Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
An evening house concert with
Birch Pereira
and the Gin Joints
from Seattle
Born out of a love of the early years of swing, americana and rock ‘n ‘roll, Birch Pereira & the Gin Joints is a band whose sound transports you to the time of speakeasies, honky-tonks and roadhouses. With upright bassist and vocalist Birch Pereira at its center, the band features skilled and versatile musicians who share the love of the American song traditions and a desire to offer a fresh angle on them.
Check out all the fun videos at https://www.theginjointsband.com
If you’ve seen them before, then don’t miss this opportunity to hear the continuing evolution of their repertoire and skills.
The band’s debut album, Dream Man, was released independently and received the Earshot Jazz Golden Ear Award for “Northwest Jazz Recording of the Year” in 2016. Their second album “Western Soul” was released in March 2018 and features western-tinged jazz and soul originals along with reinterpretations of old blues, swing and early rock’n’roll. Fans, critics and deejays have delighted in Birch Pereira’s “old soul,” tenor voice, the group’s new, stripped-down arrangements of musical gems from the past and Pereira’s ever growing repertoire of original, yet period-evoking material. Frank Gutch Jr, of No Depression described the new album thusly: “I love this album. I love the sound of it. I love the feel of it. I love the idea of it.”
One of the fun aspects of the Gin Joints is that, depending on availability, Birch can draw from a large pool of highly talented Seattle musicians, who all love playing this music. Joining Birch this time are Adrian Van Batenburg on drums/percussion (returning again to Corvallis) and fine Seattle guitarist Colin Higgins (see below).
PERSONNEL
After playing cello in the Corvallis Youth Symphony, Birch Pereira got his BA in Jazz Studies (bass performance) from the University of Washington in 2005. Since then he has become well-known in Seattle as a highly versatile bass player, band leader, composer, producer/engineer and teacher. With the formation of the Gin Joints he moved out front as vocalist, arranger, composer and bass player — and hasn’t looked back since.
Adrian Van Batenburg got his BA in Jazz Studies (drumming/percussion) from University of North Texas in 2002. He has been gigging, recording, touring and teaching since moving to Seattle that year.
Colin Higgins studied jazz guitar performance at North Texas University and University of Wisconsin – Stevens Point. He graduated in 1996 with a Bachelor of Music degree from University of Wisconsin – Stevens Point. Colin moved to Seattle in the fall of 1997. He’s performed in a wide range of musical settings, from jazz to classic rock, with many great Seattle musicians.
A house concert is a great way to hear music in an intimate setting and get to know the performers up close and personal.
To reserve a space and get directions, email to peartree15@comcast.net
(or, if an email won’t work, call 541-753-9224).
The Real Sarahs
With organic harmonies that enchant and uplift the spirit, The Real Sarahs share their special gift of vocal synergy. This trio of women, who are all named Sarah, create magic with voices in harmony, acoustic instruments and the energetic connection between artists and audience. With a breadth of influences, you are likely to hear threads of folk, jazz, blues, and country music running through their songs. Singing from the stories of their own life journeys and experiences, their original music is honest, evocative and heartfelt.
A house concert is a great way to hear music in an intimate setting and get to know the performers up close and personal.
Scott Cook
A roots balladeer with a rare personal warmth, Canada’s Scott Cook has managed to distil the stories collected over eleven years touring across Canada, the USA, Europe, Asia, Australia and elsewhere into straight-talking, keenly observant verse. Road-worn, painfully honest, and deeply human, his tunes weave threads of folk, roots, blues, soul and country over spacious fingerstyle guitar and clawhammer banjo arrangements. His fourth release, One More Time Around, was nominated for a Canadian Folk Music Award, and its opening track “Pass It Along” won the Folk and Acoustic category in the 2013 UK Songwriting Contest, with UK magazine Maverick Country naming him “one of Canada’s most inspiring and imaginative storytellers”. In 2015 he put together a seven-piece honky-tonk band for his fifth studio album, Scott Cook and the Long Weekends Go Long, and in 2017 he released his sixth album Further Down the Line, earning his second Canadian Folk Music Award nomination, for English Songwriter of the Year. The album is packaged in a 132-page softcover book offering a look back, in words and pictures, on his last decade of near-incessant rambling. Cook is one of the hardest-working DIY troubadours on the road today, averaging over 150 shows and a dozen festivals every year since 2007. All the hard miles notwithstanding, he still believes that songs can change your life, and your life can change the world.
