigious Folkherbst competition in Germany and most recently winner of “Folk Band of the Year” at the Scottish Traditional Music Awards.

A  Scottish Heritage Week celebration

Alan Reid

Glasgow born Alan  has been taking Scottish folk music all over the world since 1975. He joined the fledgling Battlefield Band in 1969 while studying at Strathclyde University and subsequently recorded almost 30 albums with this hard-working and enduring band, in that time garnering a reputation for his playing and his singing.  His groundbreaking keyboard work helped cement the band’s reputation as one of the most influential Celtic bands of its generation. With the band Alan toured the world, bringing Scottish traditional music to audiences in five continents and playing in many prestigious music festivals and venues. Along with former Battlefield Band colleagues he was inducted into the Scottish Traditional Music Hall of Fame in November 2016 in recognition of their contribution to Scots traditional music.

​He began composing songs and tunes in the 1980s and from 1990 was the band’s principal songwriter. His songs are noted for their strong storytelling element whilst being firmly grounded in Scots history and tradition. His songbook ”Martyrs, Rogues and Worthies”, was published in 2001 and in 2009 he was nominated in the ‘Composer of the Year’ category at the Scots Traditional Music Awards.

​In 2010 he left the ‘Batties,’ to concentrate on his duo with guitarist/singer Rob van Sante. He composed all the music for the duo’s third album, ”The Adventures of John Paul Jones’, which told the story of the Scots born mariner who was a hero for the American colonists during the American Revolutionary War. A presentation of the album (with drama written by Alan) was performed at the 2012 Dumfries and Galloway Arts Festival and at the 2013 Edinburgh Festival. The duo also developed a multi-media show telling Jones’ story which was showcased at Mystic Seaport Sea Festival in Connecticut in 2015.

​2014 saw his music featured in the National Theatre of Scotland’s award winning production of “The Glasgow Girls” musical about asylum seekers, while his singing and speaking talents were featured in “The Life and Times of Scrooge”, the solo album of Finnish rock star Tuomas Holopainen of metal band Nightwish.  That same year Alan and Rob’s fourth CD “Rough Diamonds”  was released and was followed by “The Dear Green Place”  in 2017. The duo continues to tour Europe, North America and Australia.

​In recent years Alan has taught Scots Song at the prestigious annual “Swannanoa Gathering” in North Carolina, USA. He was also a guest artist in the Linn Records mammoth 12 CD recording of the songs of Robert Burns, Scotland’s beloved National Poet, whose poems, songs and music have endured over the centuries.

​As well as the recordings with Battlefield Band and with Rob Van Sante, Alan has released two solo albums, “The Sunlit Eye” and “Recollection”.

A  Scottish Heritage Week celebration

Celtic harps,
rare instruments and
wondrous stories
a benefit for OregonFlora

The multi-instrumentalist duo of Lisa Lynne & Aryeh Frankfurter present an afternoon of music with Celtic Harps, Swedish Nyckelharpa, Ukrainian Bandura, Bouzouki, Cittern and more. Join these international performers and recording artists in an evening benefiting OregonFlora, a program that provides resources about the plants of the state. Appetizers, silent auction, and wine raffle are featured.

OregonFlora provides information about the native and naturalized plants of our state through its website, wildflower identification app, and Flora of Oregon books. Our work promotes plant awareness, gardening with native species, and restoration to support sustainable agricultural practices.

JONATHAN RICHMAN
featuring TOMMY LARKINS on the drums!

McKasson & McDonald

Ryan McKasson and Eric McDonald are masters of tradition who purposefully explore the dark corners floating on its edges. Their individual artistry is enhanced when together. In short, the sum creates a greater whole. The result is an alluring complexity, full of spontaneous musicality. Pulling from parallel strands of influence, they create a swirling level of intensity that traverses darkness, light, and everywhere in between. An air of mystery pervades a sound compelling enough to transcend boundaries and appeal to music lovers of all stripes. Devon Leger of Hearth Music says, “This duo really shows how two masterful musicians listen and play off each other.” The music this duo creates is to share, and live performance is the forte. Their mutual attitude stretches beyond the music. The two have been good friends ever since they met, and this is present in their live performances, which are full of organic banter and good humor to go along with the music. They create an environment of their own design, drawing in listeners without pretense. Despite both living active musical lives thousands of miles apart these two musicians have committed to working together to forge a new musical path.

