MOLLY’S REVENGE

4PM show – sold out
7PM – seats available

Yes you read that right. In our house!
These guys will rock your socks with their smokin trio of Scottish and Irish Music. This trio is big time. They play at the top folk festivals and performing arts events in the USA, and prestigious events in Scotland, Australia and China.  Their arrangments traditional Celtic jigs and reels bring these dance tunes up to date with a driving, hard-edged accent that always leaves audiences shouting for more.  www.mollysrevenge.com

Go to https://lisalynne.com/cedarhouse-concerts/ for location details.

A house concert is an excellent place to hear and meet great musicians in a very intimate setting.

The Nordic Fiddlers Bloc

is a fiddle trio from Norway, Sweden and the Shetland Islands that have wowed audiences worldwide by their gripping and unique blend of fiddle music. Their show in Corvallis last year stunned the crowd, so much so, that they immediately agreed to return this year. NFB is comprised of Olav Luksengård Mjelva (Norway), Anders Hall (Sweden) and Kevin Henderson (Shetland Islands), each a master of their respective traditions. Their sound has been described as “unique, meaningful, intense and invigorating” with clever use of harmony, rhythm, riffs & bass lines. Their humor and personalities also make for a truly fun evening.

Pre-show social hour at 6:30 with live Scandi music in the lobby by Vänta Bara with special guest, Amy Håkansson

Vӓnta Bara, translated from Swedish as “Just Wait” is a trio with Lori Prime on fiddle and nyckelharpa, Kim Majors on fiddle and Maralyn Belgique on cello. Collectively, they have played various forms of traditional and folk-dance music for over two decades. Amy Håkansson grew up in a family blue grass band, but her love for the nyckelharpa led to a year-long study at the prestigious Eric Sahlstrom Institute in Sweden. She studied under Väsen’s Olov Johansson who invited her to perform with the group on both nyckelharpa and banjo! Their love of traditional folk music has brought them together to play dance tunes for Norske Runddansere at the cultural center, Nordia House, in Portland. They are excited to share their music in Corvallis for a social hour in the lobby of the Majestic Theatre where snacks, wine, sodas and 2 Towns Cider are available.

Immerse yourself in traditional
American music and dance at the
Willamette Valley Old-Time Social
May 3rd – May 6th!

Mud City Old-Time Society is once again hosting the region’s 3rd annual old-time music and dance celebration, the Willamette Valley Old-Time Social in Eugene, Oregon May 3rd-6th. There will be a Thursday night kickoff party at 1st National Taphouse with four local bands including, Huff & Meade, Sugar Pine String Band, The Eugene City Barnstormers, and Grand Ronde String Band. Friday night will feature a BBQ social and jam fest, and on Saturday there will be a whole day of workshops at The Shedd Institute for the Performing Arts, focused on old-time fiddle, banjo, guitar, dance and voice, including one with two-time Grammy-nominated fiddler Bruce Molsky and his Mountain Drifters-Allison de Groot and Stash Wyslouch! Saturday evening we will offer flatfoot dance lessons with Rebecca Stout and a big traditional square dance at the W.O.W. Hall with The Horsenecks and Gabe Strand calling. The weekend will finish off with a Sunday farm brunch and later that evening, a farewell concert at Sam Bond’s Brewing with The Local Honeys from Kentucky.

This event is sponsored by; Bubbaville, Stumptown Printers, 2Towns Ciderhouse, Zigzag Mountain Farm, 100 Mile Bakery and the Eugene City Barnstormers. Mud City Old-Time Society is a local nonprofit dedicated to supporting traditional old-time music and dance in the Southern Willamette Valley. Come and be a part of the thriving Pacific Northwest old-time music scene and experience the community-building power of traditional American music and dance!

We’re throwing a fest!

Sinking City Pop Fest

is happening here in Corvallis, Oregon

from May 11-13, 2018.

We’re still very much in the planning stages, but it’s going to be a stacked weekend of all-ages DIY punk shows and events around Corvallis to celebrate our awesome community. There will be a ton of updates on this project in the next few months, so check back here or join our fb group to stay in the loop.

Touring bands often refer to the stretch of I-5 between Portland and San Francisco as the “dead zone.” In 2015, some friends started organizing shows under the umbrella of Corvallis DIY in an attempt to make Corvallis a more visible destination for punk, indie, emo, and hardcore bands booking their own tours. At the same time, we started hosting regular meetups and throwing events like Band in a Hat and the Halloween cover show to get people excited about participating in their local community. Our scene has been growing steadily since then, and Corvallis has gained a reputation as a fun, semi-secret place to play on the west coast – a rainy city sunken into the heart of the Willamette Valley.

