Tom Paxton

An integral part of the songwriting and folk music community since the early 60’s Greenwich Village scene, Tom Paxton has become a celebrated voice of his generation — addressing the issues of injustice and inhumanity, laying bare the absurdities of modern culture and celebrating the tender bonds of family, friends, and community, and continues to be a primary influence on today’s “New Folk” performers. The Chicago native came to New York via Oklahoma, which he considers to be his home state.  Brought to New York courtesy of the US Army, Tom remained there following his discharge. His early success in Greenwich Village coffeehouses, such as The Gaslight and The Bitter End, led to an ever-increasing circle of work. Then in 1965 he made his first tour of the United Kingdom — the beginning of a still-thriving professional relationship that has included at least one tour in each of the succeeding years.

In describing Tom Paxton’s influence on his fellow musicians, Pete Seeger has said: “Tom’s songs have a way of sneaking up on you. You find yourself humming them, whistling them, and singing a verse to a friend. Like the songs of Woody Guthrie, they’re becoming part of America.” Pete goes on: “In a small village near Calcutta, in 1998, a villager who could not speak English sang me What Did You Learn In School Today? in Bengali! Tom Paxton’s songs are reaching around the world more than he is, or any of us could have realized. Keep on, Tom!”

Paxton is a GRAMMY® Lifetime Achievement Award Winner and an ASCAP Lifetime Achievement Award Winner. Regarded as one of the great songwriters of our time, he is the man who wrote and lives by those words, “Sweet peace, peace will come, and let it begin with me.”

Roy Zimmerman
RiZe Up

Roy Zimmerman’s signature blend of heart and hilarity has never been more necessary. RiZe Up is ninety minutes of Roy Zimmerman’s original songs, a funny and forceful affirmation of Peace and Social Justice. It’s laughter and encouragement for progressive-minded people who need a lot of both. Roy’s songs have been heard on HBO and Showtime, and his videos have garnered tens of millions of views. He has recorded for Warner/Reprise Records. He’s shared stages with Bill Maher, Ellen DeGeneres, Holly Near, Robin Williams, Arlo Guthrie, John Oliver, Kate Clinton and George Carlin, and tours the country constantly with his wife and co-writer Melanie Harby.

Roy Zimmerman is a satirical songwriter in the Tom Lehrer/Phil Ochs tradition with a great gift for clever and funny lyrics that really rhyme and an incredibly entertaining banter between his songs.

“You’re brilliant. Just brilliant!” — Terry Jones, Monty Python

Tom Lehrer himself says, “I congratulate Roy Zimmerman on reintroducing literacy to comedy songs.  And the rhymes actually rhyme, they don’t just ‘rhyne.'”

Joni Mitchell says, “Roy’s lyrics move beyond poetry and achieve perfection.”

He spent the Comedy Boom years of the Eighties doing stand-up in San Francisco, sharing stages with George Carlin, Bill Maher, Kate Clinton, Dennis Miller and many others. He wrote all the material for his funny folk music quartet The Foremen, recording two albums for Warner/Reprise Records. He’s done several shows with The Pixies’ Frank Black, swapping songs in a solo acoustic setting.

“Roy Zimmerman simultaneously inspires me and makes me laugh my ass off,” says comedian/author Paul Krassner.

Zimmerman tours almost constantly, taking his funny songs about fracking, creationism, marijuana laws, government shutdown, same-sex marriage, guns, taxes and abstinence across the country, often playing in some of the least Progressive places in America for the most Progressive people there.  “I get accused of preaching to the converted,” he says, “but I don’t think of it that way. I think of it as entertaining the troops.”

In thirteen albums over twenty years, Roy has brought the sting of satire to the struggle for Peace and Social Justice. His songs have been heard on HBO and Showtime. He has recorded for Warner/Reprise Records. He’s been profiled on NPR’s “All Things Considered.” Zimmerman’s YouTube videos have amassed over seven million views, and he’s a featured blogger for the Huffington Post.

Sing Out! Magazine writes, “Zimmerman is a guy on the left skewering folks on the right with rapier-sharp lyrics … underneath the caustic satire is a man who is surprisingly optimistic.”

