The Euphemists

Dave Goldman — piano
Alan Snyder — fiddle
Paula Hamlin — winds
Kaye Blesener — trombone
Jerry Nelson — guitar, wind, percussion

Enjoy contradancing but miss that Big Band sound? Then you’ll love the Euphemists, a band whose motto is “All fiddle tunes get better with horn riffs!” Over the past few years, various pairings of these Portland musicians have said, “We should form a band!” Finally, inspired by the recent immigration of fiddler Alan Snyder from warmer climes, The Euphemists congealed in 2011. The band features a brass front line of Paula Hamlin, Kaye Blesener, and Jerry Nelson, while Jerry’s several guitars share backup rhythmic duties with the keyboard of Dave Goldman.

Eric Curl calling

Eric started calling in 1996 and called in California and Colorado before moving Seattle in 2006. A mechanical engineer working for Boeing, he now enjoys calling in Washington, Oregon and British Columbia on a semi-regular basis. In his spare time, he likes to hike, snowshoe, camp, visit friends and family, play music, and of course, dance and call.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Realta

Cascade Crossing

Carl Thor – piano, dulcimer, mando
Lori Prime – Fiddle
Rich Goss – guitar, percussion
Sarah Goss – Bass, whistle, oboe

Cascade Crossing is currently one of the hottest and most sought after bands in the Pacific Northwest region. They have developed a reputation for intense creativity, breadth of instrumentation, and energizing dance crowds. Cascade Crossing’s music is influenced by many styles, with touches of baroque, Caribbean, Celtic, Klezmer, traditional, northern, southern, jazz and ragtime. With many original tunes, expect the unexpected, from hard-driving reels to smooth, mysterious jigs. Using their wide range of instrumentation and styles, Cascade Crossing fills the dance hall with an exciting palette of musical colors and textures.

Ric Goldman

From Palo Alto, Ric teaches and calls contra and English Country dances as well as performing Morris dance.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Tannahill Weavers

The Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.

The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”

Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes.

In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they were joined by innovative piper Lorne MacDougall.  Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, Dreamworks “How to Train Your Dragon 2”, and the BBCs “Dr Who”, along with a long list of other accomplishments.

As they embark on their 50th anniversary year in 2018, they are firmly established as one of the premier groups on the concert stage.  From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.”An especially eloquent mixture of the old and the new.”            –New York Times

Scotland’s Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric. The quartet is as tight and as versatile as any band in the Celtic music revival. They can summon rock ‘n’ roll intensity or haunting introspection.”
– The Boston Globe, Boston MA

“…as close to perfect as it gets in an imperfect world.”     – Sing Out!

“…the Weavers’ unpretentious manner and superlative playing set them apart from most other Celtic groups… In a world where good taste has become a scarce commodity, the Tannahill Weavers are a wealthy bunch.”     – The Charleston Gazette, Charleston, SC

“…world class musicians with passion and a healthy sense of fun, keeping alive and making accessible the very heart of the tradition itself.”     – Mojo Magazine

The Nettles

Laura Brophy – fiddle;
Kevin Johnsrude – guitars;
Michael Proctor – bass;
Brian Bucolo – percussion;

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere.

Kelsey Hartman

Since I am a “contraholic,” I can often be found any given weekend dancing or calling a contra dance. My inspiration for calling comes from Frannie Marr, who got me thinking that there was life in contra off the dance floor, and Nils Fredland, whose callers’ workshop at American Week (BACDS) in 2012 spurred me down the caller’s path.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

NOTE: Different location – Methodist Church Community Hall

Campaign for Reel Time
From Portland

• Betsy Branch – fiddle
• Mark Douglas – piano
• Bill Tomczak – reeds, percussion

Campaign for Reel Time is an exciting Northwest band featuring Betsy Branch on fiddle and guitar, Bill Tomczak on clarinet, saxophone and percussion, and Mark Douglas (tonight) on piano.    With their mix of instruments and improvisatory natures, plus their deft interweaving of dance-music genres, you never know what to expect from this trio, other than stimulating and inventive dance music.  Their delight in playing together translates to the dance floor, and you are likely to hear plenty of laughter from the stage.

Isaac Banner

A long-time contra dancer and Seattle transplant, I’ve worked for several years to become known in the Pacific Northwest for my particular blend of humor and dance instruction. With contagious excitement, a warm cadence, and a cheerful personality, I strive to bring moments of magic into the lives of newcomers and veteran dancers alike. Contra has always held a special place in my heart and I try to share that love with every dance I visit.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Salem Folklore Community’s
33^st Annual

Westwind Weekend

of music and dance

A beautiful setting on the Oregon Coast.  A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast.  It’s a weekend at the beach, with music and friends old and new.  It’s always sunny at Westwind, AND it almost always rains.  Which is to say, any weather can happen.

A growing, family friendly community.  More than a fourth of those who attend the Westwind Weekend are young people.  Kids bring their friends.  They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.

Non-stop music jams.  At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen.  Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.

Contra dancing and more.  Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.

Camper-led workshops.  Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.

A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.

Happy, hearty vegetarian food.  Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals.  Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.

Note different location: OSU MU Ballroom

Countercurrent

From Seattle:

• Brian Lindsay – fiddle
• Alex Sturbaum – guitar

Countercurrent is a contra dance and folk music band in western Washington, featuring driving guitar, foot percussion, lyrical fiddle, and harmony vocals.

