Calendar
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Hanneke Cassel Trio
Effervescent and engaging, Boston-based fiddler Hanneke Cassel is a performer, teacher and composer whose career spans over two decades. She has graced stages across North America, Europe, Australia and Asia. Her style fuses influences from the Isle of Skye and Cape Breton Island with Americana grooves and musical innovations, creating a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition. Hanneke’s music is a blend of the contemporary and traditional, described by the Boston Globe as “exuberant and rhythmic, somehow wild and innocent, delivered with captivating melodic clarity and an irresistible playfulness.”
Hanneke Cassel’s new release Trip to Walden Pond (April 2017) features traditional Scottish and Cape Breton tunes and seventeen new pieces composed in the Scottish idiom. While her lively style is very much evident, this new album carries a deep, soulful sound with songs of celebration and farewell. Trip to Walden Pond, similar to Hanneke’s five previous albums, offers mellifluous arrangements of traditional fiddle music and original tunes that evoke humor and heart. This latest album also includes several compositions penned by Hanneke as commissions to benefit Many Hopes, a children’s education nonprofit based in Kenya that she avidly supports.
A native of Port Orford, Oregon, Hanneke started out as a Texas-style fiddler and went on to win the 1997 U.S. National Scottish Fiddle Championship, which awarded her the opportunity to study with Alasdair Fraser and introduced her to fiddle camps and the folk community — both of which continue to play an integral role in her life. Hanneke teaches regularly at Fraser’s Valley of the Moon and Sierra Fiddle Camps, the Mike Block String Camp (run by her husband, acclaimed cellist Mike Block), Harald Haugaard’s International Fiddle School, and the West Denmark Fiddle School. She has served as a guest instructor in the American Roots department at Berklee College of Music, where she received her Bachelor’s of Music in Violin Performance.
The Hanneke Cassel Band features Mike Block on cello and guitarist Keith Murphy. Fusing influences from the Isle of Skye and Cape Breton with Americana grooves and musical innovations, this group creates a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition.
Tom Paxton
An integral part of the songwriting and folk music community since the early 60’s Greenwich Village scene, Tom Paxton has become a celebrated voice of his generation — addressing the issues of injustice and inhumanity, laying bare the absurdities of modern culture and celebrating the tender bonds of family, friends, and community, and continues to be a primary influence on today’s “New Folk” performers. The Chicago native came to New York via Oklahoma, which he considers to be his home state. Brought to New York courtesy of the US Army, Tom remained there following his discharge. His early success in Greenwich Village coffeehouses, such as The Gaslight and The Bitter End, led to an ever-increasing circle of work. Then in 1965 he made his first tour of the United Kingdom — the beginning of a still-thriving professional relationship that has included at least one tour in each of the succeeding years.
In describing Tom Paxton’s influence on his fellow musicians, Pete Seeger has said: “Tom’s songs have a way of sneaking up on you. You find yourself humming them, whistling them, and singing a verse to a friend. Like the songs of Woody Guthrie, they’re becoming part of America.” Pete goes on: “In a small village near Calcutta, in 1998, a villager who could not speak English sang me What Did You Learn In School Today? in Bengali! Tom Paxton’s songs are reaching around the world more than he is, or any of us could have realized. Keep on, Tom!”
Paxton is a GRAMMY® Lifetime Achievement Award Winner and an ASCAP Lifetime Achievement Award Winner. Regarded as one of the great songwriters of our time, he is the man who wrote and lives by those words, “Sweet peace, peace will come, and let it begin with me.”
Roy Zimmerman
RiZe Up
Roy Zimmerman’s signature blend of heart and hilarity has never been more necessary. RiZe Up is ninety minutes of Roy Zimmerman’s original songs, a funny and forceful affirmation of Peace and Social Justice. It’s laughter and encouragement for progressive-minded people who need a lot of both. Roy’s songs have been heard on HBO and Showtime, and his videos have garnered tens of millions of views. He has recorded for Warner/Reprise Records. He’s shared stages with Bill Maher, Ellen DeGeneres, Holly Near, Robin Williams, Arlo Guthrie, John Oliver, Kate Clinton and George Carlin, and tours the country constantly with his wife and co-writer Melanie Harby.
