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Mary Chapin Carpenter
and
Shawn Colvin
JOIN US for the next installment of our SAC Presents performing arts series presented by the College of Liberal Arts/School of Arts and Communication!
Longtime friends and musical collaborators Mary Chapin Carpenter and Shawn Colvin perform together as an intimate, acoustic duo, swapping songs and sharing stories.
Over the course of her acclaimed career, Mary Chapin Carpenter has sold over 14 million records, racking up hits like “Passionate Kisses,” “He Thinks He’ll Keep Her,” “Down at the Twist and Shout,” and “I Feel Lucky.” She has won five GRAMMY Awards®, two Country Music Association Awards®, and two Academy of Country Music Awards®. She is one of only 15 female members of the Nashville Songwriters Hall of Fame. Although she was marketed as a country artist through the 1990s, the songs from Carpenter’s 15 studio albums travel the roads of Americana, folk, and rock, speaking to the most personal and most universal of life’s details. She has collaborated with Joan Baez, Cyndi Lauper, and the Indigo Girls, among other diverse artists. Her most recent album, Sometimes Just the Sky (2018), is a celebration of her three-decade career and features new versions of some of her most beloved songs.
Shawn Colvin won her first of three GRAMMY Awards® for Best Contemporary Folk Album with her 1989 debut, Steady On. Her contemporary folk songs are works of craft and catharsis that become treasured, lifetime companions for their listeners. “Sunny Came Home,” from A Few Small Repairs, took home the Grammy Awards®for Record of the Year and Song of the Year in 1998. Colvin is a recent inductee into the Austin City Limits Hall of Fame and was recognized for her career accomplishments with the 2016 Lifetime Achievement Trailblazer Award from the Americana Music Association. A popular collaborator, she has made music with Emmylou Harris, James Taylor, Sting, Alison Krauss, Steve Earle, and Jakob Dylan, among others. In September 2019, to commemorate the 30th anniversary of Steady On, Colvin will release a special, newly-recorded, and all-acoustic version of that landmark album.
This special show will feature the acclaimed singer-songwriters performing some of their favorite songs while exploring material from their own vast catalogues. They previously toured together in 2013, where audiences were invited to share the artists’ “living room” as they played music and traded quips in a warm, comfortable setting, inspired by the duo’s long-lasting camaraderie.
Act quickly. This show is nearly sold out.
Mark O’Connor
An Appalachian Christmas
Mark O’Connor’s An Appalachian Christmas album (2011) reached the #1 ranking on Billboard’s Bluegrass Album charts and has been in the top five each year since. Hailed by critics from the Wall Street Journal, New York Times and Los Angeles Times as a top 10 album of the holiday season, it has become a perennial classic Christmas recording.
O’Connor says, “Appalachia is the original melting pot of our country featuring more diverse styles of American music than just about anywhere. This theme makes for what is a trilogy of my “Appalachia” recordings now; Appalachia Waltz, Appalachian Journey, and An Appalachian Christmas
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Amelia Hogan
The Murray Irish Dancers
(out of Portland)
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Amelia Hogan sings traditional, Irish, Scottish, British, American and contemporary folk music with lilting grace and subtle power. She transports you with a spell into another time and place, where the beansidhe (banshee) cries and lovers embrace. Haunting melodies, stirring passion, and evocative storytelling are what you’ll find with Amelia’s music.
The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 13th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
“A seriously joyous, masterly musical experience.”
— Tom Clancy, Irish Music Magazine
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
These folks gave an outstanding concert last year. The crowd was enthusiastic, especially when the musicians upped the tempo and the Irish dancers joined in with gusto. David Brewer is the most vigorous piper I have ever seen. He also plays whistles and bodhran (Celtic drum). The group has fun playing songs of the season with a Celtic twist. Amelia has a gorgeous voice and lovely vocal ornamentation.