Sinking City Pop Fest is not-for-profit and volunteer-run. All proceeds after expenses will be donated to the Rural Organizing Project, an intersectional nonprofit that supports radical organizing efforts in small Oregon communities.

Stay tuned for the show schedules and ticket presale information.

BANDS

Adieu Caribou (Salem/Corvallis)
Bad Dates (Corvallis)
Bobby’s Oar (Seattle)
Broken Dead (Eugene)
Dogbreth (Seattle)
Dooley (Corvallis/Eugene)
Flexing (Corvallis)
Garage (Corvallis)
GLIT (Eugene)
Lisa Prank (Seattle)
Mr. Wrong (Portland)
Plattenbau (Berlin)
SEACATS (Seattle)
Shaene Marie Pascal (Corvallis)
The Shifts (Eugene/Corvallis)
Special Moves (Olympia)
trying to be brave (Corvallis)
Watercolor Paintings (Thousand Oaks/Oakland)
Wayside Ghost (Eugene/Portland)
The Wobblies (Portland/Corvallis)

VENUES

Interzone (Friday night)
1563 NW Monroe Ave, Corvallis, OR 97330

Mudville Stadium (Saturday matinee)
House / ask-a-punk

Chintimini Community Center (Saturday night)
2601 NW Tyler Ave, Corvallis, OR 97330

Nearly Normals (Sunday matinee)
109 NW 15th St, Corvallis, OR 97330

SPONSORS

Razorcake, Interzone, Sacred Art Tattoo, Nearly Normals, Bullfrog Music, Happy Trails Records, & The Arts Center

RSVP on Facebook here

Buy presale tickets here

Gerry O’Connor
with Richard Mandel

(and afternoon workshops – see below)

From Dundalk, County Louth, Gerry O’Connor has played and recorded with such highly regarded groups as Lá Lúgh (Eithne Ní Uallacháin, Sony Music) and Skylark. Gerry has toured and recorded with members of all the legendary groups including Planxty, Bothy Band and others.  Lá Lugh’s album “Brighid’s Kiss” was voted Album of the Year 1996 by readers of the Irish Music Magazine. His solo album “Journeyman” was counted in the top five Albums of the year 2004 by the Irish Times.

Richard Mandel (guitar, tenor banjo, bouzouki) fell into the well of Irish music in the mid-‘90s and was soon driving every session he could get into.  As a first-call accompanist, Richard has performed and toured with legendary Irish musicians including Gerry O’Connor, Paddy Keenan, Jimmy Keane, Mick Maloney, Paddy O’Brien, Tony DeMarco and many others.  Richard plays in the trio Three Mile Stone with mandolinist Marla Fibish and fiddler Erin Shrader. Three Mile Stone released its debut CD, produced by John Doyle, in March 2010 and has received rave reviews.  In addition to Three Mile Stone, Richard can be heard on Christa Burch’s CD “Love of the Land”, Radim Zenkl’s, “Restless Joy”, and Tipsy House’s CD, “Sets in the City.”

[P]owerful guitar work, whether taking the form of a high-energy rhythmic input or a more intricate embellishment. —David Kidman, Living Tradition Magazine

Richard’s guitar playing is a perfect support and backdrop for Marla’s and Erin’s tune conversations. It never draws attention to itself except by its excellence and appropriateness. And he can play the snot out of the tenor banjo, too! —Roger Landes (Irish bouzouki master and Zoukfest founder)

[A] lightning right hand and spot on chord choices. He is also a precise and powerful tenor banjo player.—Kevin Carr, FolkWorks

Advance Tickets (at Grassroots Books, 227 SW 2nd St.) are recommended  as space is limited.

Afternoon Workshops on May 17 !  ($7/$5 CFS members)

2pm:  DADGAD Guitar Accompaniment w/ Richard Mandel
4pm:  Irish Tunes for all Instruments w/ Gerry O’Connor 

A Celtic Evening
James Wilson
with
Dave and Sharon
Thormahlen

James Wilson was a English as a Second Language teacher at the Benton Center for awhile, now lives in Portland. He is getting together with Corvallis musicians Sharon and Dave Thormahlen to present an evening of Celtic tunes (“which we will deviate from a bit with some Latin and originals”).

Sharon and Dave have been performing all sort of music, from swing (in the Swing Beans) through children’s music to British (Celtic, Beatles, etc.) and more for many years.  They always put on a good show.

