Che Apalache

A blend of Appalachian and Latin music

Immigration is a powerful topic for Che Apalache bandleader Joe Troop. A polymath, polyglot, and world traveller, Troop left home at a young age, emigrating from this country in search of a better life. Raised in the North Carolina Piedmont, in the foothills of the Appalachian mountains, Troop came of age to the music of bluegrass and all-night jam sessions at festivals, but being a young, queer man in the South, at a certain point he no longer felt welcome in his own home region. He took refuge abroad, traveling Europe and immersing himself in his two great loves: music and language. He studied Spanish in Spain, spent summers in Morocco, and eventually moved to Japan to teach English. He carried his music and his fiddle with him always, picking up elements of flamenco, jazz manouche, and swing. In 2010, Joe immigrated to Argentina, and, looking to make friends and build a scene, he began teaching bluegrass.

Nine years later, Che Apalache, led by Troop, features three powerhouse Latin American musicians – two from Argentina, Franco Martino (guitar), Martin Bobrik (mandolin), and Pau Barjau (banjo) from Mexico – and has been taking audiences by storm with their fusion of Latin and American roots music. Famed banjo player and cross-genre trailblazer Béla Fleck was so taken with the band that he signed on to produce their new album, Rearrange My Heart, coming August 9, 2019 on Free Dirt Records. “I love to work with music that intrigues, excites and inspires me,” Fleck explains, “and that describes Che Apalache to a T! We first met at my Blue Ridge Banjo Camp last year. They had come from Buenos Aires and asked to play for me. I was blown away and they blew away the crowd a few days later. It’s been a blast to get to know them in the creative environment; together we’ve come up with what I believe is a truly striking album. I hope you’ll enjoy listening as much as I enjoyed producing.”

With Béla Fleck as producer and a new album on its way, Che Apalache is a success story, but Troop hasn’t returned to the States after over a decade abroad to comfort listeners. He’s here to challenge the narrative, to speak directly on what American policies and perspectives are doing to the world. “We’re trying to take our message to the people who most need to hear it.” Troop explains. “We want to have respectful dialogue with people that aren’t coming from the same place we are, and we want to challenge their way of thinking.” Opening with a traditional greeting in the Uruguayan murga style before segueing into the song “María,” which has touches of candombe, flamenco and Spanish Sephardic Jewish music, Che Apalache’s global sensibilities are clear. The heart of the album, though, lies with the powerful song “The Dreamer,” written about Troop’s friend Moises Serrano. A queer North Carolinian immigrant from Mexico and a DACA recipient, Serrano was raised in the same region as Troop. “The Dreamer” states Che Apalache’s mission: subvert the narrative from within. “We’re reeling people in with music they understand,” Troop explains, “but then we give them a twist. This is all intentional, I’ve had years living outside this country to think about how to do this.” The power of the subversion lies in how well Troop understands Appalachian and Southern audiences, and also in an honest love for the music. The band spent years perfecting Stanley Brothers-style harmonies, trying to get the sound just right. They then married that sound with brutally honest lyrics lamenting Trump’s rhetoric for “The Wall.” This level of subversion brings its own risks though. They sang the song at a famous Virginia fiddler’s convention the same day that Nazis marched in the streets of nearby Charlottesville, and had to drop everything and run for safety when an enraged audience member stormed the backstage to attack them.

Che Apalache was formed to enjoy music, to honor it, and to bridge the gap between North and South America, creating a vision of a truly “American” music. Through the controversy and the political fire that fuels Che Apalache’s music, Troop hasn’t lost sight of what first inspired him, the first moment he fell in love with the music. At just fourteen years old, in a small diner in Boone, North Carolina, he heard a humble man playing with his friends and family. That man was Doc Watson. For Troop and Che Apalache to come full circle and to create a new album with another legend of bluegrass, Béla Fleck, that’s the American dream that Che Apalache embodies.

Dàimh, Gaelic Supergroup and unchallenged champion, play straight in the eye Highland music and are based around West Lochaber and the Isle of Skye.
Formed around the turn of the century and taking the name from the Gaelic word for kinship Dàimh (pronounced Dive) have taken their contemporary take of Highland and Gaelic music to over 20 countries, setting audiences alight from Moscow to San Francisco.

