Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Stuart Mason
&
John Weed
(of Molly’s Revenge)
Ireland to Appalachia
John Weed (fiddle) and Stuart Mason (guitar, mandola, banjo) will be performing traditional Appalachian, blues, and Celtic music that digs deep into the roots of American music. Long before the time of Bill Monroe or Ralph Stanley or the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a wellspring of material that later formed the basis of the bluegrass and early country repertoire.
John and Stuart have just recorded a new album project–their first CD as a duo. Material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and French roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life-long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album “Lift” as well as songs from the lively repertoire of Little Black Train and from Stuart’s two solo albums.
Doors open 6pm with a potluck reception.
There will be daytime workshops – Irish fiddle & DADGAD Guitar $25. Contact Lisa for more information.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Irish Duo
Tommy and Saundra O’Sullivan
Tommy O’Sullivan has been aclaimed as “one of the great contemporary folk voices of Ireland” and “a stellar guitarist.” Tommy has recorded albums with Sliabh Notes and with Bothy Band piper, Paddy Keenan as well as 2 solo albums. He and his wife Saundra have matched her alto harmonies with his tenor lead vocals and they are very much a part of the vibrant music scene in Dingle, Ireland, as well as owning O’Sullivan’s Couthouse Pub.
Come and hear them in this cozy and intimate setting.
The Fire
is a trio with Rebecca Lomnicky on Scottish fiddle, David Brewer on Highland pipes and whistles, and Adam Hendey on guitar & bazouki. The Fire performs captivating Scottish music as a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. In 2009, Rebecca won the 20th Annual Glenfiddich International Scottish Fiddle Championship held at Blair Castle, Blair Atholl, Scotland. David Brewer is unarguably one of the most energetic and charismatic performers of the Highland pipes in the world today. Adam brings an innovative contemporary approach to traditional music. (Rebecca is from Corvallis)
Old Blind Dogs
Since forming in 1992, Old Blind Dogs have stood on the cutting edge of Scotland’s roots revival. The band has developed its own trademark style with an energetic mix of songs and tunes. Dynamic percussion, polished vocals, soaring fiddle and stirring pipes fuel the delicately-phrased melodies and traditional songs.
Twenty-five years is a long time in the life of any band and most who reach that milestone are content to rest on the tried and true formulas that have worked in the past. Not so for Scotland’s Old Blind Dogs, who do not shy away from change. A strong, shared musical vision has allowed the group to ride out inevitable line-up changes whilst their popularity has never dimmed.
The current foursome of Jonny Hardie (fiddle, vocals), Aaron Jones (bouzouki, guitar, vocals), Ali Hutton (Pipes, whistles, vocals) and Donald Hay (percussion, vocals) have proven more than capable of carrying on the tradition of the band that the Montreal Gazette called, “…a Scots neo-traditional supergroup with a bracingly modern musical attack.”
The Dogs have released eleven albums and have won numerous awards along the way
including the prestigious title of ‘Folk Band of the Year’ at the 2004 and 2007 Scots Trad Music Awards. Their album ‘Four On The Floor’ also picked up the IAP ‘Best Celtic CD’ Award in the USA and their last CD was nominated for the same honour.
“The skill, talent and verve with which they played, belied their laddishness and the crowd responded with thunderous applause. Folk is the new rock and roll.” (Evening News)
The Old Blind Dogs play with a compelling energy and intoxicating rhythm, players and audience seem to share a wild ecstasy of emotion. (The Scotsman)
“Old Blind Dogs have mastered the tricky art of innovating within a musical tradition while faithfully revealing its essence.” (Acoustic Guitar)
“Old Blind Dogs bring freshness and color to acoustic music steeped in centuries of Scottish folklore and history.” (The Los Angeles Times)
Tannahill Weavers
The Tannahill Weavers are a popular band which performs traditional Scottish music. Releasing their first album in 1976 they became notable for being one of the first popular bands to incorporate the sound of the Great Highland Bagpipe in an ensemble setting, and in doing so helped to change the sound of Scottish traditional music. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame.
In the late 18th and early 19th century Scotland was in a turmoil of change. Highlanders were being driven from their lands and into the burgeoning Lowland factory systems. This brought two quite distinct cultures together, the mystic Celtic culture of the North and the old Anglo/Scots culture of the Lowlands. They were married by the double barreled shotgun of necessity and the Industrial Revolution. But this forced union brought forth a cultural heritage which, thanks to people like Robert Burns and Robert Tannahill, outlasted the worst of the Industrial Revolution. It married the mystic beauty of the Celtic music to the coarse, brawling, but vitally human music, poetry and ballads of the Lowlands. It is precisely this strangely moving yet lustily stirring quality that the Tannahill Weavers have captured in their arrangements of the traditional music and songs of Scotland. All of their material is traditional, but as good musicians should, they have transformed it and brought it into the modern world, vitally alive and kicking.
