The Trail Band

Christmas With The Trail Band features your favorite holiday songs and some original holiday tunes arranged in the versatile, energetic style that has become the band’s trademark. Songs include Joy To The World, The First Noel, and many many more.

The Trail Band has been selected numerous times to represent the state of Oregon for regional, national and international events. Representing The Oregon Economic Development Department at the prestigious American Festival in Tokyo, the band performed for thousands and received enthusiastic ovations. They also received The Oregon-California Trails Associations Meritorious Award for their contributions to American history.

Jim Malcolm Live from Scotland

He’s Scotland’s Songwriter of the Year in 2004 and three-times nominated for Scots Singer of the Year.

Jim Malcolm’s concerts are like a musical tour through Scotland’s landscape and history, with humor his constant companion. Jim Malcolm  performs award-winning original songs, traditional ballads and the works of Robert Burns, with guitar and harmonicas. His harmonica work is pretty hot and he has a great voice. The Friends Meeting House is a 70 seat venue and he has sold out here before, so I recommend getting tickets early.

Here is what others say:

“Jim Malcolm’s voice has the complex individuality of an aged single-malt whisky.”

-Boston Globe

“One of the finest talents to have emerged through the Scottish folk scene in years”

-The independent

“One of those pure warm Scottish folk voices one never tires of listening to.”

-Dirty Linen

“Undeniably stunning”

-Mojo

Jim released a 2015 CD: Live in Perth , which is a rewarding selection of old and modern Scottish folk song, recorded live with no studio jiggery pokery in front of a lively audience of fans, friends and family. For 2017, Jim and Susie Malcolm have a duet album; they are great together. The new CD, entitled Spring Will Follow On is a selection of traditional and more contemporary songs they love, set alongside two new compositions from Jim based on popular fiddle tunes. A cheerful collection!

Daimh, Gaelic Supergroup and unchallenged champion, play straight in the eye Highland music and are based around West Lochaber and the Isle of Skye.

Formed around the turn of the century and taking the name from the Gaelic word for kinship Daimh (pronounced Dive) have taken their contemporary take of Highland and Gaelic music to over 20 countries, setting audiences alight from Moscow to San Francisco.

With a reputation as giants of the Bagpipes and Fiddle, Angus Mackenzie and Gabe McVarish lead the melodic powerhouse with fellow founder member Ross Martin underpinning the groove on the Guitar. The Band is joined by new guy Murdo Yogi Cameron on Mandola and Accordion to complete the instrumental line up.

Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.

His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19^th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!

But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”

So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.

Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.

The Gothard Sisters

The Gothard Sisters are a dynamic group of three sisters, whose impressive array of talents have set them apart as one of the most refreshing and compelling acts in Celtic music today.

The sisters’ unpredictable and theatrical flair brings a youthful splash to the time-honored tradition of Celtic folk music, bridging the gap between modern Pop and Folk-Rock with a sunny, optimistic style that has been described as “beautifully-arranged, melodic-minded Celtic Folk-Pop.”

Hitting the streets of their hometown – Edmonds, Washington – in 2006, The Gothard Sisters first began playing together as a violin trio busking for tips at the local farmer’s market, working their way onto stages at local fairs and festivals. Audiences responded with enthusiasm, and over 1,000 performances later the band recently performed at the Millennium Stage at the Kennedy Center in Washington D.C., completed several national concert tours of the United States, regularly perform as guest entertainers on Disney Cruise Line in Europe and South America and are well-known musicians on the national Celtic festival circuit.

In December 2016 The Gothard Sisters charted on Billboard’s World Music Chart with their latest Christmas album, Falling Snow, alongside notable Irish music phenomena Celtic Woman and Celtic Thunder.

Portland FolkMusic Society presents

Singtime Frolics

a spring weekend of singing, jamming, learning, sharing and good food at Portland FolkMusic Society’s annual retreat.

