American Strings:
An Evening with
Noel Paul Stookey

Hosted by the GRAMMY Museum’s Bob Santelli, director of popular music in the OSU College of Liberal Arts and the Majestic Theatre, the conversation and performance that comprises each segment of American Strings makes for a one of a kind opportunity to appreciate and know better the great American music tradition. This month will feature musician and Social Activist Noel Paul Stookey who has been altering the musical and ethical landscape of this country and the world for decades – both as part of the legendary folk trio Peter, Paul and Mary, and as a successful solo artist. Funny, irreverently reverent, thoughtful and passionate, Stookey’s voice is best known for his classic “The Wedding Song (There Is Love),” which has become a standard of American wedding playlists since the 1970’s. Most recently, Noel’s musical political commentary, “Impeachable” (based on the familiar melody of “Unforgettable,”) has reached viral status online, yielding more than a million Facebook and YouTube viewings. The American Strings series brings renowned artists from around the U.S. to Corvallis and Oregon State University for an in-depth look at how and why stringed instruments play such a profound role in American music.

The American Strings series brings renowned artists from around the U.S. to Corvallis and Oregon State University for an in-depth look at how and why stringed instruments play such a profound role in American music.

Portland FolkMusic Society presents

Singtime Frolics

a spring weekend of singing, jamming, learning, sharing and good food at Portland FolkMusic Society’s annual retreat.

Guest artist
Linda Allen

click HERE for more information

Máire Ní Chathasaigh & Chris Newman

Award winning harp and guitar duo from Ireland with a virtuosic blend of Irish, Ragtime, and much more.

Doors open 6pm with a potluck reception.

A house concert is an excellent opportunity to hear great music in a very intimate setting.

Tannahill Weavers

The Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.

The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”

Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes.

In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they were joined by innovative piper Lorne MacDougall.  Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, Dreamworks “How to Train Your Dragon 2”, and the BBCs “Dr Who”, along with a long list of other accomplishments.

As they embark on their 50th anniversary year in 2018, they are firmly established as one of the premier groups on the concert stage.  From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.”An especially eloquent mixture of the old and the new.”            –New York Times

Scotland’s Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric. The quartet is as tight and as versatile as any band in the Celtic music revival. They can summon rock ‘n’ roll intensity or haunting introspection.”
– The Boston Globe, Boston MA

“…as close to perfect as it gets in an imperfect world.”     – Sing Out!

“…the Weavers’ unpretentious manner and superlative playing set them apart from most other Celtic groups… In a world where good taste has become a scarce commodity, the Tannahill Weavers are a wealthy bunch.”     – The Charleston Gazette, Charleston, SC

“…world class musicians with passion and a healthy sense of fun, keeping alive and making accessible the very heart of the tradition itself.”     – Mojo Magazine

DRÅM

Dråm is a Swedish folk music group specialized in the sackpipa, the Swedish bagpipe. Dram means “drone” in a Swedish dialect.

Dram’s members, Erik Ask-Upmark and Anna Rynefors have both received the prestigious Zorn award and the title of Riksspelman (official master musician) for their playing and exposure of the Swedish bagpipes.

Aside from the Swedish pipes, Dram’s other instruments include different Swedish folk whistles and the nyckelharpa keyed fiddle.

Doors open 6pm with a potluck reception.

A house concert is an excellent opportunity to hear great music in a very intimate setting.

Salem Folklore Community’s
33^st Annual

Westwind Weekend

of music and dance

A beautiful setting on the Oregon Coast.  A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast.  It’s a weekend at the beach, with music and friends old and new.  It’s always sunny at Westwind, AND it almost always rains.  Which is to say, any weather can happen.

A growing, family friendly community.  More than a fourth of those who attend the Westwind Weekend are young people.  Kids bring their friends.  They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.

Non-stop music jams.  At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen.  Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.

Contra dancing and more.  Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.

Camper-led workshops.  Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.

A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.

Happy, hearty vegetarian food.  Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals.  Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.

Sophie & Fiachra Trio

The Sophie & Fiachra Trio are a group of musicians sans frontières who refuse to let the Atlantic sunder their love of their own and other’s Irish and Québecois musical traditions.
Comprising of Irish uilleann piper Fiachra ORegan, Québec fiddler/singer Sophie Lavoie, and guitarist André Marchand, the trio take traditional Irish and Québécois traditional music, blended with Lavoies lithe and masterful compositions. Their choice of songs will “captivate the most casual listener”.
“Its refreshing to hear a traditional band reference the present with such subtlety and finesse”

-Quotes from Siobhán Long, of The Irish Times

Released in 2016, Un canadien errant features a mixture of Irish & French-Canadian traditional music and song. It has been nominated for Traditional Album of the Year for the ADISQ awards in Quebec and Traditional Album of the Year in the Canadian Folk Music awards. In the latter, the album also gets Sophie Lavoie a nomination for Best Trad. singer of the year for her vocal tracks.