With a reputation as giants of the Bagpipes and Fiddle, Angus Mackenzie and Gabe McVarish lead the melodic powerhouse with fellow founder member Ross Martin underpinning the groove on the Guitar. The Band is joined by new guy Murdo Yogi Cameron on Mandola and Accordion to complete the instrumental line up.

Recent accolades include last year’s award for the “Best Folk Band in Europe” at the prestigious Folkherbst competition in Germany and most recently winner of “Folk Band of the Year” at the Scottish Traditional Music Awards.

A  Scottish Heritage Week celebration

Alan Reid

Glasgow born Alan  has been taking Scottish folk music all over the world since 1975. He joined the fledgling Battlefield Band in 1969 while studying at Strathclyde University and subsequently recorded almost 30 albums with this hard-working and enduring band, in that time garnering a reputation for his playing and his singing.  His groundbreaking keyboard work helped cement the band’s reputation as one of the most influential Celtic bands of its generation. With the band Alan toured the world, bringing Scottish traditional music to audiences in five continents and playing in many prestigious music festivals and venues. Along with former Battlefield Band colleagues he was inducted into the Scottish Traditional Music Hall of Fame in November 2016 in recognition of their contribution to Scots traditional music.

​He began composing songs and tunes in the 1980s and from 1990 was the band’s principal songwriter. His songs are noted for their strong storytelling element whilst being firmly grounded in Scots history and tradition. His songbook ”Martyrs, Rogues and Worthies”, was published in 2001 and in 2009 he was nominated in the ‘Composer of the Year’ category at the Scots Traditional Music Awards.

​In 2010 he left the ‘Batties,’ to concentrate on his duo with guitarist/singer Rob van Sante. He composed all the music for the duo’s third album, ”The Adventures of John Paul Jones’, which told the story of the Scots born mariner who was a hero for the American colonists during the American Revolutionary War. A presentation of the album (with drama written by Alan) was performed at the 2012 Dumfries and Galloway Arts Festival and at the 2013 Edinburgh Festival. The duo also developed a multi-media show telling Jones’ story which was showcased at Mystic Seaport Sea Festival in Connecticut in 2015.

​2014 saw his music featured in the National Theatre of Scotland’s award winning production of “The Glasgow Girls” musical about asylum seekers, while his singing and speaking talents were featured in “The Life and Times of Scrooge”, the solo album of Finnish rock star Tuomas Holopainen of metal band Nightwish.  That same year Alan and Rob’s fourth CD “Rough Diamonds”  was released and was followed by “The Dear Green Place”  in 2017. The duo continues to tour Europe, North America and Australia.

​In recent years Alan has taught Scots Song at the prestigious annual “Swannanoa Gathering” in North Carolina, USA. He was also a guest artist in the Linn Records mammoth 12 CD recording of the songs of Robert Burns, Scotland’s beloved National Poet, whose poems, songs and music have endured over the centuries.

​As well as the recordings with Battlefield Band and with Rob Van Sante, Alan has released two solo albums, “The Sunlit Eye” and “Recollection”.

A  Scottish Heritage Week celebration

Celtic harps,
rare instruments and
wondrous stories
a benefit for OregonFlora

The multi-instrumentalist duo of Lisa Lynne & Aryeh Frankfurter present an afternoon of music with Celtic Harps, Swedish Nyckelharpa, Ukrainian Bandura, Bouzouki, Cittern and more. Join these international performers and recording artists in an evening benefiting OregonFlora, a program that provides resources about the plants of the state. Appetizers, silent auction, and wine raffle are featured.

OregonFlora provides information about the native and naturalized plants of our state through its website, wildflower identification app, and Flora of Oregon books. Our work promotes plant awareness, gardening with native species, and restoration to support sustainable agricultural practices.

McKasson & McDonald

Ryan McKasson and Eric McDonald are masters of tradition who purposefully explore the dark corners floating on its edges. Their individual artistry is enhanced when together. In short, the sum creates a greater whole. The result is an alluring complexity, full of spontaneous musicality. Pulling from parallel strands of influence, they create a swirling level of intensity that traverses darkness, light, and everywhere in between. An air of mystery pervades a sound compelling enough to transcend boundaries and appeal to music lovers of all stripes. Devon Leger of Hearth Music says, “This duo really shows how two masterful musicians listen and play off each other.” The music this duo creates is to share, and live performance is the forte. Their mutual attitude stretches beyond the music. The two have been good friends ever since they met, and this is present in their live performances, which are full of organic banter and good humor to go along with the music. They create an environment of their own design, drawing in listeners without pretense. Despite both living active musical lives thousands of miles apart these two musicians have committed to working together to forge a new musical path.

