Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Special Sunday Contra Dance
The Syncopaths
From dance floors to concert halls, the Syncopaths bring a fresh, contemporary spin to music and songs rooted in the Scottish, Irish, and American folk traditions. Evolving beyond their contra dance origins, they are creating a “chamber folk” sound characterized by the compelling, rhythmic interplay of fiddle and mandolin, rich vocals, and unexpected colors and rhythms from the piano and bodhrán. The exuberant joy they derive from the music and each other is palpable and contagious.
“Though they may not have the international acclaim of the likes of Solas or the Chieftains, make no mistake, the Syncopaths are nothing short of a Celtic supergroup.” — Irish Herald, July 2011
At the heart of the band’s sound are the twin engines of Ryan McKasson’s dynamic, Scottish-based fiddling and the understated-but-monster picking of mandolinist Ashley Broder. Jeff Spero provides wonderfully inventive and surprising piano accompaniment, anchored by the driving power of Christa Burch’s non-traditional bodhrán. Christa also lends her singular voice — warm, supple, expressive, and intimate — to the band’s songs. All in all, the Syncopaths are equally at home with pulsing, high-energy dance tunes and beautiful, contemplative songs. They ably stretch melodic boundaries while keeping a steady, compelling, danceable beat.
“The energy, joy, and spontaneity…rolls right off the stage. The combination will make you feel like you’re firewalking.” — Portland Country Dance Community Footnotes, May 2006
The Syncopaths tour nationally, and have released two CDs, Five Gears (2010) and Rough Around the Edges (2005).
George Marshall
George Marshall is one of the top contra callers in the world. He usually calls with Wild Asparagus or Swallowtail, but occasionally graces another group’s dances.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
All levels Welcome!
All members are welcome to attend. Please contact Jason for more information (there’s limited space).
Countercurrent
From Seattle:
- Brian Lindsay – fiddle
- Alex Sturbaum – guitar
Countercurrent is a contra dance and folk music band in western Washington, featuring driving guitar, foot percussion, lyrical fiddle, and harmony vocals.
Michael Karcher
From New York via Seattle.
Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
First and Third Sundays
The first Sunday of the month will be dedicated to Balkan dances and the third to Israeli.
All levels Welcome!
All levels Welcome!
7:30 Chuva Boa
Colleen Kitchen and Laura Zaerr have been collaborating since the 90’s. Laura’s diatonic lever harp was a natural fit for Celtic music, and Colleen had spent three years in Ireland with no piano, so she had gotten a pennywhistle and learned Irish music for lack of other options. Their first Celtic band, “Heather Breeze,” was active doing dances and festivals including the inaugural daVinci days, until other competing interests such as the birth of Colleen’s daughter put a crimp in that. The two collaborated on a number of classical endeavors in the ensuing decades. Laura put together “Village Green”in the oughts, and Colleen was part of that ensemble for a while. But meanwhile the jazz roots were beckoning. While Colleen crashed Neal Grandstaff’s jazz improv class at Oregon State, Laura had been sitting in with Winston McCullough’s jazz ensemble and discovering ways to make the big harp work for jazz. It’s NOT easy. Only the best harpists can do it. With a natural gift for improvisation, and inspired by Dorothy Ashby Colleen and Laura developed ways to tag team each other, and the bright brilliant choros and bossa novas of Brazil seemed especially suited to the sound of the harp. You can’t have a Brasil band without percussion, and when expert percussionist Kevin Ronkko joined the group, it was just the ticket to make manifest the groove that was driving the music only in their imagination.
The group played for a while with no name, and everyone was telling them they needed a name. It was the drought year of 2015, not only dry, but very hot. The band was rehearsing the song “Chovendo na Roseira” and all the references to good nurturing rain were making everyone thirsty. Someone remarked that we could use a dose of “Chuva Boa” (good rain) right about now, and the name stuck. Below is a video of Brazilian icon Gal Costa performing “Chovendo na Roseira” (to be replaced with our own when we get a nice clean one.)
8:30 Cooper Hollow
With members Jim Hockenhull (Fiddle, guitar, accordion, vocals), Sally Clark (Mandolin, guitar, harmony vocals), and Paul Scheerer (Guitar, mandolin, tenor banjo, harmonica, lead vocals), Cooper Hollow is a high energy string band. They perform a mix of bluegrass, old-time fiddle tunes, country, blues and rags with a bit of Cajun thrown in for spice.
The best Cellar is a once-a-month evening of acoustic music. Admission is “pay what you will,” and kids are free. Cookies and coffee are available. Located in the cellar of the Methodis Church on 11th and Monroe, in Corvallis. For more information, or to join the volunteer team, contact Mark Weiss at mjweiss@cmug.com
Hoolyeh and Friends 10th Annual Folk Dance Party
Anyone who likes to folk dance is welcome!
Bring snacks, treats, refreshments, drinks and stories.
Bring your memories to share!
Costumes are encouraged and besides, they are fun!
Corvallis Guitar Society
The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.
Our Mission
To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.
We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.