Guest artist Avery Hill

click HERE for more information

Immerse yourself in traditional
American music and dance at the
Willamette Valley Old-Time Social
May 3rd – May 6th!

Mud City Old-Time Society is once again hosting the region’s 3rd annual old-time music and dance celebration, the Willamette Valley Old-Time Social in Eugene, Oregon May 3rd-6th. There will be a Thursday night kickoff party at 1st National Taphouse with four local bands including, Huff & Meade, Sugar Pine String Band, The Eugene City Barnstormers, and Grand Ronde String Band. Friday night will feature a BBQ social and jam fest, and on Saturday there will be a whole day of workshops at The Shedd Institute for the Performing Arts, focused on old-time fiddle, banjo, guitar, dance and voice, including one with two-time Grammy-nominated fiddler Bruce Molsky and his Mountain Drifters-Allison de Groot and Stash Wyslouch! Saturday evening we will offer flatfoot dance lessons with Rebecca Stout and a big traditional square dance at the W.O.W. Hall with The Horsenecks and Gabe Strand calling. The weekend will finish off with a Sunday farm brunch and later that evening, a farewell concert at Sam Bond’s Brewing with The Local Honeys from Kentucky.

This event is sponsored by; Bubbaville, Stumptown Printers, 2Towns Ciderhouse, Zigzag Mountain Farm, 100 Mile Bakery and the Eugene City Barnstormers. Mud City Old-Time Society is a local nonprofit dedicated to supporting traditional old-time music and dance in the Southern Willamette Valley. Come and be a part of the thriving Pacific Northwest old-time music scene and experience the community-building power of traditional American music and dance!

Westwind Weekend

of music and dance

A beautiful setting on the Oregon Coast.  A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast.  It’s a weekend at the beach, with music and friends old and new.  It’s always sunny at Westwind, AND it almost always rains.  Which is to say, any weather can happen.

A growing, family friendly community.  More than a fourth of those who attend the Westwind Weekend are young people.  Kids bring their friends.  They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.

Non-stop music jams.  At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen.  Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.

Contra dancing and more.  Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.

Camper-led workshops.  Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.

A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.

Happy, hearty vegetarian food.  Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals.  Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.

Gerry O’Connor
with Richard Mandel

(and afternoon workshops – see below)

From Dundalk, County Louth, Gerry O’Connor has played and recorded with such highly regarded groups as Lá Lúgh (Eithne Ní Uallacháin, Sony Music) and Skylark. Gerry has toured and recorded with members of all the legendary groups including Planxty, Bothy Band and others.  Lá Lugh’s album “Brighid’s Kiss” was voted Album of the Year 1996 by readers of the Irish Music Magazine. His solo album “Journeyman” was counted in the top five Albums of the year 2004 by the Irish Times.

Richard Mandel (guitar, tenor banjo, bouzouki) fell into the well of Irish music in the mid-‘90s and was soon driving every session he could get into.  As a first-call accompanist, Richard has performed and toured with legendary Irish musicians including Gerry O’Connor, Paddy Keenan, Jimmy Keane, Mick Maloney, Paddy O’Brien, Tony DeMarco and many others.  Richard plays in the trio Three Mile Stone with mandolinist Marla Fibish and fiddler Erin Shrader. Three Mile Stone released its debut CD, produced by John Doyle, in March 2010 and has received rave reviews.  In addition to Three Mile Stone, Richard can be heard on Christa Burch’s CD “Love of the Land”, Radim Zenkl’s, “Restless Joy”, and Tipsy House’s CD, “Sets in the City.”

[P]owerful guitar work, whether taking the form of a high-energy rhythmic input or a more intricate embellishment. —David Kidman, Living Tradition Magazine

Richard’s guitar playing is a perfect support and backdrop for Marla’s and Erin’s tune conversations. It never draws attention to itself except by its excellence and appropriateness. And he can play the snot out of the tenor banjo, too! —Roger Landes (Irish bouzouki master and Zoukfest founder)

[A] lightning right hand and spot on chord choices. He is also a precise and powerful tenor banjo player.—Kevin Carr, FolkWorks

Advance Tickets (at Grassroots Books, 227 SW 2nd St.) are recommended  as space is limited.