An evening house concert with
Birch Pereira
and the Gin Joints
from Seattle

Born out of a love of the early years of swing, americana and rock ‘n ‘roll, Birch Pereira & the Gin Joints is a band whose sound transports you to the time of speakeasies, honky-tonks and roadhouses. With upright bassist and vocalist Birch Pereira at its center, the band features skilled and versatile musicians who share the love of the American song traditions and a desire to offer a fresh angle on them.

Check out all the fun videos at   https://www.theginjointsband.com

If you’ve seen them before, then don’t miss this opportunity to hear the continuing evolution of their repertoire and skills.

The band’s debut album, Dream Man, was released independently and received the Earshot Jazz Golden Ear Award for “Northwest Jazz Recording of the Year” in 2016. Their second album “Western Soul” was released in March 2018 and features western-tinged jazz and soul originals along with reinterpretations of old blues, swing and early rock’n’roll. Fans, critics and deejays have delighted in Birch Pereira’s “old soul,” tenor voice, the group’s new, stripped-down arrangements of musical gems from the past and Pereira’s ever growing repertoire of original, yet period-evoking material. Frank Gutch Jr, of No Depression described the new album thusly: “I love this album. I love the sound of it. I love the feel of it. I love the idea of it.”

One of the fun aspects of the Gin Joints is that, depending on availability, Birch can draw from a large pool of highly talented Seattle musicians, who all love playing this music.   Joining Birch this time are Adrian Van Batenburg on drums/percussion (returning again to Corvallis) and fine Seattle guitarist Colin Higgins (see below).

PERSONNEL
After playing cello in the Corvallis Youth Symphony, Birch Pereira got his BA in Jazz Studies (bass performance) from the University of Washington in 2005.   Since then he has become well-known in Seattle as a highly versatile bass player, band leader, composer, producer/engineer and teacher.  With the formation of the Gin Joints he moved out front as vocalist, arranger, composer and bass player — and hasn’t looked back since.

Adrian Van Batenburg got his BA in Jazz Studies (drumming/percussion) from University of North Texas in 2002.  He has been gigging, recording, touring and teaching since moving to Seattle that year.

Colin Higgins studied jazz guitar performance at North Texas University and University of Wisconsin – Stevens Point. He graduated in 1996 with a Bachelor of Music degree from University of Wisconsin – Stevens Point.  Colin moved to Seattle in the fall of 1997. He’s performed in a wide range of musical settings, from jazz to classic rock, with many great Seattle musicians.

A house concert is a great way to hear music in an intimate setting and get to know the performers up close and personal.

To reserve a space and get directions,   email to peartree15@comcast.net
(or, if an email won’t work, call 541-753-9224).

RUNA

“Best of all, RUNA sounds like no one else!” – Travis Rogers, Jr., Music Life & Times

Quickly gaining recognition as one of Irish music’s new “super-groups,” RUNA has been en- chanting audiences by pushing the boundaries of Irish folk music into the Americana and roots music formats since their formation in 2008. Interweaving the haunting melodies and exuberant tunes of Ireland and Scotland with the lush harmonies and intoxicating rhythms of jazz, bluegrass, flamenco and blues, they offer a thrilling and redefining take on traditional music.

The group has been honored internationally, winning Top Group and Top Traditional Group in the Irish Music Awards and four Independent Music Awards including Best Live Album, Best World/Traditional Song and Best Bluegrass Song.

“Timeless and flawless…” – Jim Allford, PA Music Scene

RUNA consists of vocalist and step-dancer, Shannon Lambert-Ryan of Philadelphia, Dublin-born guitarist, Fionán de Barra, Cheryl Prashker of Canada on percussion, Zach White of St. Louis on guitar, vocals and mandolin, and Maggie White of Kentucky on the fiddle and Mandolin.

RUNA recently released their fifth album, “RUNA: LIVE”, which was recorded at the BlackRock Center for the Arts in Germantown, MD on Thursday, March 17th, 2016. Receiving lavish praise on both sides of the Atlantic, the album has been hailed as “an incredible masterpiece” – Marcene Bronson, The Celtic Crier

Seeking to preserve and continue a traditional culture in a modern age, RUNA creates the backbone of its signature roots sound from the musical and geographical diversity of its individually established band members. Their strive for excellence and creativity blazes a trail for the future of folk music, earning them the reputation as one of the most innovative Irish folk groups of this generation.

