Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Folk Singing Song Circle
with special visitors
Jeff and Ann Corfield of Australia
A chance to sing and hear songs from Australia and elsewhere. Bring your instruments if you like, and a snack to share. There will be a “healthy” dessert provided.
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Christa Burch
The Murray Irish Dancers
(out of Portland) will present an evening of music, song and dance associated with the festive season. The performance will include Christmas songs both old and new, all played with a Celtic twist, as well as selections from the band’s new album.
The California-based group has toured internationally since 2000 as an acoustic band, releasing ten CDs. In 2013, Molly’s Revenge as a trio released an all-instrumental collection titled Trio, recorded at a remote windswept retreat in the redwoods of the Mendocino coast. Trio is a compelling collection of fierce and beautiful tunes encompassing Scottish pipe sets, driving Irish reels, jigs, polkas, slides, and hornpipes, French Canadian fiddle tunes, and even a set of American oldtime melodies featuring Highland pipes.
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Christa Burch possesses a singular voice: warm, supple, expressive, intimate, and instantly recognizable. Part of a vibrant new generation of American folk singers, Christa deftly marries intuitive musicianship and storytelling through song. To balance the gentle beauty of Christa’s songs, The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 10th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
Stuart Mason
&
John Weed
(of Molly’s Revenge)
Ireland to Appalachia
John Weed (fiddle) and Stuart Mason (guitar, mandola, banjo) will be performing traditional Appalachian, blues, and Celtic music that digs deep into the roots of American music. Long before the time of Bill Monroe or Ralph Stanley or the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a wellspring of material that later formed the basis of the bluegrass and early country repertoire.
John and Stuart have just recorded a new album project–their first CD as a duo. Material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and French roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life-long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album “Lift” as well as songs from the lively repertoire of Little Black Train and from Stuart’s two solo albums.
Doors open 6pm with a potluck reception.
There will be daytime workshops – Irish fiddle & DADGAD Guitar $25. Contact Lisa for more information.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Irish Duo
Tommy and Saundra O’Sullivan
Tommy O’Sullivan has been aclaimed as “one of the great contemporary folk voices of Ireland” and “a stellar guitarist.” Tommy has recorded albums with Sliabh Notes and with Bothy Band piper, Paddy Keenan as well as 2 solo albums. He and his wife Saundra have matched her alto harmonies with his tenor lead vocals and they are very much a part of the vibrant music scene in Dingle, Ireland, as well as owning O’Sullivan’s Couthouse Pub.
Come and hear them in this cozy and intimate setting.
Del Rey
&
Suzy Thompson
The music, the chemistry, the talent, the fashion, the FUN!
With a fashion sense that would make Minnie Pearl smile and a virtuoso fingerpicked resonator guitar style (and resonator ukulele!) that packs a whole orchestra into just 6 (or 4) strings, fabulous country blues chanteuse Del Rey teams up with blues fiddler extraordinaire and vocalist deluxe Suzy Thompson for a few shows every year.
“Del Rey, who plays a syncopated style of guitar based on prewar blues and barrelhouse piano traditions, is one of the best fingerpickers of this or any generation. Suzy Thompson is a consummate blues fiddler who’s stolen more than her fair share of music festivals with her room-filling, vibrato-laden vocals. The pair has known each other for decades as members of the West Coast blues community, and that familiarity adds to the richness of their debut album as a duo… a welcome treat from two of the finest instrumentalists and arrangers in the business. ”
– Ian Zack, Acoustic Guitar
Please join us for an evening of music not-to-be-missed, or heard very often, especially here!
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
West My Friend
Described as everything from indie-roots to chamber-folk, West My Friend has an acoustic blend of instruments and four-part harmonies that challenges the conventions of popular music. The band features pure and thrillingly elastic vocals with catchy arrangements of bass, guitar, mandolin, and accordion that draw from jazz, classical, folk, and pop influences. Inspired by artists such as Owen Pallett, Joanna Newsom, Bright Eyes, The Decemberists, and the Punch Brothers, and forged from a sonically adventurous acoustic music scene on Canada’s west coast, West My Friend is proving to be a key part of a new generation of grassroots folk music.