Ryan McKasson has gained a strong reputation as a performer, composer,collaborator and teacher. In 1994, he began attending Alasdair Fraser’s Valley of the Moon Scottish Fiddling School (VOM), which led him deep into the world of traditional music. In 1996 he became the youngest ever to win the US National Scottish Fiddle Championship and in 1997 he was awarded a Merit Scholarship for Viola Performance from the University of Southern California, where he studied with Donald McInnes. Ryan’s professional career took a step forward when in 2004 he spearheaded the formation and development of “The McKassons”. This group released two critically acclaimed albums, Tall Tales (2004) and Tripping Maggie (2006). Over the years Ryan has recorded with a number of influential artists, namely his playing appears on fellow Scottish fiddle champion Hanneke Cassel’s three albums Silver (2006), For Reasons Unseen (2009), and Dot the Dragon’s Eyes (2013), as well as Alasdair Fraser & Natalie Haas’s recording Highlander’s Farewell (2011). In addition to McKasson & McDonald, other current projects include MAC, Ensemble Galilei and The Syncopaths.

A  Scottish Heritage Week celebration

Hanneke Cassel Trio

Effervescent and engaging, Boston-based fiddler Hanneke Cassel is a performer, teacher and composer whose career spans over two decades. She has graced stages across North America, Europe, Australia and Asia. Her style fuses influences from the Isle of Skye and Cape Breton Island with Americana grooves and musical innovations, creating a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition. Hanneke’s music is a blend of the contemporary and traditional, described by the Boston Globe as “exuberant and rhythmic, somehow wild and innocent, delivered with captivating melodic clarity and an irresistible playfulness.”

Hanneke Cassel’s new release Trip to Walden Pond (April 2017) features traditional Scottish and Cape Breton tunes and seventeen new pieces composed in the Scottish idiom. While her lively style is very much evident, this new album carries a deep, soulful sound with songs of celebration and farewell. Trip to Walden Pond, similar to Hanneke’s five previous albums, offers mellifluous arrangements of traditional fiddle music and original tunes that evoke humor and heart. This latest album also includes several compositions penned by Hanneke as commissions to benefit Many Hopes, a children’s education nonprofit based in Kenya that she avidly supports.

A native of Port Orford, Oregon, Hanneke started out as a Texas-style fiddler and went on to win the 1997 U.S. National Scottish Fiddle Championship, which awarded her the opportunity to study with Alasdair Fraser and introduced her to fiddle camps and the folk community — both of which continue to play an integral role in her life. Hanneke teaches regularly at Fraser’s Valley of the Moon and Sierra Fiddle Camps, the Mike Block String Camp (run by her husband, acclaimed cellist Mike Block), Harald Haugaard’s International Fiddle School, and the West Denmark Fiddle School. She has served as a guest instructor in the American Roots department at Berklee College of Music, where she received her Bachelor’s of Music in Violin Performance.

The Hanneke Cassel Band features Mike Block on cello and guitarist Keith Murphy. Fusing influences from the Isle of Skye and Cape Breton with Americana grooves and musical innovations, this group creates a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition.

Tom Paxton

An integral part of the songwriting and folk music community since the early 60’s Greenwich Village scene, Tom Paxton has become a celebrated voice of his generation — addressing the issues of injustice and inhumanity, laying bare the absurdities of modern culture and celebrating the tender bonds of family, friends, and community, and continues to be a primary influence on today’s “New Folk” performers. The Chicago native came to New York via Oklahoma, which he considers to be his home state.  Brought to New York courtesy of the US Army, Tom remained there following his discharge. His early success in Greenwich Village coffeehouses, such as The Gaslight and The Bitter End, led to an ever-increasing circle of work. Then in 1965 he made his first tour of the United Kingdom — the beginning of a still-thriving professional relationship that has included at least one tour in each of the succeeding years.

In describing Tom Paxton’s influence on his fellow musicians, Pete Seeger has said: “Tom’s songs have a way of sneaking up on you. You find yourself humming them, whistling them, and singing a verse to a friend. Like the songs of Woody Guthrie, they’re becoming part of America.” Pete goes on: “In a small village near Calcutta, in 1998, a villager who could not speak English sang me What Did You Learn In School Today? in Bengali! Tom Paxton’s songs are reaching around the world more than he is, or any of us could have realized. Keep on, Tom!”

Paxton is a GRAMMY® Lifetime Achievement Award Winner and an ASCAP Lifetime Achievement Award Winner. Regarded as one of the great songwriters of our time, he is the man who wrote and lives by those words, “Sweet peace, peace will come, and let it begin with me.”