West My Friend

Described as everything from indie-roots to chamber-folk, West My Friend has an acoustic blend of instruments and four-part harmonies that challenges the conventions of popular music. The band features pure and thrillingly elastic vocals with catchy arrangements of bass, guitar, mandolin, and accordion that draw from jazz, classical, folk, and pop influences. Inspired by artists such as Owen Pallett, Joanna Newsom, Bright Eyes, The Decemberists, and the Punch Brothers, and forged from a sonically adventurous acoustic music scene on Canada’s west coast, West My Friend is proving to be a key part of a new generation of grassroots folk music.

Please join us for an evening of music not-to-be-missed, or heard very often, especially here!

A house concert is an excellent place to hear and meet great musicians in a very intimate setting.

Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.

His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19^th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!

But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”

So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.

Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.

InTentCity

Betsy Richards – fiddle
Graham Richards – guitar, fiddle
Seth Richards – piano, bass
David Richards – percussion

From North Idaho, InTentCity is more than just a contradance band. We bring all the fun family dynamics that come with years together of living, working, playing, dancing, traveling, eating, sleeping, joking, talking, walking, singing – you get the idea. And after all this time we still cannot think of a better way to spend our time together than playing and dancing in the contradance community. During the summer we set up our big canvas wall tents and live outside. Now you know why the name.

Erik Weberg

I danced my first contra dance in Moscow Idaho in the Fall of 1986.  Several excursions to the dance hall were necessary for me to find the courage to actually dance, but once I, tried it caught hold quickly and I became a regular dancer. Christian Petrich encouraged me to try calling for the first time in 1990 and soon after that I started regularly attending the first Wednesday open mic in Spokane Washington. I called dances around Eastern Washington and Northern Idaho for a few years before moving west of the Cascades in 1993. I was soon asked to call dances in Portland and up the Willamette Valley. Since then I’ve been calling dances, festivals and weekends around the country from Seattle to Boston, from Fairbanks to Tuscon and most places between. I am able to enjoy this craft because of the good folks who encouraged and taught me to call dances years ago, the booking agents and local dance committees who have given me wonderful opportunities to practice in their communities, and the thousands of dancers and musicians who forgive me my mistakes and make it all worthwhile. If you’re reading this you’re probably one of them; so, thank you!

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Special Contra Dance in conjunction with the
CASCADE PROMENADE

Broken Top

Bo Leyden – mandolin
Shari Ame – fiddle
John Light – keyboards
A new Corvallis contra band, with a Portland keyboardist, Broken Top brings lively traditional music to the dance.

Woody Lane

Woody Lane has been calling contra dances throughout the Pacific Northwest for more than 25 years, and when he’s not calling you can find him dancing.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Libby Roderick

an internationally acclaimed singer/songwriter, poet, activist, teacher and lifelong Alaskan. The surprising power and depth of her music and the humor and spontaneity of her performances have attracted large and enthusiastic audiences across the continent and fans all over the world. Her six recordings have received extensive airplay on Earth and, in 2003, NASA played her song “Dig Down Deep” on the planet Mars as encouragement to the robot “Spirit.” Libby is an exhilarating and witty artist who offers a remarkable blend of passionate music, wry humor and incisive commentary on social and personal issues.

Cassandra Robertson

a muse with a message, has the heart of a lion, and the mane to match.  Accompanied by her acoustic guitar, she floors the audience like a sonic boom with captivating messages of peace, prosperity, hope and above all, inspiration.  Her unique style of “acoustic conscious folk” kick starts the heart and levitates the soul; reminding us all that we CAN positively affect the world we all share, as long as we choose planet over profit and remember to be ourselves.

Libby Roderick has composed a bunch of new socially-engaged music and got a big grant to tour it, so Spring Creek is hosting a concert by her in collaboration with the Corvallis Folklore Society.

The challenge of the Spring Creek Project is to bring together the practical wisdom of the environmental sciences, the clarity of philosophical analysis, and the creative, expressive power of the written word to find new ways to understand and re-imagine our relation to the natural world.

The Euphemists

Dave Goldman — piano
Alan Snyder — fiddle
Paula Hamlin — winds
Kaye Blesener — trombone
Jerry Nelson — guitarpercussion

Enjoy contradancing but miss that Big Band sound? Then you’ll love the Euphemists, a band whose motto is “All fiddle tunes get better with horn riffs!” Over the past few years, various pairings of these Portland musicians have said, “We should form a band!” Finally, inspired by the recent immigration of fiddler Alan Snyder from warmer climes, The Euphemists congealed in 2011. The band features a brass front line of Paula Hamlin, Kaye Blesener, and Jerry Nelson, while Jerry’s several guitars share backup rhythmic duties with the keyboard of Dave Goldman.