Roy Zimmerman is a satirical songwriter in the Tom Lehrer/Phil Ochs tradition with a great gift for clever and funny lyrics that really rhyme and an incredibly entertaining banter between his songs.
“You’re brilliant. Just brilliant!” — Terry Jones, Monty Python
Tom Lehrer himself says, “I congratulate Roy Zimmerman on reintroducing literacy to comedy songs. And the rhymes actually rhyme, they don’t just ‘rhyne.'”
Joni Mitchell says, “Roy’s lyrics move beyond poetry and achieve perfection.”
He spent the Comedy Boom years of the Eighties doing stand-up in San Francisco, sharing stages with George Carlin, Bill Maher, Kate Clinton, Dennis Miller and many others. He wrote all the material for his funny folk music quartet The Foremen, recording two albums for Warner/Reprise Records. He’s done several shows with The Pixies’ Frank Black, swapping songs in a solo acoustic setting.
“Roy Zimmerman simultaneously inspires me and makes me laugh my ass off,” says comedian/author Paul Krassner.
Zimmerman tours almost constantly, taking his funny songs about fracking, creationism, marijuana laws, government shutdown, same-sex marriage, guns, taxes and abstinence across the country, often playing in some of the least Progressive places in America for the most Progressive people there. “I get accused of preaching to the converted,” he says, “but I don’t think of it that way. I think of it as entertaining the troops.”
In thirteen albums over twenty years, Roy has brought the sting of satire to the struggle for Peace and Social Justice. His songs have been heard on HBO and Showtime. He has recorded for Warner/Reprise Records. He’s been profiled on NPR’s “All Things Considered.” Zimmerman’s YouTube videos have amassed over seven million views, and he’s a featured blogger for the Huffington Post.
Sing Out! Magazine writes, “Zimmerman is a guy on the left skewering folks on the right with rapier-sharp lyrics … underneath the caustic satire is a man who is surprisingly optimistic.”
American Strings:
An Evening
with Carlene Carter
Hosted by the GRAMMY Museum’s Bob Santelli, director of popular music in the OSU College of Liberal Arts and the Majestic Theatre, the conversation and performance that comprises each segment of American Strings makes for a one of a kind opportunity to appreciate and know better the great American music tradition. This month will feature the daughter of June Carter Cash of the Carter Family and the step-daughter of American music legend Johnny Cash. Carlene Carter blends her traditional roots with her own take on country music. Join Bob Santelli for an American Strings evening of conversation and music as a bit of Nashville comes to Corvallis.
The American Strings series brings renowned artists from around the U.S. to Corvallis and Oregon State University for an in-depth look at how and why stringed instruments play such a profound role in American music.
Sarah Lee Guthrie
As the daughter of Arlo Guthrie and the granddaughter of the legendary folk artist Woody Guthrie, Sarah Lee Guthrie’s lineage is undeniable. But if you close your eyes and forget that her last name is synonymous with the river-legacy of a widening current of American folk music, you’d still be drawn to the clarity and soul behind her voice. There is a gentle urgency to her interpretations of the songs she sings and the classic music of her heritage. It flows from the continuity of her family, her vital artistic life today and the river of songs that have guided her to where she now stands.
(I’ve seen her solo, with her husband, and with her dad, Arlo, and she’s well worth seeing)
Join host Bob Santelli, at this rare opportunity to witness the growth of one of American’s finest young folk singers, through a conversation and live performance.
The Gothard Sisters
Celtic Christmas
The Gothard Sisters are a dynamic group of three sisters, whose impressive array of talents have set them apart as one of the most refreshing and compelling acts in Celtic music today.
The sisters’ unpredictable and theatrical flair brings a youthful splash to the time-honored tradition of Celtic folk music, bridging the gap between modern Pop and Folk-Rock with a sunny, optimistic style that has been described as “beautifully-arranged, melodic-minded Celtic Folk-Pop.”
