Neal Gladstone
Tribute Concert

Fans of Neal Gladstone’s music are in for a treat this winter.  Though Neal stopped performing after he was diagnosed with Parkinson’s, his musical friends in three top local bands have cooked up a Tribute concert featuring his songs and comedy, with Neal as the Guest of Honor.  Like any Gladstone show, this one will be full of surprises and great music.  The line up includes Neal’s long-time vocalist Audrey Perkins and her band Swing and a Ms., plus The Flow with Rita Brown and Bill Smyth, and the Plaehn-Hino Blues Band with special guests Creighton Lindsay and Bret Godfrey.  The evening’s host will be MC David Grube.

Neal told us that while he was embarrassed to be the subject of this tribute, he is excited to hear his songs played by these excellent musicians.  So mark your calendar for Jan. 28 for the Neal Gladstone Tribute Concert at the historic Whiteside Theatre, and get your tickets early.

Neal Gladstone Songbook  Just in time for Christmas, watch for the release of the new Neal Gladstone Songbook, featuring 30 of his most popular songs, arranged for piano and/or guitar.   The song books will be sold at GrassRoots Bookstore, Gracewinds, and Troubadour music.   Along with tickets to the Neal Gladstone Tribute Show on Jan 28, what a perfect stocking stuffer for the Gladstone fan on your list!

FMI or to volunteer for the concert:  Chere and Cliff Pereira cherep@comcast.net.

Steve Gillette and Cindy Mangsen

Steve Gillette is best known as a songwriter, with songs recorded by artists from Ian & Sylvia to Garth Brooks, from Jiminy Cricket to John Denver. His song Darcy Farrow alone has been recorded by more than one hundred artists since 1966, most recently by Jimmy Dale Gilmore and Nanci Griffith. Quite literally, he wrote the book on songwriting: Songwriting and the Creative Process (Sing Out Press) is a standard text in songwriting classes across the country. Steve sings in a rich baritone and is a virtuoso on guitar, using a unique fingerpicking style with a flat-pick and two fingers. His most recent solo recording is The Man (2010, Compass Rose Music), a CD featuring music from (or reminiscent of) 1920s and ’30s jazz and roots music, accompanied by a narrative Steve created, blending fact and fiction from that vibrant era. Featured prominently on the album is George Gillette, Steve’s dad, playing stride piano in the style he grew up with. 

Cindy Mangsen, who married Gillette in 1989, is also a songwriter, but her focus has been on songkeeping. Cindy is a master interpreter of traditional ballads, rich in myth and legend. She plays guitar, concertina, and banjo, and is renowned for her compelling voice, described by one critic as a voice that can warm a New England winter. Her newest solo CD is Cat Tales: Songs of the Feline Persuasion (2005, Compass Rose Music), an album of songs about cats and their people.

Stuart Mason
&
John Weed
(of Molly’s Revenge)
Ireland to Appalachia

John Weed (fiddle) and Stuart Mason (guitar, mandola, banjo) will be performing traditional Appalachian, blues, and Celtic music that digs deep into the roots of American music. Long before the time of Bill Monroe or Ralph Stanley or the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a wellspring of material that later formed the basis of the bluegrass and early country repertoire.

John and Stuart have just recorded a new album project–their first CD as a duo. Material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and French roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life-long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album “Lift” as well as songs from the lively repertoire of Little Black Train and from Stuart’s two solo albums. 

Doors open 6pm with a potluck reception.

There will be daytime workshops – Irish fiddle & DADGAD Guitar $25.  Contact Lisa for more information.

A house concert is an excellent opportunity to hear great music in a very intimate setting.

Roy Zimmerman

There’s lots of new grist for Roy Zimmerman’s song-writing mill with the election results and everything going on in the world.  This should be interesting (and entertaining).

Roy Zimmerman is a satirical songwriter in the Tom Lehrer/Phil Ochs tradition with a great gift for clever and funny lyrics that really rhyme and an incredibly entertaining banter between his songs.

“You’re brilliant. Just brilliant!” — Terry Jones, Monty Python

Tom Lehrer himself says, “I congratulate Roy Zimmerman on reintroducing literacy to comedy songs.  And the rhymes actually rhyme, they don’t just ‘rhyne.'”

Joni Mitchell says, “Roy’s lyrics move beyond poetry and achieve perfection.”

He spent the Comedy Boom years of the Eighties doing stand-up in San Francisco, sharing stages with George Carlin, Bill Maher, Kate Clinton, Dennis Miller and many others. He wrote all the material for his funny folk music quartet The Foremen, recording two albums for Warner/Reprise Records. He’s done several shows with The Pixies’ Frank Black, swapping songs in a solo acoustic setting.

“Roy Zimmerman simultaneously inspires me and makes me laugh my ass off,” says comedian/author Paul Krassner.

Zimmerman tours almost constantly, taking his funny songs about fracking, creationism, marijuana laws, government shutdown, same-sex marriage, guns, taxes and abstinence across the country, often playing in some of the least Progressive places in America for the most Progressive people there.  “I get accused of preaching to the converted,” he says, “but I don’t think of it that way. I think of it as entertaining the troops.”

In thirteen albums over twenty years, Roy has brought the sting of satire to the struggle for Peace and Social Justice. His songs have been heard on HBO and Showtime. He has recorded for Warner/Reprise Records. He’s been profiled on NPR’s “All Things Considered.” Zimmerman’s YouTube videos have amassed over seven million views, and he’s a featured blogger for the Huffington Post.

Sing Out! Magazine writes, “Zimmerman is a guy on the left skewering folks on the right with rapier-sharp lyrics … underneath the caustic satire is a man who is surprisingly optimistic.”

The Martha Room at the First Presbyterian Church is in the basement, most easily accessed through the 11th Street entrance near the parking lot.

Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.

His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19^th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!

But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”

So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.

Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.