Eric Curl calling

Eric started calling in 1996 and called in California and Colorado before moving Seattle in 2006. A mechanical engineer working for Boeing, he now enjoys calling in Washington, Oregon and British Columbia on a semi-regular basis. In his spare time, he likes to hike, snowshoe, camp, visit friends and family, play music, and of course, dance and call.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

~POTLUCK: 6pm; Hosts: Greg & Maria, 3316 SE Hathaway Drive; phone: 831-325-7627.

First and Third Saturdays of the month except July, August. Occasional special dances.

Portland FolkMusic Society presents

Singtime Frolics

a spring weekend of singing, jamming, learning, sharing and good food at Portland FolkMusic Society’s annual retreat.

click HERE for more information

The Nettles

Laura Brophy – fiddle;
Kevin Johnsrude – guitars;
Michael Proctor – bass;
Brian Bucolo – percussion;

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere.

Kelsey Hartman

Since I am a “contraholic,” I can often be found any given weekend dancing or calling a contra dance. My inspiration for calling comes from Frannie Marr, who got me thinking that there was life in contra off the dance floor, and Nils Fredland, whose callers’ workshop at American Week (BACDS) in 2012 spurred me down the caller’s path.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Thompsonia

combines Eric & Suzy Thompson’s deep devotion to southern roots music with daughter Allegra’s fresh perspective, creating feel-good music that richochets between the rowdy and the sentimental, with an abundance of groove and a bit of a quirky edge. Suzy and Allegra’s genetically-matched vocals (dubbed “The Everly Sisters sound” by Geoff Muldaur) are featured, along with stellar lead playing from Eric on mandolin and guitar. In addition to the Cajun, blues and old-time music for which Eric and Suzy have long been acclaimed, the trio also performs witty originals alongside obscurities in styles ranging from rockabilly to hokum to Americana.  Standouts from their new Thompsonia CD include Suzy’s acoustic rock anthem “Very Bad Mood” (guaranteed to have just the opposite effect on the listener), Allegra’s bawdy 1920’s “He May Be Your Dog But He’s Wearing My Collar,” Eric’s proto-zydeco “French Fries” and a lovely duet rendition of Hugh Moffatt’s “Rose of My Heart.”

​Eric and Suzy Thompson have performed and recorded in collaborations with David Grisman, David Nelson (New Riders), Jody Stecher & Kate Brislin, Geoff Muldaur, Jim Kweskin, Michael Doucet, Del Rey, Dave Alvin and Joel Savoy, to name just a few, and their bands have included Any Old Time, Black Mountain Boys, California Cajun Orchestra, Blue Flame String Band and many others. Allegra Thompson is the bass player of choice for multiple Bay Area bands, including the Cajun band Midnite Ramblers and the bluegrass band Wendy Burch Steel & Redwood.

Please join us for an evening of music not-to-be-missed, or heard very often, especially here!

A house concert is an excellent place to hear and meet great musicians in a very intimate setting.

Special Sunday Contra Dance

 The Syncopaths

From dance floors to concert halls, the Syncopaths bring a fresh, contemporary spin to music and songs rooted in the Scottish, Irish, and American folk traditions. Evolving beyond their contra dance origins, they are creating a “chamber folk” sound characterized by the compelling, rhythmic interplay of fiddle and mandolin, rich vocals, and unexpected colors and rhythms from the piano and bodhrán. The exuberant joy they derive from the music and each other is palpable and contagious.

“Though they may not have the international acclaim of the likes of Solas or the Chieftains, make no mistake, the Syncopaths are nothing short of a Celtic supergroup.” — Irish Herald, July 2011

At the heart of the band’s sound are the twin engines of Ryan McKasson’s dynamic, Scottish-based fiddling and the understated-but-monster picking of mandolinist Ashley Broder. Jeff Spero provides wonderfully inventive and surprising piano accompaniment, anchored by the driving power of Christa Burch’s non-traditional bodhrán. Christa also lends her singular voice — warm, supple, expressive, and intimate — to the band’s songs. All in all, the Syncopaths are equally at home with pulsing, high-energy dance tunes and beautiful, contemplative songs. They ably stretch melodic boundaries while keeping a steady, compelling, danceable beat.

“The energy, joy, and spontaneity…rolls right off the stage. The combination will make you feel like you’re firewalking.” — Portland Country Dance Community Footnotes, May 2006

The Syncopaths tour nationally, and have released two CDs, Five Gears (2010) and Rough Around the Edges (2005).

George Marshall

George Marshall is one of the top contra callers in the world.  He usually calls with Wild Asparagus or Swallowtail, but occasionally graces another group’s dances.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Countercurrent

From Seattle:

• Brian Lindsay – fiddle
• Alex Sturbaum – guitar

Countercurrent is a contra dance and folk music band in western Washington, featuring driving guitar, foot percussion, lyrical fiddle, and harmony vocals.