Blending Celtic, folk, classical, world and northwest musical influences, the Gothard Sisters bring songs to life with violin, acoustic guitar, mandolin, bodhran, djembe, octave violin, whistle and vocal harmonies, creating music that is “vivid, inspirational and captivating.” (Tim Carroll, Folk Words Review 2018)
Hitting the streets of their hometown – Edmonds, Washington – in 2006, The Gothard Sisters first began playing together as a violin trio busking for tips at the local farmer’s market, working their way onto stages at local fairs and festivals. Audiences responded with enthusiasm, and over 1,000 performances later the band recently performed at the Millennium Stage at the Kennedy Center in Washington D.C., completed several national concert tours of the United States, regularly perform as guest entertainers on Disney Cruise Line in Europe and South America and are well-known musicians on the national Celtic festival circuit.
In December 2016 The Gothard Sisters charted on Billboard’s World Music Chart with their latest Christmas album, Falling Snow, alongside notable Irish music phenomena Celtic Woman and Celtic Thunder.
Mary Chapin Carpenter
and
Shawn Colvin
JOIN US for the next installment of our SAC Presents performing arts series presented by the College of Liberal Arts/School of Arts and Communication!
Longtime friends and musical collaborators Mary Chapin Carpenter and Shawn Colvin perform together as an intimate, acoustic duo, swapping songs and sharing stories.
Over the course of her acclaimed career, Mary Chapin Carpenter has sold over 14 million records, racking up hits like “Passionate Kisses,” “He Thinks He’ll Keep Her,” “Down at the Twist and Shout,” and “I Feel Lucky.” She has won five GRAMMY Awards®, two Country Music Association Awards®, and two Academy of Country Music Awards®. She is one of only 15 female members of the Nashville Songwriters Hall of Fame. Although she was marketed as a country artist through the 1990s, the songs from Carpenter’s 15 studio albums travel the roads of Americana, folk, and rock, speaking to the most personal and most universal of life’s details. She has collaborated with Joan Baez, Cyndi Lauper, and the Indigo Girls, among other diverse artists. Her most recent album, Sometimes Just the Sky (2018), is a celebration of her three-decade career and features new versions of some of her most beloved songs.
Shawn Colvin won her first of three GRAMMY Awards® for Best Contemporary Folk Album with her 1989 debut, Steady On. Her contemporary folk songs are works of craft and catharsis that become treasured, lifetime companions for their listeners. “Sunny Came Home,” from A Few Small Repairs, took home the Grammy Awards®for Record of the Year and Song of the Year in 1998. Colvin is a recent inductee into the Austin City Limits Hall of Fame and was recognized for her career accomplishments with the 2016 Lifetime Achievement Trailblazer Award from the Americana Music Association. A popular collaborator, she has made music with Emmylou Harris, James Taylor, Sting, Alison Krauss, Steve Earle, and Jakob Dylan, among others. In September 2019, to commemorate the 30th anniversary of Steady On, Colvin will release a special, newly-recorded, and all-acoustic version of that landmark album.
This special show will feature the acclaimed singer-songwriters performing some of their favorite songs while exploring material from their own vast catalogues. They previously toured together in 2013, where audiences were invited to share the artists’ “living room” as they played music and traded quips in a warm, comfortable setting, inspired by the duo’s long-lasting camaraderie.
Act quickly. This show is nearly sold out.
Mark O’Connor
An Appalachian Christmas
Mark O’Connor’s An Appalachian Christmas album (2011) reached the #1 ranking on Billboard’s Bluegrass Album charts and has been in the top five each year since. Hailed by critics from the Wall Street Journal, New York Times and Los Angeles Times as a top 10 album of the holiday season, it has become a perennial classic Christmas recording.
O’Connor says, “Appalachia is the original melting pot of our country featuring more diverse styles of American music than just about anywhere. This theme makes for what is a trilogy of my “Appalachia” recordings now; Appalachia Waltz, Appalachian Journey, and An Appalachian Christmas
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Amelia Hogan
The Murray Irish Dancers
(out of Portland)
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Amelia Hogan sings traditional, Irish, Scottish, British, American and contemporary folk music with lilting grace and subtle power. She transports you with a spell into another time and place, where the beansidhe (banshee) cries and lovers embrace. Haunting melodies, stirring passion, and evocative storytelling are what you’ll find with Amelia’s music.
