Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Semmy Stahlhammer is First Concertmaster at the Stockholm Royal Opera, faculty member at the Stockholm Royal Music College, and appears as solo artist on 20 CD recordings. His CD anthology, Swedish Turn of the Century, was chosen as “Records of the year 2000” by Sweden’s largest newspaper Dagens Nyheter. Semmy also leads the “Stahlhammer Klezmer Classic Ensemble”, an ensemble founded by Semmy’s grandfather around 1910, in Poland.
He will join cellist Isabel Blomme’ and Sergei Teleshev in a performance of kelzmer music (sometimes called “Jewish jazz). He will also speak about his father, Mischa. Semmy wrote a memoir, Codename Barber: My Father’s Story, based on Mischa’s reminiscences of the Holocaust and documents that attested to his service. The Wartime experiences of Mischa Stahlhammer will be the topic of Semmy’s talk when he appears in Corvallis.
Westwind Weekend
of music and dance
A beautiful setting on the Oregon Coast. A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast. It’s a weekend at the beach, with music and friends old and new. It’s always sunny at Westwind, AND it almost always rains. Which is to say, any weather can happen.
A growing, family friendly community. More than a fourth of those who attend the Westwind Weekend are young people. Kids bring their friends. They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.
Non-stop music jams. At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen. Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.
Contra dancing and more. Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.
Camper-led workshops. Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.
A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.
Happy, hearty vegetarian food. Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals. Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.
CAJUN CELEBRATION OF SUMMER!
Music, Painting and Dance
Join renowned fiddle player Kelly Thibodeaux and learn Cajun style fiddling (no prior experience necessary – fiddles available for all), paint a bayou tapestry, do the two-step, sample Cajun cooking and more to celebrate the start of summer with a Cajun party. All ages welcome!
Registration limited to 15, so register early.
American Banjo Camp
Spend a weekend away from the toil and cares of everyday life, with nothing to do but learn about the 5-string banjo or fiddle or guitar or some other instrument from world-famous teachers, play in jams, eat delicious food, and possibly even sleep!
The American Banjo Camp takes place on the first weekend after Labor Day each year at a camp on the Puget Sound.
ABC is a camp for adults of all ages (students under 18 may attend if accompanied by a parent). There you can study old-time or bluegrass banjo with world-class instructors. Or you can take classes in fiddle, guitar, or other instruments (see the schedule).
The schedule is packed with hands-on classes and faculty concerts as well as dozens of jamming opportunities. An “Extra Day” offers a band scramble, student open mic, hosted jams, and panel sessions.
Registration is now open. Click here for details.
Come join us for the fourteenth annual American Banjo Camp. The dates are Sept. 9-11, 2016. We also offer an optional Extra Day beginning mid-afternoon on Thursday Sept. 8 (for details, see below). Our new site is the Pilgrim Firs Conference Center near Port Orchard, WA.
American Banjo Camp offers a weekend of intense instruction with some of the best old-time and bluegrass banjo players around (not to mention great fiddle and guitar players), plus demonstrations, concerts, and plenty of jamming opportunities.
We have full time programs in bluegrass banjo, old-time banjo, fiddle, and guitar. We offer four levels of banjo instruction: Novice, Lower Intermediate, Upper Intermediate and Advanced.
Here’s our 2016 staff:
Bluegrass Banjo Instructors:
+ Janet Davis (Arkansas) – One of America’s foremost banjo teachers and a regular columnist for Banjo newsletter
+ Bill Evans (California) – Versatile instructor; veteran of Dry Branch Fire Squad and numerous other bands
+ James McKinney (Georgia) – Virtuoso in both Scruggs & Single String Styles.
+ Alan Munde (Texas) – Legendary picker, innovator, and educator; banjo player for Jimmy Martin, Sam Bush, and Country Gazette
+ Mike Munford (Maryland/Pennsylvania) – Hard-driving, eclectic player; banjoist for the well-known national touring band Dirty Kitchen
Old-time Banjo Instructors:
+ Riley Baugus (North Carolina) – Widely-traveled exponent of the Round Peak and other traditional Appalachian styles
+ Bob Carlin (North Carolina) – Versatile master of numerous traditional banjo styles; noted scholar of banjo & old-time music history
+ Michael Miles (Chicago) – Clawhammer innovator; known for his original banjo “suites” & for clawhammer adaptations featuring world music and classical music.