American Strings:
An Evening
with Carlene Carter

Hosted by the GRAMMY Museum’s Bob Santelli, director of popular music in the OSU College of Liberal Arts and the Majestic Theatre, the conversation and performance that comprises each segment of American Strings makes for a one of a kind opportunity to appreciate and know better the great American music tradition. This month will feature the daughter of June Carter Cash of the Carter Family and the step-daughter of American music legend Johnny Cash.  Carlene Carter blends her traditional roots with her own take on country music. Join Bob Santelli for an American Strings evening of conversation and music as a bit of Nashville comes to Corvallis.

The American Strings series brings renowned artists from around the U.S. to Corvallis and Oregon State University for an in-depth look at how and why stringed instruments play such a profound role in American music.

Registration opens for the
Corvallis Contra Weekend 2020
February 14-16, 2020

This event sells out quickly, so register now at the event website https://corvallisfolklore.org/ccw/

Joyride

Joyride is a Portland Oregon contra dance band known for fun, skilled play, tune sets carefully tailored to dances, and well-phrased melodies and harmonies set in a danceable groove. George Penk’s rich, compelling fiddle, Erik Weberg’s deft flute, harmonica and bombarde, Sue Songer’s heartbeat piano and Jeff Kerssen-Griep’s vital guitar and percussion provide modern and traditional tunes for dances, weekends and festivals throughout the year. This band loves creating a great experience for everyone, every time.  Come catch a lift with Joyride at home or on the road!

Deb Comly

Deb Comly was bitten by the contra bug in 1994 and took off dancing across the country. Her passion for the dance keeps her dancing, calling, teaching, organizing, and playing music in Flagstaff and across the Southwest. Known for her quick and efficient teaching, diverse programing and reassuring demeanor,  dancers are comforted to know she’ll be behind the mic!  From her beaming smile to her happy feet, Deb’s energy is contagious!

A beginner’s lesson starts at 7:00pm (experienced dancers welcome and encouraged); dance starts at 7:30pm.

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

We dance First and Third Saturdays of the month except for July & August. Occasional special dances. See the rest of the calendar for more info.

Special Monday Contra Dance

Faux Paws

Noah VanNorstrand, Chris Miller and
Owen Morrison have been making music together since 2010, all over North America. Ostensibly based in Brattleboro, VT – their music is a mix of fiddle tunes, bluegrass and country songs, explosive jams and tight harmonies.

George Marshall

George Marshall is one of the top contra callers in the world.  He usually calls with Wild Asparagus or Swallowtail, but occasionally graces another group’s dances.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Sarah Lee Guthrie

As the daughter of Arlo Guthrie and the granddaughter of the legendary folk artist Woody Guthrie, Sarah Lee Guthrie’s lineage is undeniable. But if you close your eyes and forget that her last name is synonymous with the river-legacy of a widening current of American folk music, you’d still be drawn to the clarity and soul behind her voice. There is a gentle urgency to her interpretations of the songs she sings and the classic music of her heritage. It flows from the continuity of her family, her vital artistic life today and the river of songs that have guided her to where she now stands.

(I’ve seen her solo, with her husband, and with her dad, Arlo, and she’s well worth seeing)

Join host Bob Santelli, at this rare opportunity to witness the growth of one of American’s finest young folk singers, through a conversation and live performance.

The Gothard Sisters
Celtic Christmas

The Gothard Sisters are a dynamic group of three sisters, whose impressive array of talents have set them apart as one of the most refreshing and compelling acts in Celtic music today.

The sisters’ unpredictable and theatrical flair brings a youthful splash to the time-honored tradition of Celtic folk music, bridging the gap between modern Pop and Folk-Rock with a sunny, optimistic style that has been described as “beautifully-arranged, melodic-minded Celtic Folk-Pop.”

Blending Celtic, folk, classical, world and northwest musical influences, the Gothard Sisters bring songs to life with violin, acoustic guitar, mandolin, bodhran, djembe, octave violin, whistle and vocal harmonies, creating music that is “vivid, inspirational and captivating.”  (Tim Carroll, Folk Words Review 2018)

Hitting the streets of their hometown – Edmonds, Washington – in 2006, The Gothard Sisters first began playing together as a violin trio busking for tips at the local farmer’s market, working their way onto stages at local fairs and festivals. Audiences responded with enthusiasm, and over 1,000 performances later the band recently performed at the Millennium Stage at the Kennedy Center in Washington D.C., completed several national concert tours of the United States, regularly perform as guest entertainers on Disney Cruise Line in Europe and South America and are well-known musicians on the national Celtic festival circuit.