Afternoon Workshops on May 17 !  ($7/$5 CFS members)

2pm:  DADGAD Guitar Accompaniment w/ Richard Mandel
4pm:  Irish Tunes for all Instruments w/ Gerry O’Connor 

RUNA

“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times

Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.

The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.

“Timeless and flawless…” – Jim Allford, PA Music Scene

RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.

RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier

Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.

“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News

The Fire

• Rebecca Lomnicky on Scottish fiddle,
• David Brewer on Highland pipes and whistles,
• Adam Hendey on guitar & bazouki

The Fire is a high energy pure-drop Scottish music band, with world class fiddling in combination with bagpipes, guitar, bodhran, whistle, and bouzouki. The group includes, International Scottish Fiddle Champion Rebecca Lomnicky, multi-instrumentalist David Brewer of the popular Celtic band Molly’s Revenge, and Adam Hendey on guitar and bouzouki.  Members of the trio have each spent copious amounts of time delving into the traditions of their respective instruments, with Rebecca and David having additionally lived and studied in both Edinburgh and the highlands of Scotland. Together, The Fire performs captivating Scottish music which bridges the gap between the fiddle and bagpipe music of Scotland—two worlds united, into a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. The Fire has headlined at Celtic festivals such as The Pleasanton Scottish Highland Games, The Utah Scottish Association Highland Games, The Portland Highland Games, The Sedona Celtic Harvest Festival, The Northwest Folklife Festival, The Oregon Scottish Festival, The Yachats Celtic Music Festival, The Monterey Scottish Games and Celtic Festival, and has performed at a variety of venues throughout the United States, United Kingdom, and Ireland.

The Fire is currently based out of Santa Cruz, California, and has recorded two albums together. (Rebecca is from Corvallis)

Heron Valley

Heron Valley are an energetic, young traditional band from Scotland who have serious enthusiasm for the music they play. Their roots lie in Scottish and Irish traditional music, while taking influence from various Folk, Country and Bluegrass styles. The five-piece, energy fuelled group comprises piper/guitarist/whistle player Euan McNab, banjo player/drummer Nick Hamilton, pianist Arlene Mackechnie, guitarist/vocalist Abigail Pryde and bassist Callum Cronin.

Since their inception in 2014, Heron Valley have always ensured that they are conveying the highest amount of energy they have to every crowd they play to, ensuring that people who come to see them live have a fantastic experience. In 2015, they set themselves the challenge of releasing a music video and a debut single, to allow people to clearly see their intentions. This began with their set of tunes, Pressed for Time, and their original idea of filming out on open water on a yacht. The storyline took the band from performing out on this moving boat, to their journey to and performance at a gig. The idea of this was to convey to their audience the enjoyment people have when they come to see them live. This was extremely well received and racked up 85K views, with people all over the world purchasing the single. A year later, they released their second single ‘Home’ along with an extremely diverse music video. This time, they set off at 4AM to climb up Beinn an Lochainn, a hill in the west coast of Scotland. The video sees this journey from bottom to top and shows them playing on cliff edges in the area they all grew up. This gathered an incredible 173K views, and was shared over 2,000 times.

Due to this success, Heron Valley then quickly made a massive impact on the folk scene in Scotland, and 2016 seen them on their tour of 11 Festival stages over the UK, while 2017 seen them on a tour of over 20 festivals around the UK and Europe. Johnny Walley at Folk Music Radio was ‘particularly impressed by the structure of their set, building up the energy incrementally in a series of waves, taking the audience along with them every step of the way.’ With the unbelievable reaction they received at these gigs, and the demand for more recordings of their music, Heron Valley released their debut album, Roam, in May 2017. This has been extremely well received by the public, and has been the focus of their gigs during their 2017 Summer tour. This features 8 brand new tracks of self-penned songs and lively sets of tunes.