+ Joe Newberry (North Carolina) – Multi-instrumentalist and vocalist; plays a powerful clawhammer style; he often appears on Prairie Home Companion
+ Ken Perlman (Massachusetts) – Pioneer of melodic clawhammer; author of several widely-acclaimed clawhammer instruction manuals
Novice Programs:
Mike Stahlman from Portland, OR continues as our bluegrass novice specialist, and Laura Smith from Bellingham, WA is once again our old-time novice specialist.
The ABC Fiddle Program:
We offer a full time fiddle program at ABC. Returning as our principal instructor for 2016 is Erynn Marshall, the first woman (and the first Canadian) to win first place in old-time fiddling at Clifftop. Fiddle classes will also be offered by old-time fiddler Greg Canote and by bluegrass fiddler Paul Elliott.
New! the ABC Full-Time Guitar Program:
ABC offers a full-time program in guitar this year. The principal instructor in guitar for ABC 2016 is Chris Luquette, who plays in the Dirty Kitchen band. Camp accompanists Jere Canote and Peter Langston will also teach in the program.
Accompanists:
Our old-time accompanists for 2016 are Greg Canote and Erynn Marshall (fiddle) and Jere Canote (guitar). On the bluegrass side, Peter Langston is our guitar/mandolin/dobro accompanist, Paul Elliott joins us for his ninth year as our fiddle accompanist, and Mick Nicholson is back as our bass accompanist.
Special Classes:
ABC also offers a variety of “miscellaneous” classes. So far, our 2016 offerings currently include bass, mandolin, and jazz ensemble.
The ABC Extra Day:
Our Extra Day gives students and staff a chance to get to know each other, and ease their way into the regular Camp with a bunch of low-pressure activities in a relaxed atmosphere. Generally, on Thursday evening we have a student open mic and band scramble followed by instructor-led jams; on Friday morning we offer round-robin demonstrations. There is an extra charge for students who wish to take part in the Extra Day, which also covers the cost of lodging and meals (dinner on Thursday through lunch on Friday).
You can access artists’ bios, logistical information, and the registration form on our website, https://AmericanBanjoCamp.com. If you have any questions or concerns, don’t hesitate to email us at info@AmericanBanjoCamp.com.
Latif Bolat
Latif Bolat, one of the most renowned Turkish musicians in North America , is a native of the Turkish Mediterranean town of Mersin. After receiving his degree in folklore and music at Gazi University in Ankara, Turkey, he taught traditional music throughout the country. He then went on to manage Ankara Halk Tiyatrosu, a musical theater company, which performed traditional musical plays. Mr. Bolat also received additional degrees in Turkish History and Middle East Religion and Politics from Ankara University and an MBA from San Francisco State University.
Latif Bolat will present a concert of Turkish mystic music and poetry. He is one of the most distinguished Turkish musicians outside of Turkey. His concert and conference itinerary has taken him all across America, Canada, Australia, Bulgaria, New Zealand, Indonesia, England and Turkey. He composed soundtrack music for “Young Indiana Jones” and PBS documentary “Muhammad: Legacy of a Prophet.”
Folk Singing Song Circle
with special visitors
Jeff and Ann Corfield of Australia
A chance to sing and hear songs from Australia and elsewhere. Bring your instruments if you like, and a snack to share. There will be a “healthy” dessert provided.
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Christa Burch
The Murray Irish Dancers
(out of Portland) will present an evening of music, song and dance associated with the festive season. The performance will include Christmas songs both old and new, all played with a Celtic twist, as well as selections from the band’s new album.
The California-based group has toured internationally since 2000 as an acoustic band, releasing ten CDs. In 2013, Molly’s Revenge as a trio released an all-instrumental collection titled Trio, recorded at a remote windswept retreat in the redwoods of the Mendocino coast. Trio is a compelling collection of fierce and beautiful tunes encompassing Scottish pipe sets, driving Irish reels, jigs, polkas, slides, and hornpipes, French Canadian fiddle tunes, and even a set of American oldtime melodies featuring Highland pipes.