In December 2016 The Gothard Sisters charted on Billboard’s World Music Chart with their latest Christmas album, Falling Snow, alongside notable Irish music phenomena Celtic Woman and Celtic Thunder.

Uncle Farmer

Uncle Farmer is Ben Schreiber on fiddle and Michael Sokolovsky on guitar. With an Irish and New England sound at its core, the duo is known for its original dance tunes, modern twists on old favorites, and sets mixed with pop rhythms and improvisational flair. Their performances range from sweet and nostalgic to gritty and energetic, and their sound truly fills both the room and the hearts of dancers.

Susan Petrick

Susan Petrick has been calling all over the country for more than a decade. Her gracious manner along with her clarity and confidence on stage have made her one of the most sought after callers in the Pacific Northwest.
As a dancer herself, she knows what makes dancers happy and as a caller, she is always conscious of what is happening on the dance floor. Susan brings with her a diverse collection of dances featuring many flowing and flirty contras that will please your feet and satisfy your soul!

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Mary Chapin Carpenter
and
Shawn Colvin

JOIN US for the next installment of our SAC Presents performing arts series presented by the College of Liberal Arts/School of Arts and Communication!

Longtime friends and musical collaborators Mary Chapin Carpenter and Shawn Colvin perform together as an intimate, acoustic duo, swapping songs and sharing stories.

Over the course of her acclaimed career, Mary Chapin Carpenter has sold over 14 million records, racking up hits like “Passionate Kisses,” “He Thinks He’ll Keep Her,” “Down at the Twist and Shout,” and “I Feel Lucky.” She has won five GRAMMY Awards®, two Country Music Association Awards®, and two Academy of Country Music Awards®. She is one of only 15 female members of the Nashville Songwriters Hall of Fame. Although she was marketed as a country artist through the 1990s, the songs from Carpenter’s 15 studio albums travel the roads of Americana, folk, and rock, speaking to the most personal and most universal of life’s details. She has collaborated with Joan Baez, Cyndi Lauper, and the Indigo Girls, among other diverse artists. Her most recent album, Sometimes Just the Sky (2018), is a celebration of her three-decade career and features new versions of some of her most beloved songs.

Shawn Colvin won her first of three GRAMMY Awards® for Best Contemporary Folk Album with her 1989 debut, Steady On. Her contemporary folk songs are works of craft and catharsis that become treasured, lifetime companions for their listeners. “Sunny Came Home,” from A Few Small Repairs, took home the Grammy Awards®for Record of the Year and Song of the Year in 1998. Colvin is a recent inductee into the Austin City Limits Hall of Fame and was recognized for her career accomplishments with the 2016 Lifetime Achievement Trailblazer Award from the Americana Music Association. A popular collaborator, she has made music with Emmylou Harris, James Taylor, Sting, Alison Krauss, Steve Earle, and Jakob Dylan, among others. In September 2019, to commemorate the 30th anniversary of Steady On, Colvin will release a special, newly-recorded, and all-acoustic version of that landmark album.

This special show will feature the acclaimed singer-songwriters performing some of their favorite songs while exploring material from their own vast catalogues. They previously toured together in 2013, where audiences were invited to share the artists’ “living room” as they played music and traded quips in a warm, comfortable setting, inspired by the duo’s long-lasting camaraderie.

Act quickly. This show is nearly sold out.

Mark O’Connor
An Appalachian Christmas

Mark O’Connor’s An Appalachian Christmas album (2011) reached the #1 ranking on Billboard’s Bluegrass Album charts and has been in the top five each year since. Hailed by critics from the Wall Street Journal, New York Times and Los Angeles Times as a top 10 album of the holiday season, it has become a perennial classic Christmas recording.

