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Alasdair Fraser
&
Natalie Haas
cutting-edge fiddle and cello explorations of Scottish and global music
” … you would think they’d been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello’s throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter.” — Boston Globe
“As many gigs as they must have played together over the past decade or so, there remains a striking spontaneity about Fraser and Haas’s music-making. He has tonal variation and attack to spare, but what makes them so consistently absorbing is the responsiveness each shows to the other. Haas is more than a cellist: she’s the rhythm section who uses the percussive chip’n’chop of her bowing and the double bass-like pulse of her pizzicato playing to great effect. The accompanist’s role moves so fluently between them, building tension all the while, and then they’ll slip into unison and it’s like floodgates opening. ”
— The Herald
“Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner…A positive joy.”
— The Scotsman
The musical partnership between consummate performer Alasdair Fraser, “the Michael Jordan of Scottish fiddling”, and brilliant Californian cellist Natalie Haas spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 18 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding and the joyful spontaneity and sheer physical presence of their music.
Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who’s who of the fiddle world including Mark O’Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.
This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo’s debut recording, Fire & Grace, won the coveted the Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record four more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe.
The Trail Band
Christmas With The Trail Band features your favorite holiday songs and some original holiday tunes arranged in the versatile, energetic style that has become the band’s trademark. Songs include Joy To The World, The First Noel, and many many more.
The Trail Band has been selected numerous times to represent the state of Oregon for regional, national and international events. Representing The Oregon Economic Development Department at the prestigious American Festival in Tokyo, the band performed for thousands and received enthusiastic ovations. They also received The Oregon-California Trails Associations Meritorious Award for their contributions to American history.
RUNA
“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times
Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.
The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.
“Timeless and flawless…” – Jim Allford, PA Music Scene
RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.
RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier
Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.
“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News
The Outside Track
The Outside Track is a Pan Celtic group that performs Scots, Irish and Cape Breton songs and stepdance.
Mairi Rankin, one of the hugely influential Rankin Family – legends on the Canadian music scene – plays fiddle, sings and also step-dances up a storm. Born in Mabou, Nova Scotia, Mairi has been influenced by some of the best Cape Breton traditional musicians and instructors on the island. She has developed her own unique style by being immersed in such a rich musical culture. She has toured nationally and internationally as a solo artist, a sideman and is a member of the Cape Breton Celtic super group Beolach. She has performed with the Rankin Sisters, Unusual Suspects and Bruce Guthro to name but a few. Mairi has recorded one solo album, two CDs with Beolach and has been featured on numerous compilations and recordings
Teresa Horgan, from Co. Cork, has an emotive singing style. “She has just enough world weariness in her vocals to interpret…songs and make them her own.” – Tony Lawless, Tradconnect. Teresa was immersed in music from a young age, playing with her family and later went on to obtain an honours degree in Irish Music and Dance at the University of Limerick. She recorded two albums with award-winning Irish band, ‘FullSet’, and one album with guitarist, Matt Griffin, called ‘Brightest Sky Blue’. She was also privileged to perform on the prestigious TV show, ‘The Late Late show’. She has toured extensively and shared the stage with The Chieftains, Declan O’Rourke, Andy Irvine, Lúnasa and more.
From the Highland village of Evanton, Fiona Black developed a love of music and dance from a young age. The feisean movement provided her the opportunity to nurture her passion through learning to play the piano accordion. Fiona went on to attend the National Centre of Excellence in Traditional Music where she honed her skills as an accordionist and gained valuable experience arranging, performing, composing and recording. Fiona set off for Limerick in 2005 where she completed a BA with Honours in Irish Music and Dance. During this degree, Fiona further developed her skills as a performer, arranger, teacher and composer while also traveling to Cape Breton during her third year of studies. Fiona’s accordion style incorporates many different influences, intertwining her native Scottish style with Irish, Swedish and Cape Breton repertoire, always adding her distinctive rhythm and vibrancy.
Ailie Robertson from Edinburgh is widely regarded as one of Scotland’s leading young traditional musicians. She is a musician in the broadest sense: composer, arranger, teacher, improviser and harp virtuoso. Her accomplishment on the clarsach is such that leading Irish flautist Niall Keegan said: “Ailie’s synthesis of Irish, Scottish and contemporary harping technique into an individual style represents the realisation of otherwise unimagined possibilities for the Celtic harp.” Ailie grew up in Edinburgh, Scotland, and was immersed in the harp world from an early age. She began playing the clarsach when she was eleven years old and through her piano and clarsach lessons she developed a love for both classical and traditional music. In 2009 she was nominated for ‘Up and Coming Artist of the Year’ in the BBC Alba Scots Trad Music Awards. Ailie is in great demand as a teacher around the world, and has published six books of harp music.