Birch Pereira
and the
Gin Joints

A staple of the Seattle music scene, the Gin Joints delight audiences with their western-tinged Americana and jazz originals along with modern interpretations of old blues, swing and even early rock’n’roll tunes. Born out of a love of the American song traditions, upright bassist /vocalist / composer Birch Pereira has created unique arrangements and originals that showcase the considerable talents of the Gin Joints musicians.  He is now described as “Making gems of the past sound new and writing new songs that sound like forgotten gems of the past.”   

On the way to their juried showcase at the Arts Northwest Conference, Birch Pereira will bring an expanded version of the Gin Joints for a great evening of music on Sunday, October 7th at 7 PM.  Joining the usual excellent trio of Jason Goessl on guitar and Adrian Van Batenburg on percussion will be New Orleans native Rex Gregory on sax and clarinet and Portland-basedJordan Vale on trumpet.

Through a special collaboration with the Corvallis School District Theaters, Birch Pereira and the Gin Joints will be performing at the Corvallis High School Main Stage Theater and there is a special student price.  An alumnus of CHS, Birch Pereira began his musical journey in Corvallis with elementary strings and the Heart of the Valley children’s choir.  He followed that with music programs at both high schools including Camerata Orchestra, CHS jazz choir and the Corvallis Youth Symphony.  Birch Pereira received his BA in Jazz Studies (bass performance) from the University of Washington in 2005.   Since then he has become well-known in Seattle as a highly versatile bass player, band leader, composer, producer/engineer and teacher.  With the formation of the Gin Joints he moved out front as vocalist, arranger, composer and bass player — and hasn’t looked back since.

New recording and videos at:  https://www.theginjointsband.com/

Bill Staines

Anyone not familiar with the music of Bill Staines is in for a special treat (if you buy your tickets in advance – he sold out quickly last time).  The Martha Room is a very intimate space and a great place to hear great music.

For forty-five years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.

Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing over 175 concerts a year. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”

Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.

Bill Staines has recorded twenty-six albums. He has written over three hundred songs, many of which have been recorded by the likes of Peter, Paul, and Mary, Makem and Clancy, Nanci Griffith, Glen Yarborough, Celtic Thunder, and Jerry Jeff Walker. His music is sung at campfires and folk music gatherings, and in living rooms all around the country. Songs like “All God’s Critters,” “Roseville Fair,” “Child of Mine,” and “River,” have become folk classics. Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”

Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.

In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.

As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.

“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.

In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”  A true honor.

Mike and Carleen McCornack

Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes.  While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.

 “i

Alasdair Fraser
&
Natalie Haas

cutting-edge fiddle and cello explorations of Scottish and global music

” … you would think they’d been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello’s throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter.”        — Boston Globe

“As many gigs as they must have played together over the past decade or so, there remains a striking spontaneity about Fraser and Haas’s music-making. He has tonal variation and attack to spare, but what makes them so consistently absorbing is the responsiveness each shows to the other. Haas is more than a cellist: she’s the rhythm section who uses the percussive chip’n’chop of her bowing and the double bass-like pulse of her pizzicato playing to great effect. The accompanist’s role moves so fluently between them, building tension all the while, and then they’ll slip into unison and it’s like floodgates opening. ”
— The Herald

“Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner…A positive joy.”
— The Scotsman

The musical partnership between consummate performer Alasdair Fraser, “the Michael Jordan of Scottish fiddling”, and brilliant Californian cellist Natalie Haas spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 18 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding and the joyful spontaneity and sheer physical presence of their music.

Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who’s who of the fiddle world including Mark O’Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.

This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo’s debut recording, Fire & Grace, won the coveted the Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record four more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe.