The Bridgetown Boys

• Victor Fiore – fiddle
• Lanny Martin – piano
• Jon Neff – guitar

From Portland.

Tarka Ayres

Tarka Ayres credits contra dance with helping keep her mental stability through school. She started dancing in 2004 and has called dances in Oregon and Washington since 2012. Dancers appreciate her ability to integrate new dancers into the community, her clear teaching and succinct calling, and her choices of challenging dances.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Neal Gladstone
Tribute Concert

Fans of Neal Gladstone’s music are in for a treat this winter.  Though Neal stopped performing after he was diagnosed with Parkinson’s, his musical friends in three top local bands have cooked up a Tribute concert featuring his songs and comedy, with Neal as the Guest of Honor.  Like any Gladstone show, this one will be full of surprises and great music.  The line up includes Neal’s long-time vocalist Audrey Perkins and her band Swing and a Ms., plus The Flow with Rita Brown and Bill Smyth, and the Plaehn-Hino Blues Band with special guests Creighton Lindsay and Bret Godfrey.  The evening’s host will be MC David Grube.

Neal told us that while he was embarrassed to be the subject of this tribute, he is excited to hear his songs played by these excellent musicians.  So mark your calendar for Jan. 28 for the Neal Gladstone Tribute Concert at the historic Whiteside Theatre, and get your tickets early.

Neal Gladstone Songbook  Just in time for Christmas, watch for the release of the new Neal Gladstone Songbook, featuring 30 of his most popular songs, arranged for piano and/or guitar.   The song books will be sold at GrassRoots Bookstore, Gracewinds, and Troubadour music.   Along with tickets to the Neal Gladstone Tribute Show on Jan 28, what a perfect stocking stuffer for the Gladstone fan on your list!

FMI or to volunteer for the concert:  Chere and Cliff Pereira cherep@comcast.net.

Steve Gillette and Cindy Mangsen

Steve Gillette is best known as a songwriter, with songs recorded by artists from Ian & Sylvia to Garth Brooks, from Jiminy Cricket to John Denver. His song Darcy Farrow alone has been recorded by more than one hundred artists since 1966, most recently by Jimmy Dale Gilmore and Nanci Griffith. Quite literally, he wrote the book on songwriting: Songwriting and the Creative Process (Sing Out Press) is a standard text in songwriting classes across the country. Steve sings in a rich baritone and is a virtuoso on guitar, using a unique fingerpicking style with a flat-pick and two fingers. His most recent solo recording is The Man (2010, Compass Rose Music), a CD featuring music from (or reminiscent of) 1920s and ’30s jazz and roots music, accompanied by a narrative Steve created, blending fact and fiction from that vibrant era. Featured prominently on the album is George Gillette, Steve’s dad, playing stride piano in the style he grew up with. 

Cindy Mangsen, who married Gillette in 1989, is also a songwriter, but her focus has been on songkeeping. Cindy is a master interpreter of traditional ballads, rich in myth and legend. She plays guitar, concertina, and banjo, and is renowned for her compelling voice, described by one critic as a voice that can warm a New England winter. Her newest solo CD is Cat Tales: Songs of the Feline Persuasion (2005, Compass Rose Music), an album of songs about cats and their people.

The BFD

• Betsey Branch – fiddle
• Fran Slefer – button accordian
• Dan Compton – guitar

The BFD plays for a contra dance about every other month at Fulton Community Center in Portland. Betsy is a versatile musician who loves to explore multiple genres of music. She has wandered her musical way through music from Ireland, Scotland, Appalachia, Quebec, Sweden, England, Bulgaria and New England, to mention a few. She plays regularly for contra and English Country Dances. Fran plays button accordion and fiddle. She grew up in Limerick, Ireland, and lived in Luxembourg, Belgium, Holland, and Dublin before moving to the United States. Fran began playing the fiddle in Dublin, learning from Tralee fiddle player Maire O’Keeffe. Her repertoire delves into the dance music of Ireland, Québec, France and Brittany. Dan Compton is a long-time folkie in the Pacific Northwest music scene, and has performed at numerous concerts, festivals, and music- and dance camps. He’s a captivating fingerstyle player as well as a dynamic flatpicker and accompanist.

Gordy Euler

half of Shanghaied on the Willamette and co-director of the Portland Megaband has been calling good dances all over the west coast for 15 years.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Roy Zimmerman

There’s lots of new grist for Roy Zimmerman’s song-writing mill with the election results and everything going on in the world.  This should be interesting (and entertaining).