Ryan McKasson has gained a strong reputation as a performer, composer,collaborator and teacher. In 1994, he began attending Alasdair Fraser’s Valley of the Moon Scottish Fiddling School (VOM), which led him deep into the world of traditional music. In 1996 he became the youngest ever to win the US National Scottish Fiddle Championship and in 1997 he was awarded a Merit Scholarship for Viola Performance from the University of Southern California, where he studied with Donald McInnes. Ryan’s professional career took a step forward when in 2004 he spearheaded the formation and development of “The McKassons”. This group released two critically acclaimed albums, Tall Tales (2004) and Tripping Maggie (2006). Over the years Ryan has recorded with a number of influential artists, namely his playing appears on fellow Scottish fiddle champion Hanneke Cassel’s three albums Silver (2006), For Reasons Unseen (2009), and Dot the Dragon’s Eyes (2013), as well as Alasdair Fraser & Natalie Haas’s recording Highlander’s Farewell (2011). In addition to McKasson & McDonald, other current projects include MAC, Ensemble Galilei and The Syncopaths.

A  Scottish Heritage Week celebration

Hanneke Cassel Trio

Effervescent and engaging, Boston-based fiddler Hanneke Cassel is a performer, teacher and composer whose career spans over two decades. She has graced stages across North America, Europe, Australia and Asia. Her style fuses influences from the Isle of Skye and Cape Breton Island with Americana grooves and musical innovations, creating a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition. Hanneke’s music is a blend of the contemporary and traditional, described by the Boston Globe as “exuberant and rhythmic, somehow wild and innocent, delivered with captivating melodic clarity and an irresistible playfulness.”

Hanneke Cassel’s new release Trip to Walden Pond (April 2017) features traditional Scottish and Cape Breton tunes and seventeen new pieces composed in the Scottish idiom. While her lively style is very much evident, this new album carries a deep, soulful sound with songs of celebration and farewell. Trip to Walden Pond, similar to Hanneke’s five previous albums, offers mellifluous arrangements of traditional fiddle music and original tunes that evoke humor and heart. This latest album also includes several compositions penned by Hanneke as commissions to benefit Many Hopes, a children’s education nonprofit based in Kenya that she avidly supports.

A native of Port Orford, Oregon, Hanneke started out as a Texas-style fiddler and went on to win the 1997 U.S. National Scottish Fiddle Championship, which awarded her the opportunity to study with Alasdair Fraser and introduced her to fiddle camps and the folk community — both of which continue to play an integral role in her life. Hanneke teaches regularly at Fraser’s Valley of the Moon and Sierra Fiddle Camps, the Mike Block String Camp (run by her husband, acclaimed cellist Mike Block), Harald Haugaard’s International Fiddle School, and the West Denmark Fiddle School. She has served as a guest instructor in the American Roots department at Berklee College of Music, where she received her Bachelor’s of Music in Violin Performance.

The Hanneke Cassel Band features Mike Block on cello and guitarist Keith Murphy. Fusing influences from the Isle of Skye and Cape Breton with Americana grooves and musical innovations, this group creates a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition.

The Gothard Sisters
Celtic Christmas

The Gothard Sisters are a dynamic group of three sisters, whose impressive array of talents have set them apart as one of the most refreshing and compelling acts in Celtic music today.

The sisters’ unpredictable and theatrical flair brings a youthful splash to the time-honored tradition of Celtic folk music, bridging the gap between modern Pop and Folk-Rock with a sunny, optimistic style that has been described as “beautifully-arranged, melodic-minded Celtic Folk-Pop.”

Blending Celtic, folk, classical, world and northwest musical influences, the Gothard Sisters bring songs to life with violin, acoustic guitar, mandolin, bodhran, djembe, octave violin, whistle and vocal harmonies, creating music that is “vivid, inspirational and captivating.”  (Tim Carroll, Folk Words Review 2018)

Hitting the streets of their hometown – Edmonds, Washington – in 2006, The Gothard Sisters first began playing together as a violin trio busking for tips at the local farmer’s market, working their way onto stages at local fairs and festivals. Audiences responded with enthusiasm, and over 1,000 performances later the band recently performed at the Millennium Stage at the Kennedy Center in Washington D.C., completed several national concert tours of the United States, regularly perform as guest entertainers on Disney Cruise Line in Europe and South America and are well-known musicians on the national Celtic festival circuit.