Michael Ferrie is an award-winning guitarist and composer from Callander, Scotland. A former student of Sgoil Chiùil na Gàidhealtachd (National Centre of Excellence in Traditional Music) and the Royal Conservatoire of Scotland, Ferrie is currently studying on the MMus Folk Music program at the Sibelius Academy in Helsinki, Finland. Ferrie was named Highland Young Guitarist in 2010. In 2013 Ferrie was commissioned to compose for the Royal Scottish National Orchestra’s ‘Out and About’ week, and in the same year was nominated for the BBC Radio 2 Young Folk Award with Scottish folk band ‘Thalla’.
Frankie Gavin
The Whiteside Theatre Foundation and the Corvallis Folklore Society are announcing a pre-sale of reserved and general admission tickets for the Corvallis premier of Frankie Gavin, on February 7, 2019, at 7:00 pm. These tickets will not be announced to the general public until late December so this is your opportunity to get the best seats before they are gone. 90 reserved seats in the center floor, front section of the theater and the first-row balcony are available during this presale. These tickets are available now at https://FrankieGavin.bpt.me They are regularly $20 but with the password “wtfcfs” on the brown paper tickets website, members qualify for $2 discount on each ticket. General admission tickets are available for $17 and also qualify for the membership discount.
Frankie Gavin is one, and perhaps the best of, Ireland’s premier traditional fiddle players. And in a land that produces many prodigiously talented players, that is saying a lot.
In a nutshell, Frankie has been playing since the age of four, when he was handed a whistle, and has since performed for four presidents beginning at the age of six; is a founding member of the legendary Irish traditional band De Danann, in the forefront of the renaissance of trad Irish music along with Bothy Band and Planxty (and the reformed New De Danann); performs and records with other luminaries in the Irish traditional music scene and more, such as Yehudi Menuhin; was in the 2010 Guinness Book of World records as the world’s fastest fiddler; has just recently win the 2018 Musician of the Year award from Ireland’s prestigious Gradam Ceoil Arts Academy; AND recently performed for the Pope in Dublin!
Frankie’s artistry is amazing; he is a master of control over bow and fiddle, and making each piece of music delight the ear. He strives to bring each traditional piece into a setting that is appreciated equally by lovers of old and new, and is rousing enough to get you to kick up your heels! His concerts also share anecdotes about his childhood and life on tour, themselves worth the price of admission! But perhaps a Frankie Gavin concert can be best summed up by Fintan Vallely in the Irish Sunday Tribune:
“Innovation may be the buzz-word in Traditional music, but Frankie Gavin’s digressions are not in the common areas of tempo and superficial style-impressions. His contemporary borrowings of art-deco and music-hall Irishness are re-jigged in original avenues of exploration. His dextrous treatment of troublesome tunes might get even the Pope out on the floor, his orchestration could break hearts.”.
To have the opportunity to watch him play and see the joy he has for the music, and to feel the energy he packs into his shows, is an uplifting and rousing experience for all ages!
Socks in the Frying Pan
After taking America by storm on their first U.S. tour, the 2014 Irish Music Association Best New Band Socks in the Frying Pan released their eagerly awaited second album- The Return of the Giant Sock Monsters from Outer Space
The award winning trio from County Clare have captivated audiences the world around with their high energy performances, breath-taking musical ability and their trademark 3 part vocal harmonies, and have returned with the follow up to their debut award winning 2013 album.
The new album offers 6 sets of tunes, tastefully diverse and brilliantly crafted, combined with 6 songs, showcasing both vocal and harmonising abilities of each member on their respective songs, totalling a dozen stand-out tracks that will captivate and mesmerize the listener. Demonstrating creative versatility, several of the tunes and one of the songs have been written and arranged by the band. The album experience is exactly that which one encounters at a live Socks show- a high energy, masterfully performed collection of music and song that demonstrates exactly why Socks in the Frying Pan is fast becoming a household name and why they are one of the most loved and sought after Irish bands in the world today.
“Their Sound flows in magnetic, energetic waves, so does their banter on stage”
–Irish Music Magazine
Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.
His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!
But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”
So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.
Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.
Join Ralph Penunuri and others in the monthly open vocal jam
Realta
Described by Irish Music Magazine as “A full bodied pipe and whistle extravaganza” Réalta make full use of the intricate melodies and driving rhythms that make Irish music so loved throughout the world.