Please join us for an evening of music not-to-be-missed, or heard very often, especially here!
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Thompsonia
combines Eric & Suzy Thompson’s deep devotion to southern roots music with daughter Allegra’s fresh perspective, creating feel-good music that richochets between the rowdy and the sentimental, with an abundance of groove and a bit of a quirky edge. Suzy and Allegra’s genetically-matched vocals (dubbed “The Everly Sisters sound” by Geoff Muldaur) are featured, along with stellar lead playing from Eric on mandolin and guitar. In addition to the Cajun, blues and old-time music for which Eric and Suzy have long been acclaimed, the trio also performs witty originals alongside obscurities in styles ranging from rockabilly to hokum to Americana. Standouts from their new Thompsonia CD include Suzy’s acoustic rock anthem “Very Bad Mood” (guaranteed to have just the opposite effect on the listener), Allegra’s bawdy 1920’s “He May Be Your Dog But He’s Wearing My Collar,” Eric’s proto-zydeco “French Fries” and a lovely duet rendition of Hugh Moffatt’s “Rose of My Heart.”
Eric and Suzy Thompson have performed and recorded in collaborations with David Grisman, David Nelson (New Riders), Jody Stecher & Kate Brislin, Geoff Muldaur, Jim Kweskin, Michael Doucet, Del Rey, Dave Alvin and Joel Savoy, to name just a few, and their bands have included Any Old Time, Black Mountain Boys, California Cajun Orchestra, Blue Flame String Band and many others. Allegra Thompson is the bass player of choice for multiple Bay Area bands, including the Cajun band Midnite Ramblers and the bluegrass band Wendy Burch Steel & Redwood.
Please join us for an evening of music not-to-be-missed, or heard very often, especially here!
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
David Roth
David Roth strikes many chords, hearts, and minds with his unique songs, offbeat observations, moving stories, sense of the hilarious, and powerful singing and subject matter. As singer, songwriter, recording artist, keynote speaker, workshop leader, and instructor, David has earned top honors at premier songwriter competitions – Kerrville (TX) and Falcon Ridge (NY) – and taken his music, experience, and expertise to a wide variety of venues in this and other countries full-time for more than two decades.
David’s songs (“Rising in Love”, “Earth”, “Manuel Garcia”, “May the Light of Love”, “Nine Gold Medals”, “Spacesuits”, “Rocket Science”, “I Stand for Love”, “That Kind of Grace”, and many more) have found their way to Carnegie Hall, the United Nations, several Chicken Soup for the Soul books, the Kennedy Center, Peter, Paul, & Mary’s “Discovered” (Warner Brothers), the Kingston Trio’s “Born at the Right Time”, NASA’s Goddard Space Center (“Rocket Science” went up on the Space Shuttle Atlantis’s May 2009 mission to repair the Hubble Telescope), the classic folk song books “Rise Up Singing” and “Rise Again” (sequel), and 13 CDs on the Wind River and Stockfisch (Germany) labels. Winner of 4 Positive Music Awards and the 2015 Grace Note (Unity Worldwide Ministries) for Outstanding Contribution to New Thought Music, David has also been featured on many of Christine Lavin’s seminal Rounder Records compilations. The former artist-in-residence at New York’s Omega Institute has also been a songwriting judge at Kerrville, Napa Valley (CA), Tumbleweed (WA), Eventide Arts (MA), the Avalon Festival (WV), and the South Florida Folk Festival.
David has also taught singing, songwriting, and performance at the Augusta Heritage workshops, SummerSongs and WinterSongs (NY), Common Ground on the Hill (MD), the Woods Dance & Music Camp (Canada), WUMB’s Summer Acoustic Music Week (NH), Moab Folk Camp (UT), Rowe Center (MA), Pendle Hill (PA), Lamb’s Retreat (MI), the Swannanoa Gathering (NC), the National Wellness Institute (WI), and for many other songwriting groups and associations around the country. David is also founder/director of the Cape Cod Songwriters Retreat and creator/host of Cape Cod’s “Full Moon Open Mic” which, for the past 10 years has provided a forum for musicians to connect and be heard while at the same time collecting donations ($12,000 to date) for local non-profits to help neighbors in need.