The 3^rd Annual Corvallis Guitar Festival is just around the corner and will provide a bumper crop of talent, entertainment, and participation in the world of classical guitar and ukulele! The three concerts, workshop, lecture and Master Class will all be taking place at the 1^st Presbyterian Church on 8^th St downtown Corvallis on Saturday May 11^th starting at 10:00am in the morning through 9:30pm in the evening.

The concerts feature Ian O’Sullivan, a great Hawaiian classical guitarist and ukulele musician, and Grammy Award winning classical guitarist Bill Kanengiser. Also, in line with our goal to bring local guitarists out of the woodwork, there will be a short concert performed by the Corvallis Guitar Ensemble led by Cameron O’Connor.

Tickets for the concerts are now available downtown at Grassroots Books and Music store on 2^nd St, Corvallis; tickets are also available online at Brownpaper Tickets: https://cgf2019.brownpapertickets.com/.

More information is available on the Guitar Society website: www.corvallisguitarsociety.org

It’s going to be an inspiring and hugely enjoyable event with a wide variety of guitar (and ukulele) music styles so mark your calendars, and here’s the schedule:

10:00am – 12:00pm Masterclass with Bill Kanengiser: 4 students, 30 mins each    free

1:00 – 2:00pm            Featuring James Bishop Edwards, Cameron O’Connor & Tom Strini     free
Discussion and music performance from the period 1750-1800 when the newly developing early Classical six single string guitar and the traditional five and six course Baroque double string guitar were contemporary. The lecture includes two historical instruments: a 1798 Italian guitar (Fabricatore) and an 1800 Spanish guitar (Benedid).

2:30 – 3:30pm            Hawaiian Guitar and Ukulele Concert featuring Ian O’Sullivan    ticketed

4:00 – 5:00pm            Ukulele and Hawaiian Music Workshop with Ian O’Sullivan     free
A brief history of the ‘ukulele, prominent players and style, strumming and picking techniques, chord melody, and arranging for ‘ukulele as a solo instrument vs ensemble.

7:00pm- 7:30pm            Corvallis Guitar Ensemble Concert Directed by Cameron O’Connor    ticketed

7:30pm – 10:00pm         Closing Concert: Classical Guitarist Bill Kanengiser    ticketed

Peter Yarrow Benefit Concert

Proudly presented by CHS Green Club! Singer/songwriter Peter Yarrow, of Peter, Paul and Mary, offered to give a concert in support of the Fellowship’s immigration and refugee work, something that is very important to him. Realizing the impacts and importance of this work, CHS Green Club has partnered with the Fellowship so more people can be a part! All proceeds benefit the Fellowship’s immigration and refugee work.

We’re part of a long train ride, is the way Peter Yarrow visualizes the many events that have highlighted a career spanning more than five decades. With characteristic care, Yarrow places the success hes had within a greater context, seeing his accomplishments as part of a tradition, to be credited as his inspiration and carried on. When I was in high school, he recalls, I heard The Weavers at Carnegie Hall singing songs like If I Had a Hammer Follow The Drinking Gourd and Wasnt That a Time. I was stunned by the extraordinary effect that music of conscience can have on people, particularly when they sing songs of conscience together. That lesson launched Peter on a lifelong journey that is now, perhaps, in its most vital phase.

Over the years, many issues have moved Peter to commit his time and talent: equal rights, peace, the environment, gender equality, homelessness, hospice care, public broadcasting and education. All have utilized his skills as both a performer and an organizer. Along with his singing partners, (Noel) Paul and Mary, Peter became deeply committed to the Civil Rights Movement, which brought them to Washington in 1963 to sing at the historic August 28, 1963 March On Washington led by Dr. Martin Luther King, Jr., as well as the equally historic Selma-Montgomery March in 1965. When the Civil Rights Movement merged its efforts into the Peace/Anti-Vietnam War Movement, Peter produced numerous large events including peace concerts at Madison Square Garden and Shea Stadium with tens of performers. These efforts culminated in his co-organizing with Cora Weiss, his friend and ally and a Nobel Peace Prize nominee, the famous1969 Celebration of Life, a march and demonstration in Washington, Dc attended by a half-million people who demanded an end to Americas military involvement in Vietnam.

Though much of Peters activism has been directed toward the social/political arena, Peter has also been active on behalf of more personal projects such as the Hospice Movement. He is a board member of the Connecticut Hospice, the first hospice established in the United States, where he periodically sings for patients and staff and for whom he has been a voice of media advocacy for over two decades. Also, in 1996, Peter founded the Save One Child Fund, now centered at Roosevelt Hospitals Institute of Neurology and Neurosurgery (INN) in New York City. Over the last fifteen years, Save One Child has provided free interventional radiological and neuro-surgical treatment, saving the lives of over 200 children who have been brought from all over the world with their families, all expenses paid.