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Christa Burch possesses a singular voice: warm, supple, expressive, intimate, and instantly recognizable. Part of a vibrant new generation of American folk singers, Christa deftly marries intuitive musicianship and storytelling through song. To balance the gentle beauty of Christa’s songs, The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 10th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
Stuart Mason
&
John Weed
(of Molly’s Revenge)
Ireland to Appalachia
John Weed (fiddle) and Stuart Mason (guitar, mandola, banjo) will be performing traditional Appalachian, blues, and Celtic music that digs deep into the roots of American music. Long before the time of Bill Monroe or Ralph Stanley or the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a wellspring of material that later formed the basis of the bluegrass and early country repertoire.
John and Stuart have just recorded a new album project–their first CD as a duo. Material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and French roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life-long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album “Lift” as well as songs from the lively repertoire of Little Black Train and from Stuart’s two solo albums.
Doors open 6pm with a potluck reception.
There will be daytime workshops – Irish fiddle & DADGAD Guitar $25. Contact Lisa for more information.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Irish Duo
Tommy and Saundra O’Sullivan
Tommy O’Sullivan has been aclaimed as “one of the great contemporary folk voices of Ireland” and “a stellar guitarist.” Tommy has recorded albums with Sliabh Notes and with Bothy Band piper, Paddy Keenan as well as 2 solo albums. He and his wife Saundra have matched her alto harmonies with his tenor lead vocals and they are very much a part of the vibrant music scene in Dingle, Ireland, as well as owning O’Sullivan’s Couthouse Pub.
Come and hear them in this cozy and intimate setting.
Portland FolkMusic Society presents
Singtime Frolics
a spring weekend of singing, jamming, learning, sharing and good food at Portland FolkMusic Society’s annual retreat.
click HERE for more information
Westwind Weekend
of music and dance
A beautiful setting on the Oregon Coast. A pristine, sheltered beach, tidepools galore, wildlife in the water, woods, and air, hikes that lead to superb vistas up and down the coast. It’s a weekend at the beach, with music and friends old and new. It’s always sunny at Westwind, AND it almost always rains. Which is to say, any weather can happen.
A growing, family friendly community. More than a fourth of those who attend the Westwind Weekend are young people. Kids bring their friends. They dig in the sand, play Frisbee, hike, play cards, dance, play music, drink hot cocoa, help out, hang out, and build lasting memories.
Non-stop music jams. At any moment you’ll find swing favorites on the front porch, old-time in the shed, and Irish/contra tunes in the kitchen. Some of the finest musicians in the Willamette Valley come to Westwind and are joined by folks just learning to play and everyone in between.
Contra dancing and more. Friday and Saturday evenings feature the Westwind All Star Orchestra playing tunes, and dance programming that’s aimed at all ages and abilities. Expect family dances, contras and squares, and a set of Scandinavian favorites. Also find musicians jamming and swing or zydeco dancing underway outside the main hall.
Camper-led workshops. Gumboot dancing, daisy chain squares, swing chords, beach talk, favorite folk songs: come with your special talent to share or learn something you’ve never heard of before. Sunday morning expect time for singing the gospel of our non-denominational love of community.
A Saturday camper concert. Enjoy listening to the crazy, creative, and sublime as your fellow campers perform, or put together your own high or low art performance and step up onto the whale bone stage.
Happy, hearty vegetarian food. Beth Littlewolf has been our cook for 25+ years. She makes wonderful fare that brings us all together in the historic Wilson Lodge for family-style meals. Meals at Westwind include snack Friday evening, breakfast, lunch, and dinner on Saturday, and early-wake up breakfast fare plus brunch on Sunday.
Hambo Workshop
with John Scott
Hambo is not a dance you can learn in 5 minutes. It takes instruction, time and practice.
- This class is for beginners, or anyone who wants tips & practice opportunity with coaching.
- No partner is needed!
- The May 6th evening contra dance will feature several live HAMBOS to practice your skills!
The Fire
is a trio with Rebecca Lomnicky on Scottish fiddle, David Brewer on Highland pipes and whistles, and Adam Hendey on guitar & bazouki. The Fire performs captivating Scottish music as a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. In 2009, Rebecca won the 20th Annual Glenfiddich International Scottish Fiddle Championship held at Blair Castle, Blair Atholl, Scotland. David Brewer is unarguably one of the most energetic and charismatic performers of the Highland pipes in the world today. Adam brings an innovative contemporary approach to traditional music. (Rebecca is from Corvallis)
Old Blind Dogs
Since forming in 1992, Old Blind Dogs have stood on the cutting edge of Scotland’s roots revival. The band has developed its own trademark style with an energetic mix of songs and tunes. Dynamic percussion, polished vocals, soaring fiddle and stirring pipes fuel the delicately-phrased melodies and traditional songs.