In December 2016 The Gothard Sisters charted on Billboard’s World Music Chart with their latest Christmas album, Falling Snow, alongside notable Irish music phenomena Celtic Woman and Celtic Thunder.

WINTERDANCE

SVER

play grand Norwegian folk music with relentless energy and seductive spark taking you on a fantastic musical journey guaranteed to excite you. Ranging from the very dreamy to a swinging, pounding and sweaty madness – you are invited to the party, greeted by a welcoming primal force that pulls you into the dance.

SVER has often been described as “sounding electric without electricity”, and their flexible musicianship has also made them an attractive backing band for some of Scandinavia’s leading singers in different genres. That has lead to playing on TV-shows, big festivals and positions in the radio charts with the music ranging from folk to reggae/dancehall and rap. Their imaginative soundscapes, grooves, and melodies will take you on a journey over the Norwegian fjords and mountains, into the lively pubs and back out into the deep forest of their musicality.

SVER consists of Olav Luksengård Mjelva (fiddle and hardangerfiddle), Anders Hall (fiddle and viola), Leif Ingvar Ranøien (diatonic accordion), Adam Johansson (guitar) and Jens Linell (Drums and percussion). Olav and Leif Ingvar have played together since 2002. Vidar Berge joined the group in 2007 on guitar and together they released the self titled album “SVER”. In the spring of 2008 Anders and Jens completed the band, and they released “Fruen” in 2010. Vidar quit the band later that year and Adam joined the group. Since 2011 SVER has collaborated with the Swedish dance-hall artist Snakka San.

https://youtu.be/eUMjqrAGpk0
https://youtu.be/ambGSIQ3Gv4

Jim & Susie Malcolm
From Scotland

Corvallis has a special treat coming on Feb 6. Jim Malcolm has done highly entertaining concerts here before but always by himself. I enjoyed the music they did together when we visited them in Perth, Scotland. Susie adds a lot to the show. The image shows them having a bit of fun Susie does not play an instrument, that is a frying pan.

“For his 14th album, favorite Scots troubadour Jim is joined by his wife Susie, who’s often sung backing vocals on Jim’s albums but here takes equal part in this collection of duets – including taking the lead on several songs – and the two singers sound very well together in happy consort throughout. Although a number of the songs embrace romance and elopement, there’s more than the usual quota of happy endings (False Lover Won Back, Braw Sailin’). There’s humor too (The Lass Of Killiecrankie, and a frisky take on Jack Foley’s ode to whisky, A Bottle O’ The Best). Even so, the album highlights for me are Jim’s own compositions., This is a most cherishable CD.”                    – David Kidman

“One of the great Scottish voices of our time” Frank Hennessy – BBC Radio Wales

“Quietly, unforcefully and undeniably stunning” – Mojo

“A master of well chosen words and melodic inventiveness” – Rock ‘n’ Ree

l“One of the finest singing voices in Scotland in any style” – Living Tradition

International Guitar Night

Each year, International Guitar Night’s founder Brian Gore invites a new cast of guitar luminaries from around the world for special concert tours of North America highlighting the diversity of the acoustic guitar. We are proud to celebrate our 20th year of touring the U.S. For our special Anniversary Tour, Brian Gore has put together his most eclectic lineup yet: Guest host Mike Dawes (England) and his incredible two-hand contemporary style is joined by fretless guitarist from Turkey Cenk Erdoğan; electrifying jazz virtuoso Olli Soikkeli from Finland and Hawaiian Slack Key master Jim Kimo West.

Celtic Harps, Rare Instruments & Wondrous Stories
with Lisa Lynne & Aryeh Frankfurter

Workshop: Intro to Swedish music for all instruments:

Lisa Lynne & Aryeh Frankfurter are a multi-instrumentalist duo with Celtic Harps, Swedish Nyckelharpa, Ukrainian Bandura, Bouzouki, Cittern and more. They hail from Oregon and tour extensively, have performed with some of the biggest names in folk and acoustic music and have sold well over a million albums combined. Audiences are spellbound and enchanted with their unique show of breathtaking music both Traditional and original, with wondrous stories and humor entwined.