SVER
play grand Norwegian folk music with relentless energy and seductive spark taking you on a fantastic musical journey guaranteed to excite you. Ranging from the very dreamy to a swinging, pounding and sweaty madness – you are invited to the party, greeted by a welcoming primal force that pulls you into the dance.
SVER has often been described as “sounding electric without electricity”, and their flexible musicianship has also made them an attractive backing band for some of Scandinavia’s leading singers in different genres. That has lead to playing on TV-shows, big festivals and positions in the radio charts with the music ranging from folk to reggae/dancehall and rap. Their imaginative soundscapes, grooves, and melodies will take you on a journey over the Norwegian fjords and mountains, into the lively pubs and back out into the deep forest of their musicality.
SVER consists of Olav Luksengård Mjelva (fiddle and hardangerfiddle), Anders Hall (fiddle and viola), Leif Ingvar Ranøien (diatonic accordion), Adam Johansson (guitar) and Jens Linell (Drums and percussion). Olav and Leif Ingvar have played together since 2002. Vidar Berge joined the group in 2007 on guitar and together they released the self titled album “SVER”. In the spring of 2008 Anders and Jens completed the band, and they released “Fruen” in 2010. Vidar quit the band later that year and Adam joined the group. Since 2011 SVER has collaborated with the Swedish dance-hall artist Snakka San.
David Wilcox
More than three decades into his career, singer/songwriter David Wilcox continues to push himself, just as he always has. Wilcox, by so many measures, is a quintessential folk singer, telling stories full of heart, humor, and hope, substance, searching, and style. His innate sense of adventure and authenticity is why critics and colleagues, alike, have always praised not just his artistry, but his humanity, as well.
That’s not by accident; it’s very much by design. It’s the result of a man giving himself over in gratitude and service to something bigger than himself. “I’m grateful to music,” he says. “I have a life that feels deeply good, but when I started playing music, nothing in my life felt that good. I started to write songs because I wanted to find a way to make my life feel as good as I felt when I heard a great song. I don’t think I’d be alive now if it had not been for music.”
An early ’80s move to Warren Wilson College in North Carolina set his wheels in motion, as he started playing guitar and writing songs, processing his own inner workings and accessing his own inner wisdom. In 1987, within a couple of years of graduating, Wilcox had released his first independent album, The Nightshift Watchman. A year later, he won the prestigious Kerrville Folk Festival New Folk Award and, in 1989, he signed with A&M Records, selling more than 100,000 copies of his A&M debut, How Did You Find Me Here.
In the 30 years and more than 20 records since — whether with a major label, an indie company, or his own imprint — Wilcox has continued to hone his craft, pairing thoughtful insights with his warm baritone, open tunings, and deft technique. He’s also kept up a brisk and thorough tour itinerary, performing 80 to 100 shows a year throughout the U.S., and regularly deploying his talents by improvising a “Musical Medicine” song for an audience member in need. In recent years he’s taken that process a step further, carefully writing and recording dozens of his “Custom Songs” for long-time fans who seek his help in commemorating and explaining the key milestones in their lives.
Lest anyone think that he’s lost his touch, Wilcox pulled no punches on his most recent release, 2018’s The View From the Edge. Not only does the song cycle find him delving into mental health, family legacies, spiritual contemplations, and topical concerns, the song “We Make the Way By Walking” also won him the Grand Prize in the 2018 USA Songwriting Contest.
“I think the coolest thing about this kind of music is that, if you listen to a night’s worth of music, you should know that person,” he explains. “If you’re hearing a performer sing all these songs, you should know not only where he gets his joy and what he loves, but you should know what pisses him off and what frightens him and what runs him off the rails, what takes him apart and what puts him back together.”
To attain that level of revelatory honesty, Wilcox follows a song to its deepest truth, even when it haunts him, a practice that demands the strength of vulnerability that he has sought since his teen years. That honesty is why Rolling Stone has written that his “ongoing musical journey is compelling and richly deserving of a listen.” It’s also why Blue Ridge Public Radio has noted that “The connection people feel with David’s music is also the connection they feel with each other.”