“Scott Cook has distilled his travels down into songs powered by a sharp eye for imagery, a healthy dose of humanity, and that unforgettable voice, that at the same time intones the rigors of the road and the most comfortable couch you have ever slept on.” -David Francey, 3x Juno-winning songwriter
“As good a modern folkie as we have these days. A voice perfect for the genre. An understanding beyond the norm.” –No Depression
“He sings his heart and soul, and in doing so lets light flood into your own… A good eye for imagery, a gentle human touch, a wry sense of humour, a whole lot of integrity, a warm, rugged voice and a bunch of memorable lines… Truly one of Woody Guthrie’s children.” –RnR Magazine
A house concert is an excellent way to enjoy music in an intimate environment and get to know the musician.
Rushad Eggleston
For those not in the know, Rushad is the cellist from another planet. He’s a legend, clown, goblin, cello-shredder, acrobat, wild “jazz” vocalist, bundle of laughs, inventor of bluegrass cello, Grammy Nominee, time traveler, creator of worlds, Pentecostal dancer, proprietor of igwarfnees, president of Norwegian Ostrich Society, winner of some contest in 1725.
Rushad is truly a musical genius and he spends a lot of time exploring boundaries. While it may seem like he’s from another planet, he comes down to earth and plays at places like Carnegie Hall and The Kennedy Center. He was the first string player awarded a full scholarship to the Berklee college of music, and while still there he became their first active student ever to be nominated for a Grammy award. If you have never seen Rushad, now is your chance to witness greatness.
Note: Larger, more comfortable space and room for everyone, come one, come all! No reservations necessary, bring your friends and family and pay at the door! Please enter through the glass doors on 8th or from the parking lot on 9th. We’ll still have a potluck snack break at intermission, but please don’t bring alcohol (church regulation). This is kid friendly and encouraged, Rushad is inspirational. Cash preferred (checks made to Rushad Eggleston if you must)
Máire Ní Chathasaigh & Chris Newman
Award winning harp and guitar duo from Ireland with a virtuosic blend of Irish, Ragtime, and much more.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
DRÅM
Dråm is a Swedish folk music group specialized in the sackpipa, the Swedish bagpipe. Dram means “drone” in a Swedish dialect.
Dram’s members, Erik Ask-Upmark and Anna Rynefors have both received the prestigious Zorn award and the title of Riksspelman (official master musician) for their playing and exposure of the Swedish bagpipes.
Aside from the Swedish pipes, Dram’s other instruments include different Swedish folk whistles and the nyckelharpa keyed fiddle.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
James Kline
Classical guitarist, composer, singer-songwriter, innovator of the 19 string arch harp guitar, James Kline is an artist who constantly renews and reinvents himself.
As a classical guitarist he studied in Spain under a full scholarship from the Spanish government. There he won a number of international awards, including the Ramirez Prize of Santiago de Compostella and the Tarrega Pize of Benicasim. He holds an ARCM diploma from The Royal College of Music of London and has performed throughout eastern and western Europe as well as the United States and Mexico. He has also gained recognition as a composer and was awarded an Individual Artist Grant in music composition from the Marin Arts Council of California.
As a singer-songwritter, James draws inspiration from a slightly more unusual life experience which includes years working as a commercial fisherman, working as a wilderness guide, extensive travel on four continents, and living among Mexico�s Tarahumara Indians. An interest in Renaissance and Baroque music led him to design his own version of the eleven string arch guitar, an instrument which combines the best qualities of the lute and the guitar. The urge to expand his horizons and dedicate more time to composing led James to co- found the neo Celtic group Bardou with whom he performs regularly. He has again reinvented his instrument to become the world�s only player of the 19 string arch harp guitar, a combination of lute, guitar, and Celtic harp.
A modern day troubadour, his performances reflect a wonderful diversity of life experience and musical intrigue and are often punctuated with story telling.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
New World String Project
John Weed • Aryeh Frankfurter • Lisa Lynne • Stuart Mason
Extraordinary instruments and heartwarming music rooted in the Nordic, Celtic, and American folk traditions. 98 strings on stage!
Science tells us that cross pollination can result in hybrid vigor that transcends the sum of its parts. In a parallel vein, the vibrant West Coast traditional music community has given birth to the New World String Project. Four highly skilled and well known multi-instrumentalists have joined forces to create an exciting weave of music rooted in the Celtic, Nordic and American folk traditions. Ancient and modern sounds mingle freely on Swedish nyckelharpa, Celtic harp, fiddle, guitar, cittern, bouzouki, and more. Join the New World String Project for a musical ride that will shake your boots, uplift your spirit and warm your heart.