Please join us for an evening of music not-to-be-missed, or heard very often, especially here!
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Kate Power
&
Steve Einhorn
Kate Power and Steve Einhorn are lifelong musicians, songwriters, teachers, and were the owners of the world renowned performance venue, music school, and instrument shop, Artichoke Music in Portland, Oregon (1981-2006). Vocal Cut of the Year 2017 for Paddy’s Lament on their new release, Portland Romance, their ninth album of original and traditional folk. They won the Music2Life award for the song,”Travis John” at the Kerrville Folk Festival and have shared stages with folk luminaries including Pete Seeger, Tom Paxton, Odetta, and Garrison Keillor.
Go to https://lisalynne.com/cedarhouse-concerts/ for location details.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Noctumbule
– Marla Fibish and
Bruce Victor –
Original and Traditional, harmonized poetry songs, lots of humor.
This incredible duo are our best friends from where we lived in the bay area. That could make us partial, but indeed they make some of the most beautiful acoustic music you will ever hear. Marla is my idol. She is one of the foremost Irish mandolin players in the world. But that is just the tip of the iceberg. Bruce is the funniest guy we know, a great guitarist with a side hobby as a psychiatrist. They are a songwriting duo that layers incredible sounds and virtuosity with their clever and brilliant songs. They use musical settings of a broad array of poetry that they sing in harmony, original instrumental pieces, and traditional Irish tunes and songs. Aryeh recorded their first album in our home studio and whenever they play, we get to sit in. You will get to hear an unusual array of strings — fine guitars in varied tunings, mandola, mandolin, bouzouki, cittern, tenor guitar — and their blended voices. More about their music: https://www.noctambulemusic.com/us
Go to https://lisalynne.com/cedarhouse-concerts/ for location details.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
The Fire
is a trio with Rebecca Lomnicky on Scottish fiddle, David Brewer on Highland pipes and whistles, and Adam Hendey on guitar & bazouki. The Fire performs captivating Scottish music as a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. In 2009, Rebecca won the 20th Annual Glenfiddich International Scottish Fiddle Championship held at Blair Castle, Blair Atholl, Scotland. David Brewer is unarguably one of the most energetic and charismatic performers of the Highland pipes in the world today. Adam brings an innovative contemporary approach to traditional music. (Rebecca is from Corvallis)
Juliet Strong
is a New York City based singer-songwriter, with a background in Folk, Classical and Jazz piano and voice. With a voice like butter and a body of original, folk-soul inspired melodies, Juliet touches audiences with her depth of sound, musicality, poetic imagery and eclectic style. Juliet’s energetic sound is underscored by rhythm piano, counter melodies, vocalize, and ukulele. She has spent years absorbing a variety of styles in a traditional folk setting, supplementing with her love of Bebop, Soul, Funk and R&B, and travel to Turkey, Spain, Portugal, and Argentina. The result is a unique, infectiously uplifting sound often likened to that of Norah Jones, Carol King, and Carly Simon.–
She will be playing with our own Dave Chiller on percussion and Michael Proctor on upright bass.
The show will open with Aeryn Brassfield (vocals) accompanied by Ray Brassfield on upright bass. The show starts at 7 pm, gate at 6:30. Please bring low chairs or blankets, and something munchy or liquid to share at the break if you wish.
Click on the Tickets link for concert address.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Old Blind Dogs
Since forming in 1992, Old Blind Dogs have stood on the cutting edge of Scotland’s roots revival. The band has developed its own trademark style with an energetic mix of songs and tunes. Dynamic percussion, polished vocals, soaring fiddle and stirring pipes fuel the delicately-phrased melodies and traditional songs.
Twenty-five years is a long time in the life of any band and most who reach that milestone are content to rest on the tried and true formulas that have worked in the past. Not so for Scotland’s Old Blind Dogs, who do not shy away from change. A strong, shared musical vision has allowed the group to ride out inevitable line-up changes whilst their popularity has never dimmed.
The current foursome of Jonny Hardie (fiddle, vocals), Aaron Jones (bouzouki, guitar, vocals), Ali Hutton (Pipes, whistles, vocals) and Donald Hay (percussion, vocals) have proven more than capable of carrying on the tradition of the band that the Montreal Gazette called, “…a Scots neo-traditional supergroup with a bracingly modern musical attack.”
The Dogs have released eleven albums and have won numerous awards along the way
including the prestigious title of ‘Folk Band of the Year’ at the 2004 and 2007 Scots Trad Music Awards. Their album ‘Four On The Floor’ also picked up the IAP ‘Best Celtic CD’ Award in the USA and their last CD was nominated for the same honour.
“The skill, talent and verve with which they played, belied their laddishness and the crowd responded with thunderous applause. Folk is the new rock and roll.” (Evening News)
The Old Blind Dogs play with a compelling energy and intoxicating rhythm, players and audience seem to share a wild ecstasy of emotion. (The Scotsman)
“Old Blind Dogs have mastered the tricky art of innovating within a musical tradition while faithfully revealing its essence.” (Acoustic Guitar)
“Old Blind Dogs bring freshness and color to acoustic music steeped in centuries of Scottish folklore and history.” (The Los Angeles Times)
Tannahill Weavers
The Tannahill Weavers are a popular band which performs traditional Scottish music. Releasing their first album in 1976 they became notable for being one of the first popular bands to incorporate the sound of the Great Highland Bagpipe in an ensemble setting, and in doing so helped to change the sound of Scottish traditional music. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame.
In the late 18th and early 19th century Scotland was in a turmoil of change. Highlanders were being driven from their lands and into the burgeoning Lowland factory systems. This brought two quite distinct cultures together, the mystic Celtic culture of the North and the old Anglo/Scots culture of the Lowlands. They were married by the double barreled shotgun of necessity and the Industrial Revolution. But this forced union brought forth a cultural heritage which, thanks to people like Robert Burns and Robert Tannahill, outlasted the worst of the Industrial Revolution. It married the mystic beauty of the Celtic music to the coarse, brawling, but vitally human music, poetry and ballads of the Lowlands. It is precisely this strangely moving yet lustily stirring quality that the Tannahill Weavers have captured in their arrangements of the traditional music and songs of Scotland. All of their material is traditional, but as good musicians should, they have transformed it and brought it into the modern world, vitally alive and kicking.
As they approach their 50th anniversary in 2018, the Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.
The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”
Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy’s driving guitar backing and lead vocals, and Phil’s ethereal flute playing breathed new life into Scotland’s vast repertoire of traditional melodies and songs.
Three years and a dozen countries later, the Tannahills were the toast of Europe, having won the Scotstar Award for Folk Record of the Year with their third album, The Tannahill Weavers. Canada came the next summer, with thousands at the national festivals in Vancouver, Winnipeg and Toronto screaming an approval that echoed throughout the Canadian media. The Regina Leader-Post wrote, “The Tannahill Weavers personify Celtic music, and if you are given to superlatives, you have to call their talent ‘awesome’.”
Since their first visit to the United States in 1981, the Tannahills’ unique combination of traditional melodies on pipes, flute and fiddle, driving rhythms on guitar and bouzouki, and powerful three and four part vocal harmonies have taken the musical community by storm. As Garrison Keillor, the host of “Prairie Home Companion”, remarked, “These guys are a bunch of heroes every time they go on tour in the States”.
Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they are joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, along with a long list of other accomplishments.
With their impending 50th anniversary in 2018, the Tannahill Weavers are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.
Dinna Fash Celtic Trio
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of old and new Irish, Scottish, Québécois and Shetland tunes.