The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 13th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
“A seriously joyous, masterly musical experience.”
— Tom Clancy, Irish Music Magazine
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
These folks gave an outstanding concert last year. The crowd was enthusiastic, especially when the musicians upped the tempo and the Irish dancers joined in with gusto. David Brewer is the most vigorous piper I have ever seen. He also plays whistles and bodhran (Celtic drum). The group has fun playing songs of the season with a Celtic twist. Amelia has a gorgeous voice and lovely vocal ornamentation.
SVER
play grand Norwegian folk music with relentless energy and seductive spark taking you on a fantastic musical journey guaranteed to excite you. Ranging from the very dreamy to a swinging, pounding and sweaty madness – you are invited to the party, greeted by a welcoming primal force that pulls you into the dance.
SVER has often been described as “sounding electric without electricity”, and their flexible musicianship has also made them an attractive backing band for some of Scandinavia’s leading singers in different genres. That has lead to playing on TV-shows, big festivals and positions in the radio charts with the music ranging from folk to reggae/dancehall and rap. Their imaginative soundscapes, grooves, and melodies will take you on a journey over the Norwegian fjords and mountains, into the lively pubs and back out into the deep forest of their musicality.
SVER consists of Olav Luksengård Mjelva (fiddle and hardangerfiddle), Anders Hall (fiddle and viola), Leif Ingvar Ranøien (diatonic accordion), Adam Johansson (guitar) and Jens Linell (Drums and percussion). Olav and Leif Ingvar have played together since 2002. Vidar Berge joined the group in 2007 on guitar and together they released the self titled album “SVER”. In the spring of 2008 Anders and Jens completed the band, and they released “Fruen” in 2010. Vidar quit the band later that year and Adam joined the group. Since 2011 SVER has collaborated with the Swedish dance-hall artist Snakka San.
David Wilcox
More than three decades into his career, singer/songwriter David Wilcox continues to push himself, just as he always has. Wilcox, by so many measures, is a quintessential folk singer, telling stories full of heart, humor, and hope, substance, searching, and style. His innate sense of adventure and authenticity is why critics and colleagues, alike, have always praised not just his artistry, but his humanity, as well.
That’s not by accident; it’s very much by design. It’s the result of a man giving himself over in gratitude and service to something bigger than himself. “I’m grateful to music,” he says. “I have a life that feels deeply good, but when I started playing music, nothing in my life felt that good. I started to write songs because I wanted to find a way to make my life feel as good as I felt when I heard a great song. I don’t think I’d be alive now if it had not been for music.”
An early ’80s move to Warren Wilson College in North Carolina set his wheels in motion, as he started playing guitar and writing songs, processing his own inner workings and accessing his own inner wisdom. In 1987, within a couple of years of graduating, Wilcox had released his first independent album, The Nightshift Watchman. A year later, he won the prestigious Kerrville Folk Festival New Folk Award and, in 1989, he signed with A&M Records, selling more than 100,000 copies of his A&M debut, How Did You Find Me Here.
In the 30 years and more than 20 records since — whether with a major label, an indie company, or his own imprint — Wilcox has continued to hone his craft, pairing thoughtful insights with his warm baritone, open tunings, and deft technique. He’s also kept up a brisk and thorough tour itinerary, performing 80 to 100 shows a year throughout the U.S., and regularly deploying his talents by improvising a “Musical Medicine” song for an audience member in need. In recent years he’s taken that process a step further, carefully writing and recording dozens of his “Custom Songs” for long-time fans who seek his help in commemorating and explaining the key milestones in their lives.
Lest anyone think that he’s lost his touch, Wilcox pulled no punches on his most recent release, 2018’s The View From the Edge. Not only does the song cycle find him delving into mental health, family legacies, spiritual contemplations, and topical concerns, the song “We Make the Way By Walking” also won him the Grand Prize in the 2018 USA Songwriting Contest.
“I think the coolest thing about this kind of music is that, if you listen to a night’s worth of music, you should know that person,” he explains. “If you’re hearing a performer sing all these songs, you should know not only where he gets his joy and what he loves, but you should know what pisses him off and what frightens him and what runs him off the rails, what takes him apart and what puts him back together.”