But Wilcox’s unique brand of storytelling doesn’t come easily. And it doesn’t come quickly. “I could always think of a lot of possible ways the song could go, but the trick was recognizing truth amidst all the cleverness,” he confesses. “The more time I took, the more my deep heart could speak to me through the process of songwriting. I could gradually craft a song that felt like it was coming from the place I was going. If you decide to trust heart over cleverness, you not only get a song that moves you, you get a song that moves you toward being who you want to be. The time you spend immersed in the emotion of a song changes you. The song shows you the world through a particular point of view. Once you have seen the world that way, you can’t un-see it.”
Sharon & Dave Thormahlen
For over 30 years Dave and Sharon Thormahlen have made their living creating music and musical instruments. Their specialty is in the folk harp with Dave having built over 1400 instruments and Sharon having published 16 books of harp music. Sharon plays the harp and Dave plays guitar, mandolin and banjo, enjoying a variety of musical styles including originals, Latin, Irish and Beatles tunes.
Buffalo Romeo
A CORVALLIS CONCERT to celebrate the release of their brand new EP — Buffalo Romeo in 2020 — and the continuing success of their YouTube hit, Hang On Ruthie!
Lea Jones and Keenan Dorn, aka Buffalo Romeo, kick off their “No More Negative Waves” tour for the spring/summer of 2020. The show will feature pure acoustic and acoustic/electric music. Both Jones and Dorn sing like birds. Johnny Etheredge dubbed Lea Jones “one of Oregon’s finest musicians,” while jazz great Mike Denny tagged Keenan Dorn as “a virtuoso.”
“We’re real darn fun live and in person.”
7:30 Randy McCoy and Family
Randy McCoy is a local musician and co-owner of the Little Gym of Corvallis
His song “26 Reasons”, inspired by the Sandy Hook shooting, appears on the CD Connecticut Voices for Heroes.
8:30 Rita Brown
Rita has been performing in Corvallis for years, as a soloist, with partner Bill Smyth and as part of groups The Flow and Crooked Kate. She helped highlight the Best Cellar tribute to female musicians last spring.
The best Cellar is a once-a-month evening of acoustic music. Admission is “pay what you will,” and kids are free. Cookies and coffee are available. Located in the cellar of the Methodist Church on 11th and Monroe, in Corvallis. For more information, or to join the volunteer team, contact Mark Weiss at mjweiss@cmug.com
Jim & Susie Malcolm
From Scotland
Corvallis has a special treat coming on Feb 6. Jim Malcolm has done highly entertaining concerts here before but always by himself. I enjoyed the music they did together when we visited them in Perth, Scotland. Susie adds a lot to the show. The image shows them having a bit of fun Susie does not play an instrument, that is a frying pan.
“For his 14th album, favorite Scots troubadour Jim is joined by his wife Susie, who’s often sung backing vocals on Jim’s albums but here takes equal part in this collection of duets – including taking the lead on several songs – and the two singers sound very well together in happy consort throughout. Although a number of the songs embrace romance and elopement, there’s more than the usual quota of happy endings (False Lover Won Back, Braw Sailin’). There’s humor too (The Lass Of Killiecrankie, and a frisky take on Jack Foley’s ode to whisky, A Bottle O’ The Best). Even so, the album highlights for me are Jim’s own compositions., This is a most cherishable CD.” – David Kidman
“One of the great Scottish voices of our time” Frank Hennessy – BBC Radio Wales
“Quietly, unforcefully and undeniably stunning” – Mojo
“A master of well chosen words and melodic inventiveness” – Rock ‘n’ Ree
l“One of the finest singing voices in Scotland in any style” – Living Tradition
Karen Sikich and Friends
a concert benefiting Confluence: Willamette Valley LGBT Chorus
Karen Sikich and Friends will perform a concert benefiting Confluence: Willamette Valley LGBT Chorus at 3 PM Saturday, February 8 at the First Congregational United Church of Christ, 4515 SW West Hills Rd in Corvallis. The concert, “Traces of Love”, will honor Valentine’s Day with songs of love and relationships. Featured performers include renowned accompanist Stephanie Lynne Smith and Confluence vocalists Corey Elliott-Jenks and Sal Currin, along with Julie Williams from Corvallis women’s choir Jubilate!.