Roy Zimmerman is a satirical songwriter in the Tom Lehrer/Phil Ochs tradition with a great gift for clever and funny lyrics that really rhyme and an incredibly entertaining banter between his songs.

“You’re brilliant. Just brilliant!” — Terry Jones, Monty Python

Tom Lehrer himself says, “I congratulate Roy Zimmerman on reintroducing literacy to comedy songs.  And the rhymes actually rhyme, they don’t just ‘rhyne.'”

Joni Mitchell says, “Roy’s lyrics move beyond poetry and achieve perfection.”

He spent the Comedy Boom years of the Eighties doing stand-up in San Francisco, sharing stages with George Carlin, Bill Maher, Kate Clinton, Dennis Miller and many others. He wrote all the material for his funny folk music quartet The Foremen, recording two albums for Warner/Reprise Records. He’s done several shows with The Pixies’ Frank Black, swapping songs in a solo acoustic setting.

“Roy Zimmerman simultaneously inspires me and makes me laugh my ass off,” says comedian/author Paul Krassner.

Zimmerman tours almost constantly, taking his funny songs about fracking, creationism, marijuana laws, government shutdown, same-sex marriage, guns, taxes and abstinence across the country, often playing in some of the least Progressive places in America for the most Progressive people there.  “I get accused of preaching to the converted,” he says, “but I don’t think of it that way. I think of it as entertaining the troops.”

In thirteen albums over twenty years, Roy has brought the sting of satire to the struggle for Peace and Social Justice. His songs have been heard on HBO and Showtime. He has recorded for Warner/Reprise Records. He’s been profiled on NPR’s “All Things Considered.” Zimmerman’s YouTube videos have amassed over seven million views, and he’s a featured blogger for the Huffington Post.

Sing Out! Magazine writes, “Zimmerman is a guy on the left skewering folks on the right with rapier-sharp lyrics … underneath the caustic satire is a man who is surprisingly optimistic.”

The Martha Room at the First Presbyterian Church is in the basement, most easily accessed through the 11th Street entrance near the parking lot.

 CFS annual Corvallis Contra Weekend

Registration open NOW – Click here

The Mean Lids

• Matt Turino – guitar, fiddle
• Miriam Larson – flute
• Ben Smith – fiddle

Mix one part smooth Irish session, one part spicy cajun-zydeco, one part hot western swing, with two parts driving southern old-time and take it down to the local dance hall. There you have the Mean Lids, a young, energetic acoustic trio currently resident in central Illinois. Playing a mix of original and traditional tunes, the Mean Lids produce an exciting, unique sound born from the living traditions of American fiddle and dance music.

Only as mean as they need to be to keep the grit in their tones and the edge on their tunes, they are never seen without their signature cranial apparel. Spot them by their hats, their long lonesome sounds, and the @$$ kicking “chin-cello” grooves emanating from their mean, mean fiddle fingers.

 The Quarks

• Terry Wergeland – piano, accordion
• Betsy Branch – fiddle
• Bill Tomczak – clarinet, saxophone, percussion

Betsy and Terry have played together for dances since 1994, and when Bill moved to Portland in 2012, he was thrilled to join forces with them. With their mix of instruments and improvisatory natures, you never know what to expect from this trio. Their delight in playing together translates to the dance floor, and you are likely to hear plenty of laughter from the stage. When not playing, the three of them love to pontificate about the mysteries of the universe (like how 3 quarks form a particle), thus inspiring the band name.

Gaye Fifer

Gaye Fifer is an accomplished contra caller from Pittsburgh, PA. Her delightful personality makes everyone happy to be dancing, and her clear and charming explanations makes it easy. An active dancer herself, Gaye understands the subtleties of making contra dances particularly satisfying for dancers. She is also an enthusiastic advocate and instructor of the contra-style waltz.

Wendy Graham

Wendy Graham is a self-described “dance maniac” who serves up delicious and nutritious dances for all with infectious enthusiasm and a smile. Wendy hosts regular folk and social dances (including Latin, Swing, Blues, Country Western Two Step, and Waltz) in Durango, Colorado. She also calls community dances, dance weekends, and dance weeks throughout the U.S. and abroad. She has been involved with folk music, song and dance for over twenty years.

Special Sunday Dance with
2 bands, 2 callers

Mean Lids

• Matt Turino – guitar, fiddle
• Miriam Larson – flute
• Ben Smith – fiddle

Mix one part smooth Irish session, one part spicy cajun-zydeco, one part hot western swing, with two parts driving southern old-time and take it down to the local dance hall. There you have the Mean Lids, a young, energetic acoustic trio currently resident in central Illinois. Playing a mix of original and traditional tunes, the Mean Lids produce an exciting, unique sound born from the living traditions of American fiddle and dance music.