Lisa Lynne is a multi-instrumentalist and performer who has gained worldwide recognition for her original music featuring her Celtic Harp. She is widely acclaimed for composing memorable and heartwarming melodies on the Windham Hiill/Sony music labels that have repeatedly placed in the Top 10 & Top 20 on the Billboard New age music charts. Lisa tours year round performing at large US festivals and performing art centers. Her work in Therapeutic music has gained recognition from NBC, CNN, Fox News Atlanta and numerous newspaper and magazine articles including Wall Street Journal. Lisa’s music is heard throughout the award winning PBS special “Alone in the Wilderness,” amongst many other soundtracks for commercial television and independent films. She performs regularly as a solo artist, with Aryeh Frankfurter, Patrick Ball and the Windham Hill tours. She was recently named one of the 50 most inspiring women by Los Angeles Magazine. https://www.LisaLynne.com

Aryeh Frankfurter is a renowned Celtic harper and multi- instrumentalist who went from virtuosic progressive rock violin to intricate Swedish folk and Celtic Music. He began with Classical violin at the age of three, and studied music throughout his life. He has 17 albums to his credit, works on film and television scores as composer and arranger, and continues to teach himself to play a variety of instruments most recently the rarely seen Swedish Nyckelharpa. He earned his masters in philosophy as he was becoming one of the most successful street performers in the US. He is a full time musician and producer whose uncommon approach to the Celtic harp and folk harp repertoire, his critically acclaimed albums have earned him high regard as an artist of extraordinary talents and abilities. www.Lionharp.com

THIS EVENT HAS BEEN CANCELED

Téada

A traditional band with a truly worldwide reach, Téada has appeared as a frequent headliner at major music festivals throughout the US, Canada, Mexico, Europe, Africa, Russia, Israel and Australia. Highlights include a 30,000-capacity stadium concert in Brittany, along with performances at Penang World Music Festival in Malaysia, Edmonton Folk Festival in Canada, Harare International Festival of the Arts in Zimbabwe, and Campeche International Festival in Mexico. In 2014 the band performed to 40,000 people during an extensive 7-week tour of Japan / Taiwan.

Continuing to grow in vision and popularity, Téada recently welcomed a sixth member to the line-up, legendary West Kerry singer and accordionist Séamus Begley, winner of 2013 TG4 Traditional Singer of the Year. The band recently released a smashing new album – Ainneoin na stoirme / In spite of the storm – on the Gael Linn label.

Founded by Sligo fiddler Oisín Mac Diarmada, Téada first came together in 2001 to make an appearance on the innovative TG4 television series ‘Flosc’. One of Irish traditional music’s leading exponents, Téada is driven by a fascination for the timeless, expressive force of music inherited from previous generations of musicians. Irish Music Magazine describes the band as “at the cutting edge of the next generation of Irish musicians…with a fierce familiarity with the old ways.”

This event has been CANCELED
Golden Bough

Golden Bough’s first European performances were in the streets and small folk clubs of Ireland, England, Scotland, Wales, Germany, Holland and Switzerland in the early `80’s. These simple beginnings soon led to major tours of European cities and a recording contract with a top European folk music label. Other activities that Golden Bough has been involved in over the past several years include peace marches in cities all over Europe protesting the war in Bosnia-Herzegovina, musical presentations for tens of thousands of elementary school children and events for human rights, religious freedom and drug rehabilitation.

Since their inception, Golden Bough has become a popular and in demand group on both sides of the Atlantic, gaining critical acclaim and enthusiastic support from folk fans wherever they perform. Blending their voices in pristine harmony, they back themselves on an array of rare and more common acoustic instruments, including; Celtic harp, penny-whistle, violin, octave-mandolin, mandolin, accordion, guitar, harmonica, recorder and bodhran. In the recording studio, as well as on stage, Golden Bough captures the essence and joy of traditional folk music and captivates listeners with the uniqueness of their original compositions. With songs and instrumental pieces ranging from ballads to lively jigs, reels and sing-alongs, Golden Bough provides an atmosphere in which the listener can enjoy unique entertainment within and beyond the boundaries of traditional folk music.  Their music is well received and enjoyed by audiences of all ages.