Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
First and Third Sundays
We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions. Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.
Bill Staines
Anyone not familiar with the music of Bill Staines is in for a special treat.
For more than forty years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing nearly 200 concerts a year and driving over 65,000 miles annually. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”
Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.
Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”
Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.
In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.
Currently, Bill has recorded 26 albums; The Happy Wanderer and One More River were winners of the prestigious Parents’ Choice Award, taking a gold medal and silver medal respectively. His songs have been recorded by many artists including Peter, Paul, and Mary, Tommy Makem and Liam Clancy, The Highwaymen, Mason Williams, Grandpa Jones, Jerry Jeff Walker, Nanci Griffith, Glen Yarborough and others.
As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.
“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.
In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”
A true honor.
Mike and Carleen McCornack
Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes. While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.
Benton Center Acoustic Showcase features
Sharon and Dave Thormahlen
For over 30 years Dave and Sharon Thormahlen have made their living creating music and musical instruments. Their specialty is in the folk harp with Dave having built over 1400 instruments and Sharon having published 16 books of harp music. Sharon plays the harp and Daave plays guitar, mandolin and banjo enjoying a variety of musical styles including originals, Latin, Irish and Beatles tunes.
The Benton Center Atrium
Full Moon
Gordy Euler – fiddle
Dave Hamlin – fiddle, mandolin
Janet Ghoulston – concertina, banjo
Fran Slefer – fiddle, button accordion, piano
Full Moon have used their 15+ years of playing together to hone a distinct sound focused on lifting dancers’ feet and hearts.
Laurel Thomas
Laurel Thomas has called contra dances all over Oregon and Washington since 2008. Dancers appreciate her clear teaching, her articulate calling and her carefully crafted programs designed to build skill for beginning dancers while keeping experienced dancers happy with an appropriate level of challenge. .
Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
Photo by Mina Carson
7:30 Rita Brown
Rita Brown, local folk singer and multi-instrumentalist, was named the 2010 Readers’ Choice “favorite female vocalist” by the Corvallis Gazette-Times and praised for her “warm, unforced vocal style” by Seattle’s Victory Review. She has released four cd’s, two as half of a folk duo with Bill Smyth and two as lead singer of the original rock band, The Flow. She has sung with the Neal Gladstone Band, with the Joe Cocker tribute band Mad Dogs and No Englishmen, and with cellist Anne Ridlington as Crooked Kate.
For the October 27th Best Cellar, Rita looks forward to sharing some of her favorite songs from a variety of great songwriters.
8:30 Dinna Fash
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of traditional and modern Celtic tunes so you can leave your worries behind. Kevin Craven, recently arrived from Hawaii is a local violin teacher and also plays with the OSU Symphony. Maria Blair on fiddle and cello, most recently from Durango Colorado, is also a step dancer. She brings special rhythm and vitality to the music. Beth Brown has been playing Celtic cello on the Corvallis scene for over 10 years, previously with the bands Three Fingered Jack and Lark. The trio is heavily influenced by Alasdair Frasier and Natalie Haas and has attended their camps and workshops. Along with traditional Irish, Scottish, Québécois and Shetland tunes, they play some of the modern tunes composed by the new generation of Celtic influenced musicians.
The best Cellar is a once-a-month evening of acoustic music. Admission is “pay what you will,” and kids are free. Cookies and coffee are available. Located in the cellar of the Methodist Church on 11th and Monroe, in Corvallis. For more information, or to join the volunteer team, contact Mark Weiss at mjweiss@cmug.com
Melody Pie Trio
Neo-Traditional Folk • Roots • Music
Melody Pie Trio is fiddler Kevin Craven, cellist Beth Brown and singer-songwriter Ralph Penunuri – in melodious neo-traditional folkroots conversation. Playing an eclectic variety of original and traditional stylings, MPT free-ranges from storysong folk balladry and lyrical tone poems, to traditional Celtic tunes, bluegrass, country rock, jump blues, swing grooves and improv jam.
Tannahill Weavers
The Tannahill Weavers are a popular band which performs traditional Scottish music. Releasing their first album in 1976 they became notable for being one of the first popular bands to incorporate the sound of the Great Highland Bagpipe in an ensemble setting, and in doing so helped to change the sound of Scottish traditional music. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame.
In the late 18th and early 19th century Scotland was in a turmoil of change. Highlanders were being driven from their lands and into the burgeoning Lowland factory systems. This brought two quite distinct cultures together, the mystic Celtic culture of the North and the old Anglo/Scots culture of the Lowlands. They were married by the double barreled shotgun of necessity and the Industrial Revolution. But this forced union brought forth a cultural heritage which, thanks to people like Robert Burns and Robert Tannahill, outlasted the worst of the Industrial Revolution. It married the mystic beauty of the Celtic music to the coarse, brawling, but vitally human music, poetry and ballads of the Lowlands. It is precisely this strangely moving yet lustily stirring quality that the Tannahill Weavers have captured in their arrangements of the traditional music and songs of Scotland. All of their material is traditional, but as good musicians should, they have transformed it and brought it into the modern world, vitally alive and kicking.
As they approach their 50th anniversary in 2018, the Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.
The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”
Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy’s driving guitar backing and lead vocals, and Phil’s ethereal flute playing breathed new life into Scotland’s vast repertoire of traditional melodies and songs.
Three years and a dozen countries later, the Tannahills were the toast of Europe, having won the Scotstar Award for Folk Record of the Year with their third album, The Tannahill Weavers. Canada came the next summer, with thousands at the national festivals in Vancouver, Winnipeg and Toronto screaming an approval that echoed throughout the Canadian media. The Regina Leader-Post wrote, “The Tannahill Weavers personify Celtic music, and if you are given to superlatives, you have to call their talent ‘awesome’.”
Since their first visit to the United States in 1981, the Tannahills’ unique combination of traditional melodies on pipes, flute and fiddle, driving rhythms on guitar and bouzouki, and powerful three and four part vocal harmonies have taken the musical community by storm. As Garrison Keillor, the host of “Prairie Home Companion”, remarked, “These guys are a bunch of heroes every time they go on tour in the States”.
Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they are joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, along with a long list of other accomplishments.
With their impending 50th anniversary in 2018, the Tannahill Weavers are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.
Broken Top
Bo Leyden – mandolin
Shari Ame – fiddle
John Light – keyboards
A new Corvallis contra band, with a Portland keyboardist, Broken Top brings lively traditional music to the dance.
Noah Grunzweig
Noah Grunzweig is a master of stories and dance! He called in Corvallis most recently at the last New Years Eve dance.
Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
First and Third Sundays
We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions. Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.
Corvallis Guitar Society
The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.
Our Mission
To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.
We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.
Melody Pie Trio
Neo-Traditional Folk • Roots • Music
Melody Pie Trio is fiddler Kevin Craven, cellist Beth Brown and singer-songwriter Ralph Penunuri – in melodious neo-traditional folkroots conversation. Playing an eclectic variety of original and traditional stylings, MPT free-ranges from storysong folk balladry and lyrical tone poems, to traditional Celtic tunes, bluegrass, country rock, jump blues, swing grooves and improv jam.
Dinna Fash Celtic Trio
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of old and new Irish, Scottish, Québécois and Shetland tunes.