Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Bring your instrument or just yourself and sing, play or just listen.
Scott Cook
A roots balladeer with a rare personal warmth, Canada’s Scott Cook has managed to distil the stories collected over eleven years touring across Canada, the USA, Europe, Asia, Australia and elsewhere into straight-talking, keenly observant verse. Road-worn, painfully honest, and deeply human, his tunes weave threads of folk, roots, blues, soul and country over spacious fingerstyle guitar and clawhammer banjo arrangements. His fourth release, One More Time Around, was nominated for a Canadian Folk Music Award, and its opening track “Pass It Along” won the Folk and Acoustic category in the 2013 UK Songwriting Contest, with UK magazine Maverick Country naming him “one of Canada’s most inspiring and imaginative storytellers”. In 2015 he put together a seven-piece honky-tonk band for his fifth studio album, Scott Cook and the Long Weekends Go Long, and in 2017 he released his sixth album Further Down the Line, earning his second Canadian Folk Music Award nomination, for English Songwriter of the Year. The album is packaged in a 132-page softcover book offering a look back, in words and pictures, on his last decade of near-incessant rambling. Cook is one of the hardest-working DIY troubadours on the road today, averaging over 150 shows and a dozen festivals every year since 2007. All the hard miles notwithstanding, he still believes that songs can change your life, and your life can change the world.
“Scott Cook has distilled his travels down into songs powered by a sharp eye for imagery, a healthy dose of humanity, and that unforgettable voice, that at the same time intones the rigors of the road and the most comfortable couch you have ever slept on.” -David Francey, 3x Juno-winning songwriter
“As good a modern folkie as we have these days. A voice perfect for the genre. An understanding beyond the norm.” –No Depression
“He sings his heart and soul, and in doing so lets light flood into your own… A good eye for imagery, a gentle human touch, a wry sense of humour, a whole lot of integrity, a warm, rugged voice and a bunch of memorable lines… Truly one of Woody Guthrie’s children.” –RnR Magazine
A house concert is an excellent way to enjoy music in an intimate environment and get to know the musician.
Bring your instrument or just yourself and sing, play or just listen.
Rushad Eggleston
For those not in the know, Rushad is the cellist from another planet. He’s a legend, clown, goblin, cello-shredder, acrobat, wild “jazz” vocalist, bundle of laughs, inventor of bluegrass cello, Grammy Nominee, time traveler, creator of worlds, Pentecostal dancer, proprietor of igwarfnees, president of Norwegian Ostrich Society, winner of some contest in 1725.
Rushad is truly a musical genius and he spends a lot of time exploring boundaries. While it may seem like he’s from another planet, he comes down to earth and plays at places like Carnegie Hall and The Kennedy Center. He was the first string player awarded a full scholarship to the Berklee college of music, and while still there he became their first active student ever to be nominated for a Grammy award. If you have never seen Rushad, now is your chance to witness greatness.
Note: Larger, more comfortable space and room for everyone, come one, come all! No reservations necessary, bring your friends and family and pay at the door! Please enter through the glass doors on 8th or from the parking lot on 9th. We’ll still have a potluck snack break at intermission, but please don’t bring alcohol (church regulation). This is kid friendly and encouraged, Rushad is inspirational. Cash preferred (checks made to Rushad Eggleston if you must)
Melody Pie Trio
Neo-Traditional Folk • Roots • Music
Melody Pie Trio is fiddler Kevin Craven, cellist Beth Brown and singer-songwriter Ralph Penunuri – in melodious neo-traditional folkroots conversation. Playing an eclectic variety of original and traditional stylings, MPT free-ranges from storysong folk balladry and lyrical tone poems, to traditional Celtic tunes, bluegrass, country rock, jump blues, swing grooves and improv jam.
Bring your instrument or just yourself and sing, play or just listen.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Michael Hurley
Michael Hurley is an American folksinger, guitarist and fiddler who became a part of the Greenwich Village music scene in the late ’60s and ’70s. Born and raised in Bucks County, Penn., Hurley released his first album in 1964 on Folkways Records. But he remained inactive in his solo career, occasionally lending songs to the Holy Modal Rounders and the Youngbloods until the early ’70s, when he wrote two more albums: Armchair Boogie and Hi-Fi Snock Uptown.
Hurley intermittently released albums throughout the ’80s and ’90s, mostly by himself or on small labels. In 2001, Locust Music reissued his first album, renaming it Blueberry Wine, with new artwork by Hurley himself. In 2011, Hurley’s first book of lyrics was released by the Quebec book publisher L’Oie de Cravan. It contains the original English lyrics to 19 of his songs calligraphed by the author, a foreword by critic Byron Coley and a French version by Marie Frankland, winner of the 2007 John-Glassco prize for translation.
Opening for Michael Hurley will be
Mouth Painter
Mouth Painter’s music is at the intersection of country/folk, drone, & exotica, blending the lines of tradition and experimentation. Their music is influenced by the sounds of nature, the geologic continuum, Keith Whitley, Elisabeth Waldo, Halpern, etc
Join Ralph Penunuri and others in the monthly open vocal jam
Portland FolkMusic Society presents
Singtime Frolics
a spring weekend of singing, jamming, learning, sharing and good food at Portland FolkMusic Society’s annual retreat.
Guest artist
Linda Allen
click HERE for more information
LOCAL FOLK
the collaborative open stage program of CFS and The Arts Center is starting again after a nearly ten year hiatus. The venue, as in the past, is The Corvallis Arts Center and stage. Free and open to all, the stage is open to individual musicians and groups presenting a variety of music under the large “folk” umbrella.
Sign up for a set of two or three songs for a total time of 10-15 minutes in a rotating format. Or, just come to be part of an audience appreciative of local performers.
Local Folk will convene monthly, on second Tuesdays, from 7-10 pm, starting APRIL 9, 2019.
DRÅM
Dråm is a Swedish folk music group specialized in the sackpipa, the Swedish bagpipe. Dram means “drone” in a Swedish dialect.
Dram’s members, Erik Ask-Upmark and Anna Rynefors have both received the prestigious Zorn award and the title of Riksspelman (official master musician) for their playing and exposure of the Swedish bagpipes.
Aside from the Swedish pipes, Dram’s other instruments include different Swedish folk whistles and the nyckelharpa keyed fiddle.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.