Only as mean as they need to be to keep the grit in their tones and the edge on their tunes, they are never seen without their signature cranial apparel. Spot them by their hats, their long lonesome sounds, and the @$$ kicking “chin-cello” grooves emanating from their mean, mean fiddle fingers.

The Quarks

• Terry Wergeland – piano, accordion
• Betsy Branch – fiddle
• Bill Tomczak – clarinet, saxophone, percussion

Betsy and Terry have played together for dances since 1994, and when Bill moved to Portland in 2012, he was thrilled to join forces with them. With their mix of instruments and improvisatory natures, you never know what to expect from this trio. Their delight in playing together translates to the dance floor, and you are likely to hear plenty of laughter from the stage. When not playing, the three of them love to pontificate about the mysteries of the universe (like how 3 quarks form a particle), thus inspiring the band name.

Gaye Fifer

Gaye Fifer is an accomplished contra caller from Pittsburgh, PA. Her delightful personality makes everyone happy to be dancing, and her clear and charming explanations makes it easy. An active dancer herself, Gaye understands the subtleties of making contra dances particularly satisfying for dancers. She is also an enthusiastic advocate and instructor of the contra-style waltz.

Wendy Graham

Wendy Graham is a self-described “dance maniac” who serves up delicious and nutritious dances for all with infectious enthusiasm and a smile. Wendy hosts regular folk and social dances (including Latin, Swing, Blues, Country Western Two Step, and Waltz) in Durango, Colorado. She also calls community dances, dance weekends, and dance weeks throughout the U.S. and abroad. She has been involved with folk music, song and dance for over twenty years.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm.

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.

His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19^th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!

But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”

So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.

Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.

InTentCity

Betsy Richards – fiddle
Graham Richards – guitar, fiddle
Seth Richards – piano, bass
David Richards – percussion

From North Idaho, InTentCity is more than just a contradance band. We bring all the fun family dynamics that come with years together of living, working, playing, dancing, traveling, eating, sleeping, joking, talking, walking, singing – you get the idea. And after all this time we still cannot think of a better way to spend our time together than playing and dancing in the contradance community. During the summer we set up our big canvas wall tents and live outside. Now you know why the name.

Erik Weberg

I danced my first contra dance in Moscow Idaho in the Fall of 1986.  Several excursions to the dance hall were necessary for me to find the courage to actually dance, but once I, tried it caught hold quickly and I became a regular dancer. Christian Petrich encouraged me to try calling for the first time in 1990 and soon after that I started regularly attending the first Wednesday open mic in Spokane Washington. I called dances around Eastern Washington and Northern Idaho for a few years before moving west of the Cascades in 1993. I was soon asked to call dances in Portland and up the Willamette Valley. Since then I’ve been calling dances, festivals and weekends around the country from Seattle to Boston, from Fairbanks to Tuscon and most places between. I am able to enjoy this craft because of the good folks who encouraged and taught me to call dances years ago, the booking agents and local dance committees who have given me wonderful opportunities to practice in their communities, and the thousands of dancers and musicians who forgive me my mistakes and make it all worthwhile. If you’re reading this you’re probably one of them; so, thank you!

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Special Contra Dance in conjunction with the
CASCADE PROMENADE

Broken Top

Bo Leyden – mandolin
Shari Ame – fiddle
John Light – keyboards
A new Corvallis contra band, with a Portland keyboardist, Broken Top brings lively traditional music to the dance.

Woody Lane

Woody Lane has been calling contra dances throughout the Pacific Northwest for more than 25 years, and when he’s not calling you can find him dancing.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Libby Roderick

an internationally acclaimed singer/songwriter, poet, activist, teacher and lifelong Alaskan. The surprising power and depth of her music and the humor and spontaneity of her performances have attracted large and enthusiastic audiences across the continent and fans all over the world. Her six recordings have received extensive airplay on Earth and, in 2003, NASA played her song “Dig Down Deep” on the planet Mars as encouragement to the robot “Spirit.” Libby is an exhilarating and witty artist who offers a remarkable blend of passionate music, wry humor and incisive commentary on social and personal issues.