To attain that level of revelatory honesty, Wilcox follows a song to its deepest truth, even when it haunts him, a practice that demands the strength of vulnerability that he has sought since his teen years. That honesty is why Rolling Stone has written that his “ongoing musical journey is compelling and richly deserving of a listen.” It’s also why Blue Ridge Public Radio has noted that “The connection people feel with David’s music is also the connection they feel with each other.”
But Wilcox’s unique brand of storytelling doesn’t come easily. And it doesn’t come quickly. “I could always think of a lot of possible ways the song could go, but the trick was recognizing truth amidst all the cleverness,” he confesses. “The more time I took, the more my deep heart could speak to me through the process of songwriting. I could gradually craft a song that felt like it was coming from the place I was going. If you decide to trust heart over cleverness, you not only get a song that moves you, you get a song that moves you toward being who you want to be. The time you spend immersed in the emotion of a song changes you. The song shows you the world through a particular point of view. Once you have seen the world that way, you can’t un-see it.”
Sharon & Dave Thormahlen
For over 30 years Dave and Sharon Thormahlen have made their living creating music and musical instruments. Their specialty is in the folk harp with Dave having built over 1400 instruments and Sharon having published 16 books of harp music. Sharon plays the harp and Dave plays guitar, mandolin and banjo, enjoying a variety of musical styles including originals, Latin, Irish and Beatles tunes.
Buffalo Romeo
A CORVALLIS CONCERT to celebrate the release of their brand new EP — Buffalo Romeo in 2020 — and the continuing success of their YouTube hit, Hang On Ruthie!
Lea Jones and Keenan Dorn, aka Buffalo Romeo, kick off their “No More Negative Waves” tour for the spring/summer of 2020. The show will feature pure acoustic and acoustic/electric music. Both Jones and Dorn sing like birds. Johnny Etheredge dubbed Lea Jones “one of Oregon’s finest musicians,” while jazz great Mike Denny tagged Keenan Dorn as “a virtuoso.”
“We’re real darn fun live and in person.”
7:30 Randy McCoy and Family
Randy McCoy is a local musician and co-owner of the Little Gym of Corvallis
His song “26 Reasons”, inspired by the Sandy Hook shooting, appears on the CD Connecticut Voices for Heroes.
8:30 Rita Brown
Rita has been performing in Corvallis for years, as a soloist, with partner Bill Smyth and as part of groups The Flow and Crooked Kate. She helped highlight the Best Cellar tribute to female musicians last spring.
The best Cellar is a once-a-month evening of acoustic music. Admission is “pay what you will,” and kids are free. Cookies and coffee are available. Located in the cellar of the Methodist Church on 11th and Monroe, in Corvallis. For more information, or to join the volunteer team, contact Mark Weiss at mjweiss@cmug.com
Jim & Susie Malcolm
From Scotland
Corvallis has a special treat coming on Feb 6. Jim Malcolm has done highly entertaining concerts here before but always by himself. I enjoyed the music they did together when we visited them in Perth, Scotland. Susie adds a lot to the show. The image shows them having a bit of fun Susie does not play an instrument, that is a frying pan.
“For his 14th album, favorite Scots troubadour Jim is joined by his wife Susie, who’s often sung backing vocals on Jim’s albums but here takes equal part in this collection of duets – including taking the lead on several songs – and the two singers sound very well together in happy consort throughout. Although a number of the songs embrace romance and elopement, there’s more than the usual quota of happy endings (False Lover Won Back, Braw Sailin’). There’s humor too (The Lass Of Killiecrankie, and a frisky take on Jack Foley’s ode to whisky, A Bottle O’ The Best). Even so, the album highlights for me are Jim’s own compositions., This is a most cherishable CD.” – David Kidman
“One of the great Scottish voices of our time” Frank Hennessy – BBC Radio Wales
“Quietly, unforcefully and undeniably stunning” – Mojo
“A master of well chosen words and melodic inventiveness” – Rock ‘n’ Ree
l“One of the finest singing voices in Scotland in any style” – Living Tradition