“Genuine and with endless innovation…” – John O’Brien, Jr., Ohio Irish American News

The Fire

• Rebecca Lomnicky on Scottish fiddle,
• David Brewer on Highland pipes and whistles,
• Adam Hendey on guitar & bazouki

The Fire is a high energy pure-drop Scottish music band, with world class fiddling in combination with bagpipes, guitar, bodhran, whistle, and bouzouki. The group includes, International Scottish Fiddle Champion Rebecca Lomnicky, multi-instrumentalist David Brewer of the popular Celtic band Molly’s Revenge, and Adam Hendey on guitar and bouzouki.  Members of the trio have each spent copious amounts of time delving into the traditions of their respective instruments, with Rebecca and David having additionally lived and studied in both Edinburgh and the highlands of Scotland. Together, The Fire performs captivating Scottish music which bridges the gap between the fiddle and bagpipe music of Scotland—two worlds united, into a heartfelt and rousing musical experience. Between their entertaining and informative stage banter, vast array of instrument combinations and extensive repertoire, including everything from soaring slow airs to intricately arranged dance tunes, these charismatic performers will leave you on your feet with your hands together. The Fire has headlined at Celtic festivals such as The Pleasanton Scottish Highland Games, The Utah Scottish Association Highland Games, The Portland Highland Games, The Sedona Celtic Harvest Festival, The Northwest Folklife Festival, The Oregon Scottish Festival, The Yachats Celtic Music Festival, The Monterey Scottish Games and Celtic Festival, and has performed at a variety of venues throughout the United States, United Kingdom, and Ireland.

The Fire is currently based out of Santa Cruz, California, and has recorded two albums together. (Rebecca is from Corvallis)

The Real Sarahs

With organic harmonies that enchant and uplift the spirit, The Real Sarahs share their special gift of vocal synergy. This trio of women, who are all named Sarah, create magic with voices in harmony, acoustic instruments and the energetic connection between artists and audience. With a breadth of influences, you are likely to hear threads of folk, jazz, blues, and country music running through their songs. Singing from the stories of their own life journeys and experiences, their original music is honest, evocative and heartfelt.

A house concert is a great way to hear music in an intimate setting and get to know the performers up close and personal.

Scott Cook

A roots balladeer with a rare personal warmth, Canada’s Scott Cook has managed to distil the stories collected over eleven years touring across Canada, the USA, Europe, Asia, Australia and elsewhere into straight-talking, keenly observant verse. Road-worn, painfully honest, and deeply human, his tunes weave threads of folk, roots, blues, soul and country over spacious fingerstyle guitar and clawhammer banjo arrangements. His fourth release, One More Time Around, was nominated for a Canadian Folk Music Award, and its opening track “Pass It Along” won the Folk and Acoustic category in the 2013 UK Songwriting Contest, with UK magazine Maverick Country naming him “one of Canada’s most inspiring and imaginative storytellers”. In 2015 he put together a seven-piece honky-tonk band for his fifth studio album, Scott Cook and the Long Weekends Go Long, and in 2017 he released his sixth album Further Down the Line, earning his second Canadian Folk Music Award nomination, for English Songwriter of the Year. The album is packaged in a 132-page softcover book offering a look back, in words and pictures, on his last decade of near-incessant rambling. Cook is one of the hardest-working DIY troubadours on the road today, averaging over 150 shows and a dozen festivals every year since 2007. All the hard miles notwithstanding, he still believes that songs can change your life, and your life can change the world.

“Scott Cook has distilled his travels down into songs powered by a sharp eye for imagery, a healthy dose of humanity, and that unforgettable voice, that at the same time intones the rigors of the road and the most comfortable couch you have ever slept on.” -David Francey, 3x Juno-winning songwriter

“As good a modern folkie as we have these days. A voice perfect for the genre. An understanding beyond the norm.” –No Depression

“He sings his heart and soul, and in doing so lets light flood into your own… A good eye for imagery, a gentle human touch, a wry sense of humour, a whole lot of integrity, a warm, rugged voice and a bunch of memorable lines… Truly one of Woody Guthrie’s children.” –RnR Magazine

A house concert is an excellent way to enjoy music in an intimate environment and get to know the musician.

Rushad Eggleston

For those not in the know, Rushad is the cellist from another planet. He’s a legend, clown, goblin, cello-shredder, acrobat, wild “jazz” vocalist, bundle of laughs, inventor of bluegrass cello, Grammy Nominee, time traveler, creator of worlds, Pentecostal dancer, proprietor of igwarfnees, president of Norwegian Ostrich Society, winner of some contest in 1725.

Rushad is truly a musical genius and he spends a lot of time exploring boundaries.  While it may seem like he’s from another planet, he comes down to earth and plays at places like Carnegie Hall and The Kennedy Center.  He was the first string player awarded a full scholarship to the Berklee college of music, and while still there he became their first active student ever to be nominated for a Grammy award.  If you have never seen Rushad, now is your chance to witness greatness.