Cassandra Robertson

a muse with a message, has the heart of a lion, and the mane to match.  Accompanied by her acoustic guitar, she floors the audience like a sonic boom with captivating messages of peace, prosperity, hope and above all, inspiration.  Her unique style of “acoustic conscious folk” kick starts the heart and levitates the soul; reminding us all that we CAN positively affect the world we all share, as long as we choose planet over profit and remember to be ourselves.

Libby Roderick has composed a bunch of new socially-engaged music and got a big grant to tour it, so Spring Creek is hosting a concert by her in collaboration with the Corvallis Folklore Society.

The challenge of the Spring Creek Project is to bring together the practical wisdom of the environmental sciences, the clarity of philosophical analysis, and the creative, expressive power of the written word to find new ways to understand and re-imagine our relation to the natural world.

The Euphemists

Dave Goldman — piano
Alan Snyder — fiddle
Paula Hamlin — winds
Kaye Blesener — trombone
Jerry Nelson — guitarpercussion

Enjoy contradancing but miss that Big Band sound? Then you’ll love the Euphemists, a band whose motto is “All fiddle tunes get better with horn riffs!” Over the past few years, various pairings of these Portland musicians have said, “We should form a band!” Finally, inspired by the recent immigration of fiddler Alan Snyder from warmer climes, The Euphemists congealed in 2011. The band features a brass front line of Paula Hamlin, Kaye Blesener, and Jerry Nelson, while Jerry’s several guitars share backup rhythmic duties with the keyboard of Dave Goldman.

Eric Curl calling

Eric started calling in 1996 and called in California and Colorado before moving Seattle in 2006. A mechanical engineer working for Boeing, he now enjoys calling in Washington, Oregon and British Columbia on a semi-regular basis. In his spare time, he likes to hike, snowshoe, camp, visit friends and family, play music, and of course, dance and call.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

~POTLUCK: 6pm; Hosts: Greg & Maria, 3316 SE Hathaway Drive; phone: 831-325-7627.

First and Third Saturdays of the month except July, August. Occasional special dances.

The Nettles

Laura Brophy – fiddle;
Kevin Johnsrude – guitars;
Michael Proctor – bass;
Brian Bucolo – percussion;

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere.

Kelsey Hartman

Since I am a “contraholic,” I can often be found any given weekend dancing or calling a contra dance. My inspiration for calling comes from Frannie Marr, who got me thinking that there was life in contra off the dance floor, and Nils Fredland, whose callers’ workshop at American Week (BACDS) in 2012 spurred me down the caller’s path.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Special Sunday Contra Dance

 The Syncopaths

From dance floors to concert halls, the Syncopaths bring a fresh, contemporary spin to music and songs rooted in the Scottish, Irish, and American folk traditions. Evolving beyond their contra dance origins, they are creating a “chamber folk” sound characterized by the compelling, rhythmic interplay of fiddle and mandolin, rich vocals, and unexpected colors and rhythms from the piano and bodhrán. The exuberant joy they derive from the music and each other is palpable and contagious.

“Though they may not have the international acclaim of the likes of Solas or the Chieftains, make no mistake, the Syncopaths are nothing short of a Celtic supergroup.” — Irish Herald, July 2011

At the heart of the band’s sound are the twin engines of Ryan McKasson’s dynamic, Scottish-based fiddling and the understated-but-monster picking of mandolinist Ashley Broder. Jeff Spero provides wonderfully inventive and surprising piano accompaniment, anchored by the driving power of Christa Burch’s non-traditional bodhrán. Christa also lends her singular voice — warm, supple, expressive, and intimate — to the band’s songs. All in all, the Syncopaths are equally at home with pulsing, high-energy dance tunes and beautiful, contemplative songs. They ably stretch melodic boundaries while keeping a steady, compelling, danceable beat.

“The energy, joy, and spontaneity…rolls right off the stage. The combination will make you feel like you’re firewalking.” — Portland Country Dance Community Footnotes, May 2006

The Syncopaths tour nationally, and have released two CDs, Five Gears (2010) and Rough Around the Edges (2005).

George Marshall

George Marshall is one of the top contra callers in the world.  He usually calls with Wild Asparagus or Swallowtail, but occasionally graces another group’s dances.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Countercurrent

From Seattle:

• Brian Lindsay – fiddle
• Alex Sturbaum – guitar

Countercurrent is a contra dance and folk music band in western Washington, featuring driving guitar, foot percussion, lyrical fiddle, and harmony vocals.

Michael Karcher

From New York via Seattle.

Beginners lesson starts at 7:30pm (experienced dancers welcome) dance starts at 8:00pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.