Performing on dueling uilleann pipes, whistles, bodhrán, guitar, bouzouki, double bass and vocals, this award winning, Belfast based band will lead the listener on a journey of music and song through the full range of the Irish tradition…
… or as Herald Scotland put it, “Réalta carry on the Bothy Band tradition of taking tunes by the scruff of the neck and firing excitement through them like hot flames! “
Portland FolkMusic Society presents
Singtime Frolics
a spring weekend of singing, jamming, learning, sharing and good food at Portland FolkMusic Society’s annual retreat.
Guest artist
Linda Allen
click HERE for more information
Tannahill Weavers
The Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.
The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”
Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes.
In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they were joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, Dreamworks “How to Train Your Dragon 2”, and the BBCs “Dr Who”, along with a long list of other accomplishments.
As they embark on their 50th anniversary year in 2018, they are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.”An especially eloquent mixture of the old and the new.” –New York Times
Scotland’s Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric. The quartet is as tight and as versatile as any band in the Celtic music revival. They can summon rock ‘n’ roll intensity or haunting introspection.”
– The Boston Globe, Boston MA
“…as close to perfect as it gets in an imperfect world.” – Sing Out!
“…the Weavers’ unpretentious manner and superlative playing set them apart from most other Celtic groups… In a world where good taste has become a scarce commodity, the Tannahill Weavers are a wealthy bunch.” – The Charleston Gazette, Charleston, SC
“…world class musicians with passion and a healthy sense of fun, keeping alive and making accessible the very heart of the tradition itself.” – Mojo Magazine
Salem Folklore Community’s
33st Annual
Westwind Weekend
of music and dance
A beautiful setting on the Oregon Coast. A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast. It’s a weekend at the beach, with music and friends old and new. It’s always sunny at Westwind, AND it almost always rains. Which is to say, any weather can happen.
A growing, family friendly community. More than a fourth of those who attend the Westwind Weekend are young people. Kids bring their friends. They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.
Non-stop music jams. At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen. Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.
Contra dancing and more. Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.
Camper-led workshops. Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.
A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.
Happy, hearty vegetarian food. Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals. Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.
Sophie & Fiachra Trio
The Sophie & Fiachra Trio are a group of musicians sans frontières who refuse to let the Atlantic sunder their love of their own and other’s Irish and Québecois musical traditions.
Comprising of Irish uilleann piper Fiachra ORegan, Québec fiddler/singer Sophie Lavoie, and guitarist André Marchand, the trio take traditional Irish and Québécois traditional music, blended with Lavoies lithe and masterful compositions. Their choice of songs will “captivate the most casual listener”.
“Its refreshing to hear a traditional band reference the present with such subtlety and finesse”
-Quotes from Siobhán Long, of The Irish Times
Released in 2016, Un canadien errant features a mixture of Irish & French-Canadian traditional music and song. It has been nominated for Traditional Album of the Year for the ADISQ awards in Quebec and Traditional Album of the Year in the Canadian Folk Music awards. In the latter, the album also gets Sophie Lavoie a nomination for Best Trad. singer of the year for her vocal tracks.
LOCAL FOLK
the collaborative open stage program of CFS and The Arts Center has started again after a nearly ten year hiatus. The venue, as in the past, is The Corvallis Arts Center and stage. Free and open to all, the stage is open to individual musicians and groups presenting a variety of music under the large “folk” umbrella.
Sign up for a set of two or three songs for a total time of 10-15 minutes in a rotating format. Or, just come to be part of an audience appreciative of local performers.
This month featuring Lorraine Anderson, singer-guitarist.
Local Folk convenes monthly, on second Tuesdays, from 7-10 pm.
Corvallis Folklore Society 2019 Annual Meeting
3:15 to 5:15 PRE-POTLUCK MUSIC JAM in the Fireplace Room. Bring musical instruments, voices, songs & stories. We have 2 hours to socialize, jam, play music & share songs before the potluck. Enter the church from usual parking lot entry doors for the Dances. A map/sign will show how to get to the Fireplace room.
5:30 POTLUCK: Please bring salads, casseroles, pizza and other substantial snacks & finger foods. Coffee, tea and water will be provided. Other beverages welcome.
6:00 MEMBER MEETING: Meeting will start when folks have gotten food & a place to sit. During the next hour or so CFS Board officers will present a review of CFS activities, give a current financial report and propose a slate of candidates to serve on the Board for next year. Members may propose additional candidates to this list & here will be time for questions, comments and suggestions from the community. Approval of candidates will be decided by voice vote.
7:00 Regular CFS Contradance (optional): The last dance of the season with Treehouse playing and William Watson calling.
PLEASE NOTE: The regular Monthly Board Meeting will take place one week prior to the Annual Meeting. All are welcome to observe and/or join this Board discussion.
Saturday, May 11, 2019 at 1:00 at Bill Pfender & Anne Smith’s house:
3704 NW Jameson Dr. in Corvallis.”