Twenty-five years is a long time in the life of any band and most who reach that milestone are content to rest on the tried and true formulas that have worked in the past. Not so for Scotland’s Old Blind Dogs, who do not shy away from change. A strong, shared musical vision has allowed the group to ride out inevitable line-up changes whilst their popularity has never dimmed.
The current foursome of Jonny Hardie (fiddle, vocals), Aaron Jones (bouzouki, guitar, vocals), Ali Hutton (Pipes, whistles, vocals) and Donald Hay (percussion, vocals) have proven more than capable of carrying on the tradition of the band that the Montreal Gazette called, “…a Scots neo-traditional supergroup with a bracingly modern musical attack.”
The Dogs have released eleven albums and have won numerous awards along the way
including the prestigious title of ‘Folk Band of the Year’ at the 2004 and 2007 Scots Trad Music Awards. Their album ‘Four On The Floor’ also picked up the IAP ‘Best Celtic CD’ Award in the USA and their last CD was nominated for the same honour.
“The skill, talent and verve with which they played, belied their laddishness and the crowd responded with thunderous applause. Folk is the new rock and roll.” (Evening News)
The Old Blind Dogs play with a compelling energy and intoxicating rhythm, players and audience seem to share a wild ecstasy of emotion. (The Scotsman)
“Old Blind Dogs have mastered the tricky art of innovating within a musical tradition while faithfully revealing its essence.” (Acoustic Guitar)
“Old Blind Dogs bring freshness and color to acoustic music steeped in centuries of Scottish folklore and history.” (The Los Angeles Times)
Tannahill Weavers
The Tannahill Weavers are a popular band which performs traditional Scottish music. Releasing their first album in 1976 they became notable for being one of the first popular bands to incorporate the sound of the Great Highland Bagpipe in an ensemble setting, and in doing so helped to change the sound of Scottish traditional music. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame.
In the late 18th and early 19th century Scotland was in a turmoil of change. Highlanders were being driven from their lands and into the burgeoning Lowland factory systems. This brought two quite distinct cultures together, the mystic Celtic culture of the North and the old Anglo/Scots culture of the Lowlands. They were married by the double barreled shotgun of necessity and the Industrial Revolution. But this forced union brought forth a cultural heritage which, thanks to people like Robert Burns and Robert Tannahill, outlasted the worst of the Industrial Revolution. It married the mystic beauty of the Celtic music to the coarse, brawling, but vitally human music, poetry and ballads of the Lowlands. It is precisely this strangely moving yet lustily stirring quality that the Tannahill Weavers have captured in their arrangements of the traditional music and songs of Scotland. All of their material is traditional, but as good musicians should, they have transformed it and brought it into the modern world, vitally alive and kicking.
As they approach their 50th anniversary in 2018, the Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.
The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”
Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy’s driving guitar backing and lead vocals, and Phil’s ethereal flute playing breathed new life into Scotland’s vast repertoire of traditional melodies and songs.
Three years and a dozen countries later, the Tannahills were the toast of Europe, having won the Scotstar Award for Folk Record of the Year with their third album, The Tannahill Weavers. Canada came the next summer, with thousands at the national festivals in Vancouver, Winnipeg and Toronto screaming an approval that echoed throughout the Canadian media. The Regina Leader-Post wrote, “The Tannahill Weavers personify Celtic music, and if you are given to superlatives, you have to call their talent ‘awesome’.”
Since their first visit to the United States in 1981, the Tannahills’ unique combination of traditional melodies on pipes, flute and fiddle, driving rhythms on guitar and bouzouki, and powerful three and four part vocal harmonies have taken the musical community by storm. As Garrison Keillor, the host of “Prairie Home Companion”, remarked, “These guys are a bunch of heroes every time they go on tour in the States”.
Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they are joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, along with a long list of other accomplishments.
With their impending 50th anniversary in 2018, the Tannahill Weavers are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.