Calendar
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calendar@corvallisfolklore.org
Stuart Mason
&
John Weed
(of Molly’s Revenge)
Ireland to Appalachia
John Weed (fiddle) and Stuart Mason (guitar, mandola, banjo) will be performing traditional Appalachian, blues, and Celtic music that digs deep into the roots of American music. Long before the time of Bill Monroe or Ralph Stanley or the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a wellspring of material that later formed the basis of the bluegrass and early country repertoire.
John and Stuart have just recorded a new album project–their first CD as a duo. Material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and French roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life-long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album “Lift” as well as songs from the lively repertoire of Little Black Train and from Stuart’s two solo albums.
Doors open 6pm with a potluck reception.
There will be daytime workshops – Irish fiddle & DADGAD Guitar $25. Contact Lisa for more information.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Irish Duo
Tommy and Saundra O’Sullivan
Tommy O’Sullivan has been aclaimed as “one of the great contemporary folk voices of Ireland” and “a stellar guitarist.” Tommy has recorded albums with Sliabh Notes and with Bothy Band piper, Paddy Keenan as well as 2 solo albums. He and his wife Saundra have matched her alto harmonies with his tenor lead vocals and they are very much a part of the vibrant music scene in Dingle, Ireland, as well as owning O’Sullivan’s Couthouse Pub.
Come and hear them in this cozy and intimate setting.
Roy Zimmerman
There’s lots of new grist for Roy Zimmerman’s song-writing mill with the election results and everything going on in the world. This should be interesting (and entertaining).
Roy Zimmerman is a satirical songwriter in the Tom Lehrer/Phil Ochs tradition with a great gift for clever and funny lyrics that really rhyme and an incredibly entertaining banter between his songs.
“You’re brilliant. Just brilliant!” — Terry Jones, Monty Python
Tom Lehrer himself says, “I congratulate Roy Zimmerman on reintroducing literacy to comedy songs. And the rhymes actually rhyme, they don’t just ‘rhyne.'”
Joni Mitchell says, “Roy’s lyrics move beyond poetry and achieve perfection.”
He spent the Comedy Boom years of the Eighties doing stand-up in San Francisco, sharing stages with George Carlin, Bill Maher, Kate Clinton, Dennis Miller and many others. He wrote all the material for his funny folk music quartet The Foremen, recording two albums for Warner/Reprise Records. He’s done several shows with The Pixies’ Frank Black, swapping songs in a solo acoustic setting.
“Roy Zimmerman simultaneously inspires me and makes me laugh my ass off,” says comedian/author Paul Krassner.
Zimmerman tours almost constantly, taking his funny songs about fracking, creationism, marijuana laws, government shutdown, same-sex marriage, guns, taxes and abstinence across the country, often playing in some of the least Progressive places in America for the most Progressive people there. “I get accused of preaching to the converted,” he says, “but I don’t think of it that way. I think of it as entertaining the troops.”
In thirteen albums over twenty years, Roy has brought the sting of satire to the struggle for Peace and Social Justice. His songs have been heard on HBO and Showtime. He has recorded for Warner/Reprise Records. He’s been profiled on NPR’s “All Things Considered.” Zimmerman’s YouTube videos have amassed over seven million views, and he’s a featured blogger for the Huffington Post.
Sing Out! Magazine writes, “Zimmerman is a guy on the left skewering folks on the right with rapier-sharp lyrics … underneath the caustic satire is a man who is surprisingly optimistic.”
The Martha Room at the First Presbyterian Church is in the basement, most easily accessed through the 11th Street entrance near the parking lot.
Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.
His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!
But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”
So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.
Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.
Libby Roderick
an internationally acclaimed singer/songwriter, poet, activist, teacher and lifelong Alaskan. The surprising power and depth of her music and the humor and spontaneity of her performances have attracted large and enthusiastic audiences across the continent and fans all over the world. Her six recordings have received extensive airplay on Earth and, in 2003, NASA played her song “Dig Down Deep” on the planet Mars as encouragement to the robot “Spirit.” Libby is an exhilarating and witty artist who offers a remarkable blend of passionate music, wry humor and incisive commentary on social and personal issues.
Cassandra Robertson
a muse with a message, has the heart of a lion, and the mane to match. Accompanied by her acoustic guitar, she floors the audience like a sonic boom with captivating messages of peace, prosperity, hope and above all, inspiration. Her unique style of “acoustic conscious folk” kick starts the heart and levitates the soul; reminding us all that we CAN positively affect the world we all share, as long as we choose planet over profit and remember to be ourselves.