O’Connor says, “Appalachia is the original melting pot of our country featuring more diverse styles of American music than just about anywhere. This theme makes for what is a trilogy of my “Appalachia” recordings now; Appalachia Waltz, Appalachian Journey, and An Appalachian Christmas

WINTERDANCE

Bandwidth

• Gordy Euler – fiddle, piano
• Kieth Mo – fiddle
• Carl Thor – piano, mandolin

Rich Goss

Most weekends, and sometimes on weekdays, I can be found in a dance hall somewhere calling, playing, doing sound, or contra dancing. I also play percussion once or twice a year with The Portland Megaband, a 75-80 member contra orchestra!!

The Pacific NW is such a terrific place to live! It’s great for calling and playing opportunities. In addition to established contra dances, I also enjoy calling for parties, weddings and community dances.

I’ve called dances from coast to coast for events ranging from large to small, novice to experienced, in a driveway to very large dance halls. My goal is to call fun accessible dances with clear concise teaching, always with a good-natured, easy-going style.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

The Alchemists

George Penk is a well-known fiddle player across the USA, especially in the Pacific Northwest. He lives in Portland where he currently plays with the bands Joyride and Jigsaw. George collaborates with many musicians in various musical adventures, including being part of the Portland Collection project through his playing on the Portland Selection CD’s. His spirited and rich fiddle style is a delight to listen to. George is widely appreciated as a consummate dance fiddler working with callers to make sure the music is in-tune with the spirit of the dances.
Heather Pinney, also a member of Jigsaw, joins on piano and fiddle.

Steven Skolnik has been steeped in percussion for most of his life, playing professionally from jazz to classical and folk, adding taste and power to our driving and lyrical melodies.

Maia Hoffman is studying viola at the Cleveland Institute of Music and allows us to tap into her talents when we snatch her for our contra dance gigs indulging us with twin or triple fiddling.

Erik Weberg

I danced my first contra dance in Moscow Idaho in the Fall of 1986.  Several excursions to the dance hall were necessary for me to find the courage to actually dance, but once I, tried it caught hold quickly and I became a regular dancer. Christian Petrich encouraged me to try calling for the first time in 1990 and soon after that I started regularly attending the first Wednesday open mic in Spokane Washington. I called dances around Eastern Washington and Northern Idaho for a few years before moving west of the Cascades in 1993. I was soon asked to call dances in Portland and up the Willamette Valley. Since then I’ve been calling dances, festivals and weekends around the country from Seattle to Boston, from Fairbanks to Tuscon and most places between. I am able to enjoy this craft because of the good folks who encouraged and taught me to call dances years ago, the booking agents and local dance committees who have given me wonderful opportunities to practice in their communities, and the thousands of dancers and musicians who forgive me my mistakes and make it all worthwhile. If you’re reading this you’re probably one of them; so, thank you!

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

SVER

play grand Norwegian folk music with relentless energy and seductive spark taking you on a fantastic musical journey guaranteed to excite you. Ranging from the very dreamy to a swinging, pounding and sweaty madness – you are invited to the party, greeted by a welcoming primal force that pulls you into the dance.

SVER has often been described as “sounding electric without electricity”, and their flexible musicianship has also made them an attractive backing band for some of Scandinavia’s leading singers in different genres. That has lead to playing on TV-shows, big festivals and positions in the radio charts with the music ranging from folk to reggae/dancehall and rap. Their imaginative soundscapes, grooves, and melodies will take you on a journey over the Norwegian fjords and mountains, into the lively pubs and back out into the deep forest of their musicality.

SVER consists of Olav Luksengård Mjelva (fiddle and hardangerfiddle), Anders Hall (fiddle and viola), Leif Ingvar Ranøien (diatonic accordion), Adam Johansson (guitar) and Jens Linell (Drums and percussion). Olav and Leif Ingvar have played together since 2002. Vidar Berge joined the group in 2007 on guitar and together they released the self titled album “SVER”. In the spring of 2008 Anders and Jens completed the band, and they released “Fruen” in 2010. Vidar quit the band later that year and Adam joined the group. Since 2011 SVER has collaborated with the Swedish dance-hall artist Snakka San.

https://youtu.be/eUMjqrAGpk0
https://youtu.be/ambGSIQ3Gv4