Lucy Kaplansky
Lucy started out singing in Chicago folk music clubs as a teenager. Then, barely out of high school, Lucy Kaplansky took off for New York City. There she found a fertile community of songwriters and performers—Suzanne Vega, Steve Forbert, The Roches, and others. With a beautiful flair for harmony, Lucy was everyone’s favorite singing partner, but most often she found herself singing as a duo with Shawn Colvin. People envisioned big things for them; in fact, The New York Times said it was “easy to predict stardom for her.” But then Lucy dropped it all. Convinced that her calling was in another direction, Lucy left the musical fast track to pursue a doctorate in Clinical Psychology. Upon completing her degree, Dr. Kaplansky took a job at a New York hospital working with chronically mentally ill adults, and also started a private practice. Yet she continued to sing. Then Shawn Colvin—who was itching to produce a record—hooked up with Lucy, her ex-singing partner. They went into the studio, and when Lucy’s solo tapes got into the hands of Bob Feldman, president of Red House Records, he was blown away. Suddenly, Lucy was back in the music business. She signed with Red House Records and started playing gigs. Red House released The Tide in 1994 to rave reviews, and within six months Lucy signed with a major booking agency—Fleming Artists—and began touring so much it required leaving her two psychologist positions behind.
With at least 7 solo albums on the Red House label and many performances with other artists Lucy continues to tour and receive airplay both nationally and internationally. Her CD Ten Year Night is the #1 selling album of all time at Red House Records.
RiverRocks
“Rocking the folk out of it since 2003”
RiverRocks band melds 2 songwriters and 4 instrumentalists to present songs that connect and lift us. Laurie Childers, Mina Carson, Bill Veley, Michael Everett, Tracy Daugherty, and Joe Casprowiak wield a variety of instruments to bring you a mix of genres. Contemporary favorites, provocative originals, sweet melodies, harmonies, toe-tapping, laughter, and maybe a tear are all likely to be part of a RiverRocks concert.
Laurie broke a bunch of backbones last May, and spent the summer horizontal on a big hospital bed at home. RiverRocks rehearsals continued every Wednesday afternoon (minus Laurie’s keyboard). Singing for two hours every week kept her lungs clear and healthy. At least as vital was the love, humor and normalcy of
playing music with the band. At this concert we will celebrate the vibrant healing power of music and community.
No cover. Wines will be for sale by the glass or bottle.
Directions: Go 10+ miles N of Corvallis on Hwy 99 to Suver; turn left/west on
Airlie Rd and go another 2 miles.
Alasdair Fraser & Natalie Haas
Scotland’s premier fiddle ambassador and the sizzlingly-talented Californian cellist Natalie Haas may not seem an obvious one, but the duo’s dazzling teamwork, driving rhythms, and their shared passion for improvising on the melody and the groove of Scottish tunes have helped reconstruct and revive the Scottish tradition of playing dance music on violin and cello. They have toured internationally for over eighteen years, wowing audiences at festivals and concerts worldwide with their unique sound and have released five critically acclaimed and award-winning albums along the way.
” … you would think they’d been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello’s throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter.” — Boston Globe
“As many gigs as they must have played together over the past decade or so, there remains a striking spontaneity about Fraser and Haas’s music-making. He has tonal variation and attack to spare, but what makes them so consistently absorbing is the responsiveness each shows to the other. Haas is more than a cellist: she’s the rhythm section who uses the percussive chip’n’chop of her bowing and the double bass-like pulse of her pizzicato playing to great effect. The accompanist’s role moves so fluently between them, building tension all the while, and then they’ll slip into unison and it’s like floodgates opening. ”
— The Herald
“Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner…A positive joy.”