“(New World String Project) literally pranced through their hour-long program at St. Mary’s in Pacific Grove, displaying both calculated structure and unbridled abandon.” –Monterey County Weekly (CA)
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Noctumbule
– Marla Fibish and
Bruce Victor –
Original and Traditional, harmonized poetry songs, lots of humor.
This incredible duo are our best friends from where we lived in the bay area. That could make us partial, but indeed they make some of the most beautiful acoustic music you will ever hear. Marla is my idol. She is one of the foremost Irish mandolin players in the world. But that is just the tip of the iceberg. Bruce is the funniest guy we know, a great guitarist with a side hobby as a psychiatrist. They are a songwriting duo that layers incredible sounds and virtuosity with their clever and brilliant songs. They use musical settings of a broad array of poetry that they sing in harmony, original instrumental pieces, and traditional Irish tunes and songs. Aryeh recorded their first album in our home studio and whenever they play, we get to sit in. You will get to hear an unusual array of strings — fine guitars in varied tunings, mandola, mandolin, bouzouki, cittern, tenor guitar — and their blended voices. More about their music: https://www.noctambulemusic.com/us
Go to https://lisalynne.com/cedarhouse-concerts/ for location details.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Peppino D’Agustino
A young Sicilian artist left Italy over 30 years ago, with the dream of “playing with the greatest guitarists”. Peppino has achieved his dream and he’s now firmly planted in the “who’s who” of the guitar world.
Peppino D’Agostino emerged on the acoustic guitar scene in the early 80’s as a leading member of the second wave of the great fingerstylists that helped redefine the instrument in the ’90s. His remarkable technique, penchant for open tunings, and percussive effects are the basis of his unique compositional style which has been inspiring musicians and audiences alike for decades. Add to that his natural warmth, playfulness, and broad musical tastes and you have the recipe for what he calls “minestrone music”. His virtuosity and his emotional charge have also had a significant influence on the younger generation of fingerstyle guitarists. D’Agostino continues to evolve and grow in ways that would have been hard to predict when he first showcased his melodic yet emotionally intense style on the recordings Acoustic Spirit, Close to the Heart, and Every Step of the Way which was named one of the top three acoustic guitar albums of all time by Acoustic Guitar magazine readers.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Corvallis Hoolyeh dances are back in person
2nd and 4th Thursdays from 7 pm to 9 pm.
Hoolyeh Folk Dance
COVID-19 Policy
Updated 2023-06-13
These policies are created by an informal Hoolyeh Live Dance Committee and are approved by the Corvallis Folklore Society. They are intended to keep our community and dancers as safe, healthy, and happy as possible.
Folk dancing involves physical exertion and close contact with many people and is therefore associated with greater risk of viral transmission than other common activities. To protect our community as much as possible, Hoolyeh folk dances will have the following precautions in place until further notice, which meet and may exceed mandated COVID-19 safety guidelines.
Please note: People at higher risk of severe illness from the COVID-19 virus, or who are in regular contact with someone at higher risk, including young children and other unvaccinated people, should not attend folk dancing at this time.
All attendees are required to:
- Provide an email address for contact tracing if needed (gathered at dancing).
- Be mindful of others’ variable comfort levels, especially with respect to personal space and level of touch.
- Feel comfortable wearing a mask if that is their personal choice.
- Stay home if you experience any illness symptoms.
Additional precautions will include:
- An attendance capacity of 20-25 dancers
- Unscented hand sanitizer available at the dance
- Ventilation (open doors and windows)
- Attendees should wash hands regularly
- Letting Dana know if you have experienced any COVID-19 symptoms after the dance or in the following week
Current fees are $5 per person if not CFS member, $4 for CFS member, 18 and under $2.
Corvallis Hoolyeh dances are back in person
2nd and 4th Thursdays from 7 pm to 9 pm.
Hoolyeh Folk Dance
COVID-19 Policy
Updated 2023-06-13
These policies are created by an informal Hoolyeh Live Dance Committee and are approved by the Corvallis Folklore Society. They are intended to keep our community and dancers as safe, healthy, and happy as possible.
Folk dancing involves physical exertion and close contact with many people and is therefore associated with greater risk of viral transmission than other common activities. To protect our community as much as possible, Hoolyeh folk dances will have the following precautions in place until further notice, which meet and may exceed mandated COVID-19 safety guidelines.
Please note: People at higher risk of severe illness from the COVID-19 virus, or who are in regular contact with someone at higher risk, including young children and other unvaccinated people, should not attend folk dancing at this time.