Michael Karcher

From New York via Seattle.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

David Roth

David Roth strikes many chords, hearts, and minds with his unique songs, offbeat observations, moving stories, sense of the hilarious, and powerful singing and subject matter. As singer, songwriter, recording artist, keynote speaker, workshop leader, and instructor, David has earned top honors at premier songwriter competitions – Kerrville (TX) and Falcon Ridge (NY) – and taken his music, experience, and expertise to a wide variety of venues in this and other countries full-time for more than two decades.

David’s songs (“Rising in Love”, “Earth”, “Manuel Garcia”, “May the Light of Love”, “Nine Gold Medals”, “Spacesuits”, “Rocket Science”, “I Stand for Love”, “That Kind of Grace”, and many more) have found their way to Carnegie Hall, the United Nations, several Chicken Soup for the Soul books, the Kennedy Center, Peter, Paul, & Mary’s “Discovered” (Warner Brothers), the Kingston Trio’s “Born at the Right Time”, NASA’s Goddard Space Center (“Rocket Science” went up on the Space Shuttle Atlantis’s May 2009 mission to repair the Hubble Telescope), the classic folk song books “Rise Up Singing” and “Rise Again” (sequel), and 13 CDs on the Wind River and Stockfisch (Germany) labels. Winner of 4 Positive Music Awards and the 2015 Grace Note (Unity Worldwide Ministries) for Outstanding Contribution to New Thought Music, David has also been featured on many of Christine Lavin’s seminal Rounder Records compilations.  The former artist-in-residence at New York’s Omega Institute has also been a songwriting judge at Kerrville, Napa Valley (CA), Tumbleweed (WA), Eventide Arts (MA), the Avalon Festival (WV), and the South Florida Folk Festival.

David has also taught singing, songwriting, and performance at the Augusta Heritage workshops, SummerSongs and WinterSongs (NY), Common Ground on the Hill (MD), the Woods Dance & Music Camp (Canada), WUMB’s Summer Acoustic Music Week (NH), Moab Folk Camp (UT), Rowe Center (MA), Pendle Hill (PA), Lamb’s Retreat (MI), the Swannanoa Gathering (NC), the National Wellness Institute (WI), and for many other songwriting groups and associations around the country.  David is also founder/director of the Cape Cod Songwriters Retreat and creator/host of Cape Cod’s “Full Moon Open Mic” which, for the past 10 years has provided a forum for musicians to connect and be heard while at the same time collecting donations ($12,000 to date) for local non-profits to help neighbors in need.

Please join us for an evening of music not-to-be-missed, or heard very often, especially here!

A house concert is an excellent place to hear and meet great musicians in a very intimate setting.

Westwind Weekend

of music and dance

A beautiful setting on the Oregon Coast.  A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast.  It’s a weekend at the beach, with music and friends old and new.  It’s always sunny at Westwind, AND it almost always rains.  Which is to say, any weather can happen.

A growing, family friendly community.  More than a fourth of those who attend the Westwind Weekend are young people.  Kids bring their friends.  They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.

Non-stop music jams.  At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen.  Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.

Contra dancing and more.  Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.

Camper-led workshops.  Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.

A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.

Happy, hearty vegetarian food.  Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals.  Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.

Campaign for Reel Time
(The Quarks revised)

From Portland

• Betsy Branch – fiddle
• Mark Douglas – piano
• Bill Tomczak – reeds, percussion

Campaign for Reel Time is an exciting Northwest band featuring Betsy Branch on fiddle and guitar, Bill Tomczak on clarinet, saxophone and percussion, and Mark Douglas (tonight) on piano.    With their mix of instruments and improvisatory natures, plus their deft interweaving of dance-music genres, you never know what to expect from this trio, other than stimulating and inventive dance music.  Their delight in playing together translates to the dance floor, and you are likely to hear plenty of laughter from the stage.

Karen Marshall

from Seattle.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

*Potluck at 6PM* Host: Relan Colley, 745 NW 16th St; 541-753-2617. (Located near the south side of Corvallis High School and several blocks east of Fred Meyer. The closest intersection is NW Taylor & NW 16th.) Map: https://mapq.st/1cyFC3m

First and Third Saturdays of the month except July, August. Occasional special dances.

Kate Power
&
Steve Einhorn

Kate Power and Steve Einhorn are lifelong musicians, songwriters, teachers, and were the owners of the world renowned performance venue, music school, and instrument shop, Artichoke Music in Portland, Oregon (1981-2006). Vocal Cut of the Year 2017 for Paddy’s Lament on their new release, Portland Romance, their ninth album of original and traditional folk. They won the Music2Life award for the song,”Travis John” at the Kerrville Folk Festival and have shared stages with folk luminaries including Pete Seeger, Tom Paxton, Odetta, and Garrison Keillor.

Go to https://lisalynne.com/cedarhouse-concerts/ for location details.

A house concert is an excellent place to hear and meet great musicians in a very intimate setting.