Tarka Ayres

Tarka Ayres credits contra dance with helping keep her mental stability through school. She started dancing in 2004 and has called dances in Oregon and Washington since 2012. Dancers appreciate her ability to integrate new dancers into the community, her clear teaching and succinct calling, and her choices of challenging dances.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Sophie & Fiachra Trio

The Sophie & Fiachra Trio are a group of musicians sans frontières who refuse to let the Atlantic sunder their love of their own and other’s Irish and Québecois musical traditions.
Comprising of Irish uilleann piper Fiachra ORegan, Québec fiddler/singer Sophie Lavoie, and guitarist André Marchand, the trio take traditional Irish and Québécois traditional music, blended with Lavoies lithe and masterful compositions. Their choice of songs will “captivate the most casual listener”.
“Its refreshing to hear a traditional band reference the present with such subtlety and finesse”

-Quotes from Siobhán Long, of The Irish Times

Released in 2016, Un canadien errant features a mixture of Irish & French-Canadian traditional music and song. It has been nominated for Traditional Album of the Year for the ADISQ awards in Quebec and Traditional Album of the Year in the Canadian Folk Music awards. In the latter, the album also gets Sophie Lavoie a nomination for Best Trad. singer of the year for her vocal tracks.

LOCAL FOLK

the collaborative open stage program of CFS and The Arts Center has started again after a nearly ten year hiatus. The venue, as in the past, is The Corvallis Arts Center and stage. Free and open to all, the stage is open to individual musicians and groups presenting a variety of music under the large “folk” umbrella.

Sign up for a set of two or three songs for a total time of 10-15 minutes in a rotating format. Or, just come to be part of an audience appreciative of local performers.

This month featuring Lorraine Anderson, singer-guitarist.

Local Folk convenes monthly, on second Tuesdays, from 7-10 pm.

Treehouse

• Rachael Young (piano)
• Ben Young (banjo, whistle)
• Bo Leyden (mandolin)
• Shari Ame (fiddle)

bring a mix of Irish, Quebecois, and New England style, and put it together with Pacific Northwest flair. Becky has played for dances throughout Vermont, New Jersey, Arizona, and California, and previously played with Amazon Creek in Eugene. Ben and Rachael come from the Irish traditional session background, having played with many groups across Canada and throughout Washington, Oregon, and California.

William Watson

William Watson, a resident of Eugene, OR, danced his first contra in 1989 and began calling in Texas in 1992. Having called numerous contra events in cities coast-to-coast, William’s extensive experience and soothing voice project a calm confidence. His vigilant and thoughtful dance programming ensures a variety of figures, transitions, and sequences to entertain and support new dancers while offering the occasional challenge for the more advanced. His calling proficiency and sensitivities ensure everyone has a good time.

Beginners lesson starts at 700pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

The Nettles

Laura Brophy – fiddle;
Kevin Johnsrude – guitars;
Michael Proctor – bass;
Brian Bucolo – percussion;

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere.

Marlin Prowell

Marlin Prowell is a well known caller from Bellingham. “Marlin has an easy-going way of teaching so that your feet know what to do before your mind has time to worry about it. If you’ve never danced a step in your life, follow the caller’s instructions and you’ll be smiling and swinging in minutes.”

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

LOCAL FOLK

the collaborative open stage program of CFS and The Arts Center has started again after a nearly ten year hiatus. The venue, as in the past, is The Corvallis Arts Center and stage. Free and open to all, the stage is open to individual musicians and groups presenting a variety of music under the large “folk” umbrella.

Sign up for a set of two or three songs for a total time of 10-15 minutes in a rotating format. Or, just come to be part of an audience appreciative of local performers.

This month featuring Laura Zaerr, singer-harpist.

Local Folk convenes monthly, on second Tuesdays, from 7-10 pm.

Contra Sutra

“May all beings be free to dance to the most melodious and rhythmically funky Contra Sutra”

Andrea Nettleton

From Atlanta, Andrea has been calling dances all along the mid-atlantic region and around the country.  She last called a CFS dance in September, 2013.

Hanz Araki
with Dan Faiella
album release concert

Considered one of the most talented Irish musicians in America today, flautist, whistle player, singer, and Juno Award-winner Hanz Araki has been lauded by publications and audiences alike.  Three decades of musical exploration into Irish, Scottish, Japanese, and American traditions has yielded his distinct style described by Fatea Magazine as “achingly beautiful.”

As the sixth generation of his family to bear the title Araki Kodo, Hanz (short for Hanzaburo, his great-great grandfather’s name) spent his formative years mastering the Japanese end-blown bamboo flute.  Discovering and relishing the melodic and mechanical similarities between shakuhachi and Irish whistle, Hanz applied his natural capacity and boundless curiosity to his Irish heritage.  Taking advantage of the rich Irish music scene in Seattle, where he spent his youth, Hanz quickly became known for his exquisite instrumental work on both Irish whistle and flute and a haunting singing voice that was born to tell tales.

“Hanz Araki is a master of his art – of that there is no doubt. His stunning musicianship and mind-spinning delivery of traditional tunes is a pure exhilaration for the ears. Combining an unprecedented feel for the Japanese shakuhachi flute with an unerring ability as an interpreter of Celtic music, Araki has carved out a rock-solid status. Fashioned through a heritage of Irish and Japanese parental influence, education, and personal dedication, his musical influences combine the disciplines and traditions of both cultures to create the virtuoso we hear today.”  (Folkwords)

Over the years, Hanz has released 11 albums, including 2014’s critically acclaimed Foreign Shore.  Festival appearances include the Austin Celtic Festival, the Maine Celtic Celebration, the Missoula Celtic Festival, KVMR Grass Valley Celtic Festival, Milwaukee Irish Festival, Bumbershoot, Celtic Connections, and over 20 years of performances at the Northwest Folklife Festival. Hanz has also been invited to perform with the Seattle Symphony, at the Gates Estate, and for the Japanese Consul General.