All attendees are required to:
- Provide an email address for contact tracing if needed (gathered at dancing).
- Be mindful of others’ variable comfort levels, especially with respect to personal space and level of touch.
- Feel comfortable wearing a mask if that is their personal choice.
- Stay home if you experience any illness symptoms.
Additional precautions will include:
- An attendance capacity of 20-25 dancers
- Unscented hand sanitizer available at the dance
- Ventilation (open doors and windows)
- Attendees should wash hands regularly
- Letting Dana know if you have experienced any COVID-19 symptoms after the dance or in the following week
Current fees are $5 per person if not CFS member, $4 for CFS member, 18 and under $2.
Corvallis Hoolyeh dances are back in person
2nd and 4th Thursdays from 7 pm to 9 pm.
Hoolyeh Folk Dance
COVID-19 Policy
Updated 2023-06-13
These policies are created by an informal Hoolyeh Live Dance Committee and are approved by the Corvallis Folklore Society. They are intended to keep our community and dancers as safe, healthy, and happy as possible.
Folk dancing involves physical exertion and close contact with many people and is therefore associated with greater risk of viral transmission than other common activities. To protect our community as much as possible, Hoolyeh folk dances will have the following precautions in place until further notice, which meet and may exceed mandated COVID-19 safety guidelines.
Please note: People at higher risk of severe illness from the COVID-19 virus, or who are in regular contact with someone at higher risk, including young children and other unvaccinated people, should not attend folk dancing at this time.
All attendees are required to:
- Provide an email address for contact tracing if needed (gathered at dancing).
- Be mindful of others’ variable comfort levels, especially with respect to personal space and level of touch.
- Feel comfortable wearing a mask if that is their personal choice.
- Stay home if you experience any illness symptoms.
Additional precautions will include:
- An attendance capacity of 20-25 dancers
- Unscented hand sanitizer available at the dance
- Ventilation (open doors and windows)
- Attendees should wash hands regularly
- Letting Dana know if you have experienced any COVID-19 symptoms after the dance or in the following week
Current fees are $5 per person if not CFS member, $4 for CFS member, 18 and under $2.
Jimmie Vaughan
Jimmie Vaughan performing in Florida. By Gage Skidmore.
A founding member of the Fabulous Thunderbirds and the older brother of Texas blues legend Stevie Ray, Jimmie Vaughan brought renewed attention to Texas blues in the 1980s, ultimately leading to Austin, Texas becoming a major American blues center. A multi-GRAMMY Award winner, Vaughan’s “Baby, Please Come Home” was a 2020 GRAMMY nominee in the Best Traditional Blues Album category. He also won a Blues Music Award for Best Male Blues Artist this year.
Hosted by Bob Santelli, Oregon State University’s director of popular music and performing arts, the American Strings series offers a unique opportunity to learn about a variety of genres from across the American music tradition.
If you have any questions or require special accommodations, please contact Isabelle Nissen at 541-231-5820 or OSUFEvents@osufoundation.org.
Corvallis Hoolyeh dances are back in person
2nd and 4th Thursdays from 7 pm to 9 pm.
Hoolyeh Folk Dance
COVID-19 Policy
Updated 2023-06-13
These policies are created by an informal Hoolyeh Live Dance Committee and are approved by the Corvallis Folklore Society. They are intended to keep our community and dancers as safe, healthy, and happy as possible.
Folk dancing involves physical exertion and close contact with many people and is therefore associated with greater risk of viral transmission than other common activities. To protect our community as much as possible, Hoolyeh folk dances will have the following precautions in place until further notice, which meet and may exceed mandated COVID-19 safety guidelines.
Please note: People at higher risk of severe illness from the COVID-19 virus, or who are in regular contact with someone at higher risk, including young children and other unvaccinated people, should not attend folk dancing at this time.
All attendees are required to:
- Provide an email address for contact tracing if needed (gathered at dancing).
- Be mindful of others’ variable comfort levels, especially with respect to personal space and level of touch.
- Feel comfortable wearing a mask if that is their personal choice.
- Stay home if you experience any illness symptoms.
Additional precautions will include:
- An attendance capacity of 20-25 dancers
- Unscented hand sanitizer available at the dance
- Ventilation (open doors and windows)
- Attendees should wash hands regularly
- Letting Dana know if you have experienced any COVID-19 symptoms after the dance or in the following week
Current fees are $5 per person if not CFS member, $4 for CFS member, 18 and under $2.