Note: Larger, more comfortable space and room for everyone, come one, come all!  No reservations necessary, bring your friends and family and pay at the door!  Please enter through the glass doors on 8th or from the parking lot on 9th.  We’ll still have a potluck snack break at intermission, but please don’t bring alcohol (church regulation).  This is kid friendly and encouraged, Rushad is inspirational.    Cash preferred  (checks made to Rushad Eggleston if you must)

Heron Valley

Heron Valley are an energetic, young traditional band from Scotland who have serious enthusiasm for the music they play. Their roots lie in Scottish and Irish traditional music, while taking influence from various Folk, Country and Bluegrass styles. The five-piece, energy fuelled group comprises piper/guitarist/whistle player Euan McNab, banjo player/drummer Nick Hamilton, pianist Arlene Mackechnie, guitarist/vocalist Abigail Pryde and bassist Callum Cronin.

Since their inception in 2014, Heron Valley have always ensured that they are conveying the highest amount of energy they have to every crowd they play to, ensuring that people who come to see them live have a fantastic experience. In 2015, they set themselves the challenge of releasing a music video and a debut single, to allow people to clearly see their intentions. This began with their set of tunes, Pressed for Time, and their original idea of filming out on open water on a yacht. The storyline took the band from performing out on this moving boat, to their journey to and performance at a gig. The idea of this was to convey to their audience the enjoyment people have when they come to see them live. This was extremely well received and racked up 85K views, with people all over the world purchasing the single. A year later, they released their second single ‘Home’ along with an extremely diverse music video. This time, they set off at 4AM to climb up Beinn an Lochainn, a hill in the west coast of Scotland. The video sees this journey from bottom to top and shows them playing on cliff edges in the area they all grew up. This gathered an incredible 173K views, and was shared over 2,000 times.

Due to this success, Heron Valley then quickly made a massive impact on the folk scene in Scotland, and 2016 seen them on their tour of 11 Festival stages over the UK, while 2017 seen them on a tour of over 20 festivals around the UK and Europe. Johnny Walley at Folk Music Radio was ‘particularly impressed by the structure of their set, building up the energy incrementally in a series of waves, taking the audience along with them every step of the way.’ With the unbelievable reaction they received at these gigs, and the demand for more recordings of their music, Heron Valley released their debut album, Roam, in May 2017. This has been extremely well received by the public, and has been the focus of their gigs during their 2017 Summer tour. This features 8 brand new tracks of self-penned songs and lively sets of tunes.

Birch Pereira
and the
Gin Joints

A staple of the Seattle music scene, the Gin Joints delight audiences with their western-tinged Americana and jazz originals along with modern interpretations of old blues, swing and even early rock’n’roll tunes. Born out of a love of the American song traditions, upright bassist /vocalist / composer Birch Pereira has created unique arrangements and originals that showcase the considerable talents of the Gin Joints musicians.  He is now described as “Making gems of the past sound new and writing new songs that sound like forgotten gems of the past.”   

On the way to their juried showcase at the Arts Northwest Conference, Birch Pereira will bring an expanded version of the Gin Joints for a great evening of music on Sunday, October 7th at 7 PM.  Joining the usual excellent trio of Jason Goessl on guitar and Adrian Van Batenburg on percussion will be New Orleans native Rex Gregory on sax and clarinet and Portland-basedJordan Vale on trumpet.

Through a special collaboration with the Corvallis School District Theaters, Birch Pereira and the Gin Joints will be performing at the Corvallis High School Main Stage Theater and there is a special student price.  An alumnus of CHS, Birch Pereira began his musical journey in Corvallis with elementary strings and the Heart of the Valley children’s choir.  He followed that with music programs at both high schools including Camerata Orchestra, CHS jazz choir and the Corvallis Youth Symphony.  Birch Pereira received his BA in Jazz Studies (bass performance) from the University of Washington in 2005.   Since then he has become well-known in Seattle as a highly versatile bass player, band leader, composer, producer/engineer and teacher.  With the formation of the Gin Joints he moved out front as vocalist, arranger, composer and bass player — and hasn’t looked back since.

New recording and videos at:  https://www.theginjointsband.com/

Bill Staines

Anyone not familiar with the music of Bill Staines is in for a special treat (if you buy your tickets in advance – he sold out quickly last time).  The Martha Room is a very intimate space and a great place to hear great music.

For forty-five years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.

Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing over 175 concerts a year. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”

Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.

Bill Staines has recorded twenty-six albums. He has written over three hundred songs, many of which have been recorded by the likes of Peter, Paul, and Mary, Makem and Clancy, Nanci Griffith, Glen Yarborough, Celtic