Calendar
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calendar@corvallisfolklore.org
CFS annual Corvallis Contra Weekend
Registration open NOW – Click here
The Mean Lids
- Matt Turino – guitar, fiddle
- Miriam Larson – flute
- Ben Smith – fiddle
Mix one part smooth Irish session, one part spicy cajun-zydeco, one part hot western swing, with two parts driving southern old-time and take it down to the local dance hall. There you have the Mean Lids, a young, energetic acoustic trio currently resident in central Illinois. Playing a mix of original and traditional tunes, the Mean Lids produce an exciting, unique sound born from the living traditions of American fiddle and dance music.
Only as mean as they need to be to keep the grit in their tones and the edge on their tunes, they are never seen without their signature cranial apparel. Spot them by their hats, their long lonesome sounds, and the @$$ kicking “chin-cello” grooves emanating from their mean, mean fiddle fingers.
- Terry Wergeland – piano, accordion
- Betsy Branch – fiddle
- Bill Tomczak – clarinet, saxophone, percussion
Betsy and Terry have played together for dances since 1994, and when Bill moved to Portland in 2012, he was thrilled to join forces with them. With their mix of instruments and improvisatory natures, you never know what to expect from this trio. Their delight in playing together translates to the dance floor, and you are likely to hear plenty of laughter from the stage. When not playing, the three of them love to pontificate about the mysteries of the universe (like how 3 quarks form a particle), thus inspiring the band name.
Gaye Fifer
Gaye Fifer is an accomplished contra caller from Pittsburgh, PA. Her delightful personality makes everyone happy to be dancing, and her clear and charming explanations makes it easy. An active dancer herself, Gaye understands the subtleties of making contra dances particularly satisfying for dancers. She is also an enthusiastic advocate and instructor of the contra-style waltz.
Wendy Graham
Wendy Graham is a self-described “dance maniac” who serves up delicious and nutritious dances for all with infectious enthusiasm and a smile. Wendy hosts regular folk and social dances (including Latin, Swing, Blues, Country Western Two Step, and Waltz) in Durango, Colorado. She also calls community dances, dance weekends, and dance weeks throughout the U.S. and abroad. She has been involved with folk music, song and dance for over twenty years.
Special Sunday Dance with
2 bands, 2 callers
Mean Lids
- Matt Turino – guitar, fiddle
- Miriam Larson – flute
- Ben Smith – fiddle
Mix one part smooth Irish session, one part spicy cajun-zydeco, one part hot western swing, with two parts driving southern old-time and take it down to the local dance hall. There you have the Mean Lids, a young, energetic acoustic trio currently resident in central Illinois. Playing a mix of original and traditional tunes, the Mean Lids produce an exciting, unique sound born from the living traditions of American fiddle and dance music.
Only as mean as they need to be to keep the grit in their tones and the edge on their tunes, they are never seen without their signature cranial apparel. Spot them by their hats, their long lonesome sounds, and the @$$ kicking “chin-cello” grooves emanating from their mean, mean fiddle fingers.
The Quarks
- Terry Wergeland – piano, accordion
- Betsy Branch – fiddle
- Bill Tomczak – clarinet, saxophone, percussion
Betsy and Terry have played together for dances since 1994, and when Bill moved to Portland in 2012, he was thrilled to join forces with them. With their mix of instruments and improvisatory natures, you never know what to expect from this trio. Their delight in playing together translates to the dance floor, and you are likely to hear plenty of laughter from the stage. When not playing, the three of them love to pontificate about the mysteries of the universe (like how 3 quarks form a particle), thus inspiring the band name.
Gaye Fifer
Gaye Fifer is an accomplished contra caller from Pittsburgh, PA. Her delightful personality makes everyone happy to be dancing, and her clear and charming explanations makes it easy. An active dancer herself, Gaye understands the subtleties of making contra dances particularly satisfying for dancers. She is also an enthusiastic advocate and instructor of the contra-style waltz.