As they approach their 50th anniversary in 2018, the Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.
The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”
Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. The Tannahill Weavers began to attract attention when founding members Roy Gullane and Phil Smillie added the full-sized highland bagpipes to the on-stage presentations, the first professional Scottish folk group to successfully do so. The combination of the powerful pipe solos, Roy’s driving guitar backing and lead vocals, and Phil’s ethereal flute playing breathed new life into Scotland’s vast repertoire of traditional melodies and songs.
Three years and a dozen countries later, the Tannahills were the toast of Europe, having won the Scotstar Award for Folk Record of the Year with their third album, The Tannahill Weavers. Canada came the next summer, with thousands at the national festivals in Vancouver, Winnipeg and Toronto screaming an approval that echoed throughout the Canadian media. The Regina Leader-Post wrote, “The Tannahill Weavers personify Celtic music, and if you are given to superlatives, you have to call their talent ‘awesome’.”
Since their first visit to the United States in 1981, the Tannahills’ unique combination of traditional melodies on pipes, flute and fiddle, driving rhythms on guitar and bouzouki, and powerful three and four part vocal harmonies have taken the musical community by storm. As Garrison Keillor, the host of “Prairie Home Companion”, remarked, “These guys are a bunch of heroes every time they go on tour in the States”.
Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes. In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they are joined by innovative piper Lorne MacDougall. Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, along with a long list of other accomplishments.
With their impending 50th anniversary in 2018, the Tannahill Weavers are firmly established as one of the premier groups on the concert stage. From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.
Dinna Fash Celtic Trio
Dinna Fash is Scots Gaelic for don’t worry, and this trio uses cellos and fiddles to play a wide variety of old and new Irish, Scottish, Québécois and Shetland tunes.
A Winter Gift
is presented by three of the premier Celtic Harpists in the world. Patrick Ball, Lisa Lynne & Aryeh Frankfurter perform Celtic legends, along with Irish and English literature woven together with beloved and rare pieces of holiday music.
This trio is well known for their first show “Legends of the Celtic Harp” which tells stories and legends of the harp through time. In their new show “A Winter Gift” storyteller and wire-strung harpist Patrick Ball along with harpers and multi-instrumentalists Lisa Lynne & Aryeh Frankfurter step into a magical world of Irish and English literature. The trio presents a heartwarming collection of tales and music from Celtic legend and traditional folk stories. They perform a Child’s Christmas in Wales, a chapter from The Wind in the Willows, and passages from Shakespeare, William Butler Yeats, and Thomas Hardy, and mingle them with beloved and original pieces of seasonal music. Audiences will hear three Celtic Harps, Swedish Nyckelharpa, Fiddle, Bandura, Bouzouki and more. www.LegendsOfTheCelticHarp.com
Patrick Ball is an American master of the Irish harp and a captivating spoken word artist. He has recorded nine instrumental and three spoken word albums which have sold well over a half million copies internationally, winning national awards in both the music and spoken word categories. Patrick’s critically acclaimed concerts and solo theatrical productions have toured extensively throughout the United States, Canada, Ireland and the UK, and have been awarded grants by the California Arts Council and the Circle of Excellence Award from the National Storytelling Association. www.PatrickBall.com
Lisa Lynne is a multi-instrumentalist and performer who has gained worldwide recognition for her original music featuring her Celtic Harp. She is widely acclaimed for composing memorable and heartwarming melodies on the Windham Hill/Sony music labels that have repeatedly placed in the Top 10 & Top 20 on the Billboard New age music charts. Lisa tours year round performing at large US festivals and performing art centers. Her work in Therapeutic music has gained recognition from NBC, CNN, Fox News Atlanta and numerous newspaper and magazine articles including Wall Street Journal. Lisa’s music is heard throughout the award winning PBS special “Alone in the Wilderness,” amongst many other soundtracks for commercial television and independent films.Lisa was recently selected by Los Angeles Magazine as one of 50 most inspiring women. www.LisaLynne.com
Aryeh Frankfurter is also a renowned Celtic harper and world traveling multi- instrumentalist who went from virtuosic progressive rock violin to intricate Swedish folk and Celtic Music. He began with Classical violin at the age of three, his early studies and successes led him to explore various ethnic and international musical genres. Aryeh taught himself to play a variety of instruments bowed and plucked and most recently the rarely seen Swedish Nyckelharpa. His uncommon approach to the Celtic harp and folk harp repertoire, his numerous critically and commercially successful albums have earned him credit as a musician, recording and performance artist of extraordinary talents and abilities. www.Lionharp.com
WINTERDANCE
a Celtic Christmas Celebration
Molly’s Revenge
special guest vocalist Christa Burch
The Murray Irish Dancers
(out of Portland) will present an evening of music, song and dance associated with the festive season. The performance will include Christmas songs both old and new, all played with a Celtic twist, as well as selections from the band’s new album.
The California-based group has toured internationally since 2000 as an acoustic band, releasing ten CDs. In 2013, Molly’s Revenge as a trio released an all-instrumental collection titled Trio, recorded at a remote windswept retreat in the redwoods of the Mendocino coast. Trio is a compelling collection of fierce and beautiful tunes encompassing Scottish pipe sets, driving Irish reels, jigs, polkas, slides, and hornpipes, French Canadian fiddle tunes, and even a set of American oldtime melodies featuring Highland pipes.
Molly’s Revenge, whose lineup includes bagpipes, fiddle, whistle, guitar, mandola, and bodhran, have toured extensively in the USA as well as Australia, China and Scotland. The band is known for its unique and infectious on-stage enthusiasm. Their arrangements of traditional jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.
Guest vocalist Christa Burch possesses a singular voice: warm, supple, expressive, intimate, and instantly recognizable. Part of a vibrant new generation of American folk singers, Christa deftly marries intuitive musicianship and storytelling through song. To balance the gentle beauty of Christa’s songs, The Murray Irish Dancers bring a percussive, joyful, and colorful exuberance to the stage. This 11th Annual Celtic Christmas Celebration will capture the traditional spirit of the season and warm the hearts of all.
The Murray School of Irish Dancing offers classes for students of all ages and levels wishing to become outstanding Irish dancers. At the Murray school we believe in supporting students through enhancing their self esteem and confidence. We also encourage our students to work hard and strive for excellence. Through this they will develop skills that will last a lifetime. We endeavor to create a safe learning environment for all students through mutual respect and responsibility towards all teachers, students and parents in The Murray School. We welcome students from all levels of dance experience and of all cultural backgrounds to learn about Irish Culture, Music and Dance and to be part of the Murray team.
Ticket information here: https://corvallisfolklore.org/home/winterdance-2017/
Jim Malcolm Live from Scotland
He’s Scotland’s Songwriter of the Year in 2004 and three-times nominated for Scots Singer of the Year.
Jim Malcolm’s concerts are like a musical tour through Scotland’s landscape and history, with humor his constant companion. Jim Malcolm performs award-winning original songs, traditional ballads and the works of Robert Burns, with guitar and harmonicas. His harmonica work is pretty hot and he has a great voice. The Friends Meeting House is a 70 seat venue and he has sold out here before, so I recommend getting tickets early.
Here is what others say:
“Jim Malcolm’s voice has the complex individuality of an aged single-malt whisky.”
-Boston Globe
“One of the finest talents to have emerged through the Scottish folk scene in years”
-The independent
“One of those pure warm Scottish folk voices one never tires of listening to.”
-Dirty Linen
“Undeniably stunning”
-Mojo
Jim released a 2015 CD: Live in Perth , which is a rewarding selection of old and modern Scottish folk song, recorded live with no studio jiggery pokery in front of a lively audience of fans, friends and family. For 2017, Jim and Susie Malcolm have a duet album; they are great together. The new CD, entitled Spring Will Follow On is a selection of traditional and more contemporary songs they love, set alongside two new compositions from Jim based on popular fiddle tunes. A cheerful collection!
Daimh, Gaelic Supergroup and unchallenged champion, play straight in the eye Highland music and are based around West Lochaber and the Isle of Skye.
Formed around the turn of the century and taking the name from the Gaelic word for kinship Daimh (pronounced Dive) have taken their contemporary take of Highland and Gaelic music to over 20 countries, setting audiences alight from Moscow to San Francisco.
With a reputation as giants of the Bagpipes and Fiddle, Angus Mackenzie and Gabe McVarish lead the melodic powerhouse with fellow founder member Ross Martin underpinning the groove on the Guitar. The Band is joined by new guy Murdo Yogi Cameron on Mandola and Accordion to complete the instrumental line up.
The Gothard Sisters
The Gothard Sisters are a dynamic group of three sisters, whose impressive array of talents have set them apart as one of the most refreshing and compelling acts in Celtic music today.
The sisters’ unpredictable and theatrical flair brings a youthful splash to the time-honored tradition of Celtic folk music, bridging the gap between modern Pop and Folk-Rock with a sunny, optimistic style that has been described as “beautifully-arranged, melodic-minded Celtic Folk-Pop.”
Hitting the streets of their hometown – Edmonds, Washington – in 2006, The Gothard Sisters first began playing together as a violin trio busking for tips at the local farmer’s market, working their way onto stages at local fairs and festivals. Audiences responded with enthusiasm, and over 1,000 performances later the band recently performed at the Millennium Stage at the Kennedy Center in Washington D.C., completed several national concert tours of the United States, regularly perform as guest entertainers on Disney Cruise Line in Europe and South America and are well-known musicians on the national Celtic festival circuit.
In December 2016 The Gothard Sisters charted on Billboard’s World Music Chart with their latest Christmas album, Falling Snow, alongside notable Irish music phenomena Celtic Woman and Celtic Thunder.
The Nordic Fiddlers Bloc
is a fiddle trio from Norway, Sweden and the Shetland Islands that have wowed audiences worldwide by their gripping and unique blend of fiddle music. Their show in Corvallis last year stunned the crowd, so much so, that they immediately agreed to return this year. NFB is comprised of Olav Luksengård Mjelva (Norway), Anders Hall (Sweden) and Kevin Henderson (Shetland Islands), each a master of their respective traditions. Their sound has been described as “unique, meaningful, intense and invigorating” with clever use of harmony, rhythm, riffs & bass lines. Their humor and personalities also make for a truly fun evening.
Pre-show social hour at 6:30 with live Scandi music in the lobby by Vänta Bara with special guest, Amy Håkansson
Vӓnta Bara, translated from Swedish as “Just Wait” is a trio with Lori Prime on fiddle and nyckelharpa, Kim Majors on fiddle and Maralyn Belgique on cello. Collectively, they have played various forms of traditional and folk-dance music for over two decades. Amy Håkansson grew up in a family blue grass band, but her love for the nyckelharpa led to a year-long study at the prestigious Eric Sahlstrom Institute in Sweden. She studied under Väsen’s Olov Johansson who invited her to perform with the group on both nyckelharpa and banjo! Their love of traditional folk music has brought them together to play dance tunes for Norske Runddansere at the cultural center, Nordia House, in Portland. They are excited to share their music in Corvallis for a social hour in the lobby of the Majestic Theatre where snacks, wine, sodas and 2 Towns Cider are available.
Gerry O’Connor
with Richard Mandel
(and afternoon workshops – see below)
From Dundalk, County Louth, Gerry O’Connor has played and recorded with such highly regarded groups as Lá Lúgh (Eithne Ní Uallacháin, Sony Music) and Skylark. Gerry has toured and recorded with members of all the legendary groups including Planxty, Bothy Band and others. Lá Lugh’s album “Brighid’s Kiss” was voted Album of the Year 1996 by readers of the Irish Music Magazine. His solo album “Journeyman” was counted in the top five Albums of the year 2004 by the Irish Times.
Richard Mandel (guitar, tenor banjo, bouzouki) fell into the well of Irish music in the mid-‘90s and was soon driving every session he could get into. As a first-call accompanist, Richard has performed and toured with legendary Irish musicians including Gerry O’Connor, Paddy Keenan, Jimmy Keane, Mick Maloney, Paddy O’Brien, Tony DeMarco and many others. Richard plays in the trio Three Mile Stone with mandolinist Marla Fibish and fiddler Erin Shrader. Three Mile Stone released its debut CD, produced by John Doyle, in March 2010 and has received rave reviews. In addition to Three Mile Stone, Richard can be heard on Christa Burch’s CD “Love of the Land”, Radim Zenkl’s, “Restless Joy”, and Tipsy House’s CD, “Sets in the City.”
[P]owerful guitar work, whether taking the form of a high-energy rhythmic input or a more intricate embellishment. —David Kidman, Living Tradition Magazine
Richard’s guitar playing is a perfect support and backdrop for Marla’s and Erin’s tune conversations. It never draws attention to itself except by its excellence and appropriateness. And he can play the snot out of the tenor banjo, too! —Roger Landes (Irish bouzouki master and Zoukfest founder)
[A] lightning right hand and spot on chord choices. He is also a precise and powerful tenor banjo player.—Kevin Carr, FolkWorks
Advance Tickets (at Grassroots Books, 227 SW 2nd St.) are recommended as space is limited.
Afternoon Workshops on May 17 ! ($7/$5 CFS members)
2pm: DADGAD Guitar Accompaniment w/ Richard Mandel
4pm: Irish Tunes for all Instruments w/ Gerry O’Connor
A Celtic Evening
James Wilson
with
Dave and Sharon
Thormahlen
James Wilson was a English as a Second Language teacher at the Benton Center for awhile, now lives in Portland. He is getting together with Corvallis musicians Sharon and Dave Thormahlen to present an evening of Celtic tunes (“which we will deviate from a bit with some Latin and originals”).
Sharon and Dave have been performing all sort of music, from swing (in the Swing Beans) through children’s music to British (Celtic, Beatles, etc.) and more for many years. They always put on a good show.
RUNA
“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times
Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.
The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.
“Timeless and flawless…” – Jim Allford, PA Music Scene
RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.
RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier
Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.
“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News