A concert by Peter, today, is exciting, moving and also entertaining but it is also an event that follows in the tradition of his early mentors, The Weavers and Pete Seeger. Peter intentionally uses his music to create a community of acceptance from the stage, an oasis of peace as he calls it. His gift for songwriting has produced some of the most poignant songs Peter, Paul & Mary have recorded, including Puff, the Magic Dragon, Day is Done, Light One Candle, and The Great Mandala. As a member of the renowned musical trio, he has earned many gold and platinum albums and has been awarded and nominated for numerous Grammys.

Peter Yarrows life and work, culminating in the founding and leadership of Operation Respect, embraces the premise that if each person finds a way to articulate his or her own voice and joins with others, together they can become a powerful force for society’s transformation. “We’ve lived through a time in which people have felt they could forge their own future and make a better world. We may not have achieved our dreams in the time frame that we once believed was possible, but the magnitude of what is yet to be achieved only confirms the importance of our continuing commitment. Knowing this, we can’t stop now.”

James Kline

Classical guitarist, composer, singer-songwriter, innovator of the 19 string arch harp guitar, James Kline is an artist who constantly renews and reinvents himself.

As a classical guitarist he studied in Spain under a full scholarship from the Spanish government. There he won a number of international awards, including the Ramirez Prize of Santiago de Compostella and the Tarrega Pize of Benicasim. He holds an ARCM diploma from The Royal College of Music of London and has performed throughout eastern and western Europe as well as the United States and Mexico. He has also gained recognition as a composer and was awarded an Individual Artist Grant in music composition from the Marin Arts Council of California.

As a singer-songwritter, James draws inspiration from a slightly more unusual life experience which includes years working as a commercial fisherman, working as a wilderness guide, extensive travel on four continents, and living among Mexico�s Tarahumara Indians. An interest in Renaissance and Baroque music led him to design his own version of the eleven string arch guitar, an instrument which combines the best qualities of the lute and the guitar. The urge to expand his horizons and dedicate more time to composing led James to co- found the neo Celtic group Bardou with whom he performs regularly. He has again reinvented his instrument to become the world�s only player of the 19 string arch harp guitar, a combination of lute, guitar, and Celtic harp.

A modern day troubadour, his performances reflect a wonderful diversity of life experience and musical intrigue and are often punctuated with story telling.

Doors open 6pm with a potluck reception.

A house concert is an excellent opportunity to hear great music in a very intimate setting.

Hanz Araki
with Dan Faiella
album release concert

Considered one of the most talented Irish musicians in America today, flautist, whistle player, singer, and Juno Award-winner Hanz Araki has been lauded by publications and audiences alike.  Three decades of musical exploration into Irish, Scottish, Japanese, and American traditions has yielded his distinct style described by Fatea Magazine as “achingly beautiful.”

As the sixth generation of his family to bear the title Araki Kodo, Hanz (short for Hanzaburo, his great-great grandfather’s name) spent his formative years mastering the Japanese end-blown bamboo flute.  Discovering and relishing the melodic and mechanical similarities between shakuhachi and Irish whistle, Hanz applied his natural capacity and boundless curiosity to his Irish heritage.  Taking advantage of the rich Irish music scene in Seattle, where he spent his youth, Hanz quickly became known for his exquisite instrumental work on both Irish whistle and flute and a haunting singing voice that was born to tell tales.

“Hanz Araki is a master of his art – of that there is no doubt. His stunning musicianship and mind-spinning delivery of traditional tunes is a pure exhilaration for the ears. Combining an unprecedented feel for the Japanese shakuhachi flute with an unerring ability as an interpreter of Celtic music, Araki has carved out a rock-solid status. Fashioned through a heritage of Irish and Japanese parental influence, education, and personal dedication, his musical influences combine the disciplines and traditions of both cultures to create the virtuoso we hear today.”  (Folkwords)

Over the years, Hanz has released 11 albums, including 2014’s critically acclaimed Foreign Shore.  Festival appearances include the Austin Celtic Festival, the Maine Celtic Celebration, the Missoula Celtic Festival, KVMR Grass Valley Celtic Festival, Milwaukee Irish Festival, Bumbershoot, Celtic Connections, and over 20 years of performances at the Northwest Folklife Festival. Hanz has also been invited to perform with the Seattle Symphony, at the Gates Estate, and for the Japanese Consul General.

New World String Project

Doors open 6pm with a potluck reception.

A house concert is an excellent opportunity to hear great music in a very intimate setting.

I Draw Slow

The Dublin-based roots band coaxes the past into the present with original songs that draw from the best of Irish storytelling and American folk music.

The band is fronted by siblings Dave (guitar) and Louise (vocals) Holden who have been writing together for two decades. In 2008 the pair teamed up with violinist Adrian Hart, clawhammer banjo player Colin Derham, and double bassist Konrad Liddy to form I Draw Slow.

The band has played to audiences in the UK, Germany, Denmark, Belgium, and performed at many North American festivals including MerleFest, Pickathon, Wintergrass, RockyGrass, Grey Fox, Red Wing, Edmonton Folk Fest, Sisters Folk Festival and Mountain Stage. It was their 2014 performace at MerleFest that first put the band on the radar for Compass co-founders Garry West and Alison Brown, who were impressed with the band’s performance and the reaction from buyers in the MerleFest merch tent.

First, we noticed how they got the crowd involved in what they were doing. Their energy is truly infectious,” says West. “Then we noticed that their CDs and merchandise were flying off the shelves in the festival store. That kind of immediate response is always going to get our attention! But more than anything we’ve been impressed with the strength of the songwriting, the sibling harmony and the musical proficiency of the band. They are truly dedicated to their craft.”

Cindy Kallet
& Grey Larsen

Cindy Kallet and Grey Larsen, each well-known and loved for their decades of music making, come together to give a concert of contemporary and traditional songs and tunes. Cindy is a superb singer, guitarist, songwriter, and multi-instrumentalist. Grey is one of America’s finest players of the Irish flute and tin whistle, as well as an accomplished singer and concertina, fiddle, piano and harmonium player. As composers each contributes to the unique tapestry of contemporary folk and world music in America today. Together they weave their music with vibrant colors and subtle textures.

Scott Alarik of The Boston Globe calls Cindy “…one of folk music’s most respected songwriters… provocative, heartwise, and original …a brilliant guitarist… ” while Grey’s playing has been called “positively spellbinding” (The New Mexico Daily, Albuquerque, NM) and “exceptionally exceptional” (The Spectator, Raleigh-Durham, NC).
The duo’s repertoire includes Cindy’s sparkling original songs, distinctive settings of traditional Irish music, Scandinavian fiddle duets, old-time fiddle and guitar tunes from southern Indiana, and new music that Cindy and Grey are inventing together. There is plenty of variety and breadth of musical territory here, all deeply rooted in folk traditions, and interwoven with the renaissance and baroque counterpoint in which both Cindy and Grey were immersed while growing up. Included are vocal duets, guitar, Irish flute, Irish alto flute, tin whistle, concertina, harmonium, and duet fiddling, along with plenty of stories that put the music into a personal context. Their newest album, Welcome Day, was released in 2015, and joins Cross the Water and a CD single, “Back When We Were All Machines.”

Grey’s popular books on Irish flute and tin whistle are the most comprehensive and innovative in print today, selling more than 15,000 copies to date worldwide. His two most recent books address Irish music more broadly, embracing the interests of all Irish music players. Grey plays the wooden Irish flute with a distinctive sound that many feel is his alone. His recordings showcase this dark, silky, reflective flute voice as well as his mastery of fiddle, anglo concertina, piano, and harmonium. His music encompasses the traditions of Appalachia, southern Indiana, Scandinavia and Québec in addition to Ireland. A graduate of the Oberlin Conservatory of Music, Grey is a schooled composer. He brings the clarity of renaissance and baroque counterpoint into his creations and collaborations.

For more on Cindy and Grey, please visit www.kalletlarsen.com where you may listen to
their music for free and view videos of their performances.

Noctumbule
– Marla Fibish and
Bruce Victor –

Original and Traditional, harmonized poetry songs, lots of humor.

 This incredible duo are our best friends from where we lived in the bay area. That could make us partial, but indeed they make some of the most beautiful acoustic music you will ever hear. Marla is my idol. She is one of the foremost Irish mandolin players in the world. But that is just the tip of the iceberg. Bruce is the funniest guy we know, a great guitarist with a side hobby as a psychiatrist. They are a songwriting duo that layers incredible sounds and virtuosity with their clever and brilliant songs.   They use musical settings of a broad array of poetry that they sing in harmony, original instrumental pieces, and traditional Irish tunes and songs.  Aryeh recorded their first album in our home studio and whenever they play, we get to sit in. You will get to hear an unusual array of strings  — fine guitars in varied tunings, mandola, mandolin, bouzouki, cittern, tenor guitar — and their blended voices. More about their music: https://www.noctambulemusic.com/us

Go to https://lisalynne.com/cedarhouse-concerts/ for location details.

A house concert is an excellent place to hear and meet great musicians in a very intimate setting.