Wendy Graham
Wendy Graham is a self-described “dance maniac” who serves up delicious and nutritious dances for all with infectious enthusiasm and a smile. Wendy hosts regular folk and social dances (including Latin, Swing, Blues, Country Western Two Step, and Waltz) in Durango, Colorado. She also calls community dances, dance weekends, and dance weeks throughout the U.S. and abroad. She has been involved with folk music, song and dance for over twenty years.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm.
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
First and Third Sundays
The first Sunday of the month will be dedicated to Balkan dances and the third to Israeli.
The regular Hoolyeh 3rd Sunday dance has been cancelled for tonight only.
All levels Welcome!
7:30 Tom and Ellen Demarest
Tom Demarest was one of the founders of the Best Cellar and played at the first one, more than 40 years ago. He and Ellen have been playing together in Corvallis for decades, and are perennial favorites with their original songs and great covers.
7:30 Pete Kozak with Mark Weiss
Pete plays mandolin, guitar, banjo, fiddle, dobro, and harmonica. He’s a great musician who has played in several local bands, through the years: The Bush Pilots, Yellow Rose, Pickin’ Noodle Soup, and The Rubes. He’s stood on stage with Neal Grandstaff, Paula Walters, Jeff Hino, Creighton Lindsay, Mark Weiss, Ray Brassfield, and Gary Nolde. On top of all that, before coming out west, Pete earned a Best Vocalist award at the Nebraska Old Time Fiddlers and Country Music Festival.
Mark Weiss has been flat picking and singing in Corvallis for decades and currently produces the Best Cellar.
All levels Welcome!
West My Friend
Described as everything from indie-roots to chamber-folk, West My Friend has an acoustic blend of instruments and four-part harmonies that challenges the conventions of popular music. The band features pure and thrillingly elastic vocals with catchy arrangements of bass, guitar, mandolin, and accordion that draw from jazz, classical, folk, and pop influences. Inspired by artists such as Owen Pallett, Joanna Newsom, Bright Eyes, The Decemberists, and the Punch Brothers, and forged from a sonically adventurous acoustic music scene on Canada’s west coast, West My Friend is proving to be a key part of a new generation of grassroots folk music.
Please join us for an evening of music not-to-be-missed, or heard very often, especially here!
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.
His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!
But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”
So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.
Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.
InTentCity
Betsy Richards – fiddle
Graham Richards – guitar, fiddle
Seth Richards – piano, bass
David Richards – percussion
From North Idaho, InTentCity is more than just a contradance band. We bring all the fun family dynamics that come with years together of living, working, playing, dancing, traveling, eating, sleeping, joking, talking, walking, singing – you get the idea. And after all this time we still cannot think of a better way to spend our time together than playing and dancing in the contradance community. During the summer we set up our big canvas wall tents and live outside. Now you know why the name.
Erik Weberg
I danced my first contra dance in Moscow Idaho in the Fall of 1986. Several excursions to the dance hall were necessary for me to find the courage to actually dance, but once I, tried it caught hold quickly and I became a regular dancer. Christian Petrich encouraged me to try calling for the first time in 1990 and soon after that I started regularly attending the first Wednesday open mic in Spokane Washington. I called dances around Eastern Washington and Northern Idaho for a few years before moving west of the Cascades in 1993. I was soon asked to call dances in Portland and up the Willamette Valley. Since then I’ve been calling dances, festivals and weekends around the country from Seattle to Boston, from Fairbanks to Tuscon and most places between. I am able to enjoy this craft because of the good folks who encouraged and taught me to call dances years ago, the booking agents and local dance committees who have given me wonderful opportunities to practice in their communities, and the thousands of dancers and musicians who forgive me my mistakes and make it all worthwhile. If you’re reading this you’re probably one of them; so, thank you!
Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
First and Third Sundays
The first Sunday of the month will be dedicated to Balkan dances and the third to Israeli.
Corvallis Guitar Society
The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.
Our Mission
To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.
We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.