Libby Roderick has composed a bunch of new socially-engaged music and got a big grant to tour it, so Spring Creek is hosting a concert by her in collaboration with the Corvallis Folklore Society.
The challenge of the Spring Creek Project is to bring together the practical wisdom of the environmental sciences, the clarity of philosophical analysis, and the creative, expressive power of the written word to find new ways to understand and re-imagine our relation to the natural world.
yOya
alex pfender – vOcals, guitar
noah dietterich – keybOards, vOcals
yOya is the project of longtime songwriting partners Alex Pfender and Noah Dietterich. Natives of Corvallis, and friends since the fifth grade, Pfender and Dietterich grew up to the sound of rain in the fir trees and ‘Graceland’ on cassette. When the duo moved to California to study music they found themselves absorbing the electronic sounds of the LA scene. What emerged was yOya’s unique mix of folk-hearted songs, intricate vocal harmony, gritty synths, and electronic beats. The LA Weekly describes yOya as “one of LA’s top 3 Live Bands”.
Combining classic folk songwriting with contemporary electronic beats, yOya’s latest single “The Heartwood” evokes “a cabin high in grassy hills or a rooftop overlooking a gleaming city,” according to Consequence of Sound. The trio has recently shared stages with Bleachers, Moses Sumney, Avi Buffalo and many others. Learn more at their website: yoyatheband.com.
JE Sunde is a well known indie-folk singer-songwriter who has appeared on NPR’s “All Songs Considered”.
“J.E. Sunde is one of the greatest indie-folk singer-songwriters around.”
-Daytrotter
The Fire
is a trio with Rebecca Lomnicky on Scottish fiddle, David Brewer on Highland pipes and whistles, and Adam Hendey on guitar & bazouki. The Fire performs captivating Scottish music as a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. In 2009, Rebecca won the 20th Annual Glenfiddich International Scottish Fiddle Championship held at Blair Castle, Blair Atholl, Scotland. David Brewer is unarguably one of the most energetic and charismatic performers of the Highland pipes in the world today. Adam brings an innovative contemporary approach to traditional music. (Rebecca is from Corvallis)
Old Blind Dogs
Since forming in 1992, Old Blind Dogs have stood on the cutting edge of Scotland’s roots revival. The band has developed its own trademark style with an energetic mix of songs and tunes. Dynamic percussion, polished vocals, soaring fiddle and stirring pipes fuel the delicately-phrased melodies and traditional songs.
Twenty-five years is a long time in the life of any band and most who reach that milestone are content to rest on the tried and true formulas that have worked in the past. Not so for Scotland’s Old Blind Dogs, who do not shy away from change. A strong, shared musical vision has allowed the group to ride out inevitable line-up changes whilst their popularity has never dimmed.
The current foursome of Jonny Hardie (fiddle, vocals), Aaron Jones (bouzouki, guitar, vocals), Ali Hutton (Pipes, whistles, vocals) and Donald Hay (percussion, vocals) have proven more than capable of carrying on the tradition of the band that the Montreal Gazette called, “…a Scots neo-traditional supergroup with a bracingly modern musical attack.”
The Dogs have released eleven albums and have won numerous awards along the way
including the prestigious title of ‘Folk Band of the Year’ at the 2004 and 2007 Scots Trad Music Awards. Their album ‘Four On The Floor’ also picked up the IAP ‘Best Celtic CD’ Award in the USA and their last CD was nominated for the same honour.
“The skill, talent and verve with which they played, belied their laddishness and the crowd responded with thunderous applause. Folk is the new rock and roll.” (Evening News)
The Old Blind Dogs play with a compelling energy and intoxicating rhythm, players and audience seem to share a wild ecstasy of emotion. (The Scotsman)
“Old Blind Dogs have mastered the tricky art of innovating within a musical tradition while faithfully revealing its essence.” (Acoustic Guitar)
“Old Blind Dogs bring freshness and color to acoustic music steeped in centuries of Scottish folklore and history.” (The Los Angeles Times)
Bill Staines
Anyone not familiar with the music of Bill Staines is in for a special treat.
For more than forty years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.
Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing nearly 200 concerts a year and driving over 65,000 miles annually. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”
Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.
Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”
Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.
In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.
Currently, Bill has recorded 26 albums; The Happy Wanderer and One More River were winners of the prestigious Parents’ Choice Award, taking a gold medal and silver medal respectively. His songs have been recorded by many artists including Peter, Paul, and Mary, Tommy Makem and Liam Clancy, The Highwaymen, Mason Williams, Grandpa Jones, Jerry Jeff Walker, Nanci Griffith, Glen Yarborough and others.
As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.
“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.
In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”
A true honor.
Mike and Carleen McCornack
Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes. While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.
Tannahill Weavers
The Tannahill Weavers are a popular band which performs traditional Scottish music. Releasing their first album in 1976 they became notable for being one of the first popular bands to incorporate the sound of the Great Highland Bagpipe in an ensemble setting, and in doing so helped to change the sound of Scottish traditional music. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame.
In the late 18th and early 19th century Scotland was in a turmoil of change. Highlanders were being driven from their lands and into the burgeoning Lowland factory systems. This brought two quite distinct cultures together, the mystic Celtic culture of the North and the old Anglo/Scots culture of the Lowlands. They were married by the double barreled shotgun of necessity and the Industrial Revolution. But this forced union brought forth a cultural heritage which, thanks to people like Robert Burns and Robert Tannahill, outlasted the worst of the Industrial Revolution. It married the mystic beauty of the Celtic music to the coarse, brawling, but vitally human music, poetry and ballads of the Lowlands. It is precisely this strangely moving yet lustily stirring quality that the Tannahill Weavers have captured in their arrangements of the traditional music and songs of Scotland. All of their material is traditional, but as good musicians should, they have transformed it and brought it into the modern world, vitally alive and kicking.
As they approach their 50th anniversary in 2018, the Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.
The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”
Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy’s driving guitar backing and lead vocals, and Phil’s ethereal flute playing breathed new life into Scotland’s vast repertoire of traditional melodies and songs.
Three years and a dozen countries later, the Tannahills were the toast of Europe, having won the Scotstar Award for Folk Record of the Year with their third album, The Tannahill Weavers. Canada came the next summer, with thousands at the national festivals in Vancouver, Winnipeg and Toronto screaming an approval that echoed throughout the Canadian media. The Regina Leader-Post wrote, “The Tannahill Weavers personify Celtic music, and if you are given to superlatives, you have to call their talent ‘awesome’.”
Since their first visit to the United States in 1981, the Tannahills’ unique combination of traditional melodies on pipes, flute and fiddle, driving rhythms on guitar and bouzouki, and powerful three and four part vocal harmonies have taken the musical community by storm. As Garrison Keillor, the host of “Prairie Home Companion”, remarked, “These guys are a bunch of heroes every time they go on tour in the States”.
Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they are joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, along with a long list of other accomplishments.
With their impending 50th anniversary in 2018, the Tannahill Weavers are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.
Dinna Fash Celtic Trio
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of old and new Irish, Scottish, Québécois and Shetland tunes.
A Winter Gift
is presented by three of the premier Celtic Harpists in the world. Patrick Ball, Lisa Lynne & Aryeh Frankfurter perform Celtic legends, along with Irish and English literature woven together with beloved and rare pieces of holiday music.
