Calendar
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calendar@corvallisfolklore.org
WB Reid & Bonnie Zahnow
WB & Bonnie present a wide range of musical traditions: old-time country songs and fiddle tunes, string blues music and rags from Mississippi and Memphis, early tin pan alley songs, and a Mexican song or two. Both play fiddle and guitar, and WB also plays both 5- and 6-string banjo. Sweet harmonies on songs ranging from poignant to humorous, twin-fiddling, foot-tapping tunes and slow waltzes, all make for an entertaining evening of music.
Based in Seattle, they perform and teach annually at a number of festivals including Lark Camp, Fiddle Tunes, and the Berkeley, Portland, and Olympia old-time music gatherings. Their third CD, “Ryestraw,” released in May, 2016, is getting great notices across the country.
Together they played for 10 years in a trio with the ledendary Lee Stripling, and currently play in several other bands. WB was the fiddler for the Tallboys for four years. He also plays regularly with the Todalo Shakers and the Rhythm Rollers, and as a jazz duo with Mark Graham.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
John Reischman
& the Pine Siskins
John Reischman – Mandolin, Mandola
Eli West – guitar, bouzouki, vocals
Trent Freeman – fiddle
Patrick Metzger – bass
The Pine Siskins is a new group John Reischman assembled to perform the music from his recent solo CD, “Walk Along John”. The all-instrumental recording includes nine new John Reischman originals, a few hand-picked traditional tunes, and a remake of the very first tune John wrote.
John Reischman is one of the premier mandolinists of his generation. He’s a master instrumentalist capable of swinging between re-inventions of traditional old-time tunes, deconstructions from the bluegrass repertoire, and compelling original tunes, many of which have become standards. He’s also a powerful bandleader, touring his band the Jaybirds all over Canada and the United States. But most of all, he’s an understated visionary, the kind of master craftsman whose music is virtuosic without ever being flashy and who is renowned for his impeccable taste and tone as an artist. John Reischman embodies the true spirit of acoustic music in the 21st century.
Eli West is one half of the highly acclaimed Northwest duo Cahalen Morrison & Eli West. He is an adventurous soloist equally adept at playing fiddle tunes and slow ballads. His rhythm playing features unusual and sophisticated chord voicings that strongly support the melody. Also adept at bouzouki, mandolin, and clawhammer banjo, he finds his musical identity in collaboration, and has created music in the Northwest with John Reischman, Tony Furtado, and many others.
Trent Freeman can play everything from groove based old- time tunes to melodically intricate modern Jazz. He excels at playing back up to the other soloists, incorporating lush double stops and a propulsive rhythmic chop.
The recipient of numerous awards, he has a broad range of experience and is a well-respected and sought after session musician. Trent’s Rock Paper Scissors album, an all original endeavor, won him the 2012 Canadian Folk Music award. Trent has toured and recorded with many bands and artists such as the Wailin Jennys, Jessie Farrell, The Griffins, Wyclef Jean, The Fretless and countless others.
Patrick Metzger’s Bass playing exhibits a robust tone and solid groove coupled with a fine melodic sense. A fixture of the Vancouver roots music scene, Patrick is at home playing a wide range of styles from jazz and rock to folk, bluegrass and old time. He performs regularly with a wide range of artists from the Western Swing of Petunia and the Vipers and jazz pianistBruno Hubert to the haunting folk-noir group The Abramson Singers.
Potluck munchies at the break, BYOB. Parking is limited, please bike or carpool if possible.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Cosy Sheridan
Cosy Sheridan first caught the attention of national folk audiences in 1992 when she won the songwriting contests at both The Kerrville Folk Festival and The Telluride Bluegrass Festival.
When she released her critically acclaimed CD Quietly Led on Waterbug Records, The Boston Globe wrote “She is now being called one of the best new singer/songwriters.”
Her concerts are wide-ranging explorations: love songs for adults and practical philosophy for a complicated world. She has written about the stock market crash of 2008 and fall-out from uranium mining in the American southwest. She has re-written greek myths: Persephone runs away with Hades the biker. And then there are her signature parodies on aging and women. Her lyrical dexterity is backed by her distinctive percussive guitar style.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Birch Pereira
and the
Gin Joints
afternoon house concert
Born out of a love of the early years of swing, country and rock ‘n ‘roll, Birch Pereira & the Gin Joints is a band whose sound transports you to the time of speakeasies, honky-tonks and rock ‘n’ roll joints. With upright bassist and vocalist Birch Pereira at its center, the band features many of Seattle’s most skilled and versatile musicians who share the love of the American song traditions and a desire to offer a fresh angle on them.
The band itself plays in a variety of formats from intimate duo or trio gigs to dance gigs as a larger ensemble and features a revolving cast of professional, Golden Ear nominated, Seattle musicians. Birch Pereira & the Gin Joints released their debut album Dream Man on May 12th and continue to support the release with performances around the West and East Coast.
“The Gin Joints are a new group in town and feature Seattle mainstays Birch Pereira on bass and vocals, Jason Goessl on guitar, Sam Esecson on drums and Kate Voss on Harmonies. On this cover of “Lost Highway,” Pereira sweetly carries the lyrics of loss as Goessl accompanies on lead guitar. The quartet are masters of the early Americana sound. In short, we expect big things from their upcoming record, Dream Man.” Jake Uitti – The Monarch Review
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Folk Singing Song Circle
with special visitors
Jeff and Ann Corfield of Australia
A chance to sing and hear songs from Australia and elsewhere. Bring your instruments if you like, and a snack to share. There will be a “healthy” dessert provided.
Song Circle
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Song Circle (postponed from last week)
This song circle has been cancelled for this month.
Kurt’s is still on for next week
Share a song, lead a song, request a song, or listen as we go round the circle. Song Circle is free and open to all who wish to participate. Bring your own instrument, borrow one, or just sing.
Stuart Mason
&
John Weed
(of Molly’s Revenge)
Ireland to Appalachia
John Weed (fiddle) and Stuart Mason (guitar, mandola, banjo) will be performing traditional Appalachian, blues, and Celtic music that digs deep into the roots of American music. Long before the time of Bill Monroe or Ralph Stanley or the Carter Family, rural Americans were singing and fiddling the ballads and dance tunes of Britain and Ireland, as well as the sentimental and comedy hits of the wildly popular minstrel shows. These sources provided a wellspring of material that later formed the basis of the bluegrass and early country repertoire.
John and Stuart have just recorded a new album project–their first CD as a duo. Material for the project ranges from early American ballads and songs newly composed by their peers to beautiful melodies with Celtic and French roots. They will remain true to their love of American old timey music and Irish trad while expanding the repertoire with tunes and songs that reflect their life-long love of traditional music from all eras and all regions. The audience can expect a few surprises along with some familiar favorites, and maybe even a singalong or a humorous party piece dating back to the minstrel era. Along with brand new pieces, these concerts will showcase material from the new Molly’s revenge album “Lift” as well as songs from the lively repertoire of Little Black Train and from Stuart’s two solo albums.
Doors open 6pm with a potluck reception.
There will be daytime workshops – Irish fiddle & DADGAD Guitar $25. Contact Lisa for more information.
A house concert is an excellent opportunity to hear great music in a very intimate setting.