— The Scotsman
Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who’s who of the fiddle world including Mark O’Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.
This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo’s debut recording, Fire & Grace, won the coveted the Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record four more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe.
7:30 Dinna Fash
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of traditional and modern Celtic tunes so you can leave your worries behind. Kevin Craven, recently arrived from Hawaii is a local violin teacher and also plays with the OSU Symphony. Maria Blair on fiddle and cello, most recently from Durango Colorado, is also a step dancer. She brings special rhythm and vitality to the music. Beth Brown has been playing Celtic cello on the Corvallis scene for over 10 years, previously with the bands Three Fingered Jack and Lark. The trio is heavily influenced by Alasdair Frasier and Natalie Haas and has attended their camps and workshops. Along with traditional Irish, Scottish, Québécois and Shetland tunes, they play some of the modern tunes composed by the new generation of Celtic influenced musicians.
8:30 Adam Scramstad
Adam is an award winning Acoustic/Electric Finger-style & Blues Musician, born and raised in Oregon. Performing regularly throughout the Pacific Northwest, Scramstad’s reputation as a professional Blues Guitarist & Vocalist is rapidly becoming widespread.
A strong and creative Songwriter in his own-right, Scramstad’s repertoire also covers a broad range of early American Folk/Blues artists’ works – such as: Son House, Bukka White, Mississippi John Hurt, Rev. Gary Davis, Robert Johnson, Big Bill Broonzy, Lightning Hopkins, Blind Blake, John Fahey, Elizabeth Cotton.
Adam’s 2006 debut Solo album “No Sun Around Blues” climbed to #33 on the Roots Music Radio Blues Chart – June 2006. The CD is a mix of acoustic blues (w/vocal) & finger-style guitar songs, and quickly became a favorite of local NW Radio Stations. His music has been featured on the nationally syndicated “Blues Deluxe Show” as well as receiving regular airplay on many regional, national and international stations/shows.
Although he maintains a focus on Solo Acoustic Delta Slide & Country Blues (both vocal and instrumental), Adam also regularly performs with Blues Guitar Legend Terry Robb (Adam’s Producer & Mentor)– as an acoustic duo as well as slinging electric guitar in the acclaimed Terry Robb Band. You can hear Adam’s rhythm & lead electric guitar work throughout the 2012 Terry Robb Band release “Muddyvishnu”.
The best Cellar is a once-a-month evening of acoustic music. Admission is “pay what you will,” and kids are free. Cookies and coffee are available. Located in the cellar of the Methodist Church on 11th and Monroe, in Corvallis. For more information, or to join the volunteer team, contact Mark Weiss at mjweiss@cmug.com
Radim Zenkl
Mandolin * Mandola * Irish Bouzouki * Ukulele * Tinwhistle * Ethnic Flutes * Didgeridoo * Vocal
Radim’s style features progressive original and eastern European traditional music flavored with string jazz, new age, bluegrass, flamenco, rock, classical and other. The US Mandolin Champion is redefining the mandolin and its role in music by designing new mandolin-family instruments and creating new playing styles. He has invented a masterful technique, the “Zenkl style,” in which a single mandolin sounds like two. Besides collaborating with the top musicians of the acoustic music scene, Radim has built up an extensive repertoire for solo mandolin. He is a member of the Modern Mandolin Quartet and one of the founding members of the Ger Mandolin Orchestra. In recent years he added a variety of ethnic flutes to his concerts and recordings. This show is sponsored by Troubador Music and the Corvallis Folklore Society.
“Radim has reinvented the mandolin in several different ways.”- David Grisman
“Imaginative and great.” – Jerry Garcia
“Excellent technique and lots of great ideas!” – Bela Fleck