This trio is well known for their first show “Legends of the Celtic Harp” which tells stories and legends of the harp through time. In their new show “A Winter Gift” storyteller and wire-strung harpist Patrick Ball along with harpers and multi-instrumentalists Lisa Lynne & Aryeh Frankfurter step into a magical world of Irish and English literature. The trio presents a heartwarming collection of tales and music from Celtic legend and traditional folk stories. They perform a Child’s Christmas in Wales, a chapter from The Wind in the Willows, and passages from Shakespeare, William Butler Yeats, and Thomas Hardy, and mingle them with beloved and original pieces of seasonal music. Audiences will hear three Celtic Harps, Swedish Nyckelharpa, Fiddle, Bandura, Bouzouki and more. www.LegendsOfTheCelticHarp.com
Patrick Ball is an American master of the Irish harp and a captivating spoken word artist. He has recorded nine instrumental and three spoken word albums which have sold well over a half million copies internationally, winning national awards in both the music and spoken word categories. Patrick’s critically acclaimed concerts and solo theatrical productions have toured extensively throughout the United States, Canada, Ireland and the UK, and have been awarded grants by the California Arts Council and the Circle of Excellence Award from the National Storytelling Association. www.PatrickBall.com
Lisa Lynne is a multi-instrumentalist and performer who has gained worldwide recognition for her original music featuring her Celtic Harp. She is widely acclaimed for composing memorable and heartwarming melodies on the Windham Hill/Sony music labels that have repeatedly placed in the Top 10 & Top 20 on the Billboard New age music charts. Lisa tours year round performing at large US festivals and performing art centers. Her work in Therapeutic music has gained recognition from NBC, CNN, Fox News Atlanta and numerous newspaper and magazine articles including Wall Street Journal. Lisa’s music is heard throughout the award winning PBS special “Alone in the Wilderness,” amongst many other soundtracks for commercial television and independent films.Lisa was recently selected by Los Angeles Magazine as one of 50 most inspiring women. www.LisaLynne.com
Aryeh Frankfurter is also a renowned Celtic harper and world traveling multi- instrumentalist who went from virtuosic progressive rock violin to intricate Swedish folk and Celtic Music. He began with Classical violin at the age of three, his early studies and successes led him to explore various ethnic and international musical genres. Aryeh taught himself to play a variety of instruments bowed and plucked and most recently the rarely seen Swedish Nyckelharpa. His uncommon approach to the Celtic harp and folk harp repertoire, his numerous critically and commercially successful albums have earned him credit as a musician, recording and performance artist of extraordinary talents and abilities. www.Lionharp.com
The Trail Band
Christmas With The Trail Band features your favorite holiday songs and some original holiday tunes arranged in the versatile, energetic style that has become the band’s trademark. Songs include Joy To The World, The First Noel, and many many more.
The Trail Band has been selected numerous times to represent the state of Oregon for regional, national and international events. Representing The Oregon Economic Development Department at the prestigious American Festival in Tokyo, the band performed for thousands and received enthusiastic ovations. They also received The Oregon-California Trails Associations Meritorious Award for their contributions to American history.
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Christa Burch
The Murray Irish Dancers
(out of Portland) will present an evening of music, song and dance associated with the festive season. The performance will include Christmas songs both old and new, all played with a Celtic twist, as well as selections from the band’s new album.
The California-based group has toured internationally since 2000 as an acoustic band, releasing ten CDs. In 2013, Molly’s Revenge as a trio released an all-instrumental collection titled Trio, recorded at a remote windswept retreat in the redwoods of the Mendocino coast. Trio is a compelling collection of fierce and beautiful tunes encompassing Scottish pipe sets, driving Irish reels, jigs, polkas, slides, and hornpipes, French Canadian fiddle tunes, and even a set of American oldtime melodies featuring Highland pipes.
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Christa Burch possesses a singular voice: warm, supple, expressive, intimate, and instantly recognizable. Part of a vibrant new generation of American folk singers, Christa deftly marries intuitive musicianship and storytelling through song. To balance the gentle beauty of Christa’s songs, The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 11th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
Ticket information here: https://corvallisfolklore.org/home/winterdance-2017/
Jim Malcolm Live from Scotland
He’s Scotland’s Songwriter of the Year in 2004 and three-times nominated for Scots Singer of the Year.
Jim Malcolm’s concerts are like a musical tour through Scotland’s landscape and history, with humor his constant companion. Jim Malcolm performs award-winning original songs, traditional ballads and the works of Robert Burns, with guitar and harmonicas. His harmonica work is pretty hot and he has a great voice. The Friends Meeting House is a 70 seat venue and he has sold out here before, so I recommend getting tickets early.
Here is what others say:
“Jim Malcolm’s voice has the complex individuality of an aged single-malt whisky.”
-Boston Globe
“One of the finest talents to have emerged through the Scottish folk scene in years”
-The independent
“One of those pure warm Scottish folk voices one never tires of listening to.”
-Dirty Linen
“Undeniably stunning”
-Mojo
Jim released a 2015 CD: Live in Perth , which is a rewarding selection of old and modern Scottish folk song, recorded live with no studio jiggery pokery in front of a lively audience of fans, friends and family. For 2017, Jim and Susie Malcolm have a duet album; they are great together. The new CD, entitled Spring Will Follow On is a selection of traditional and more contemporary songs they love, set alongside two new compositions from Jim based on popular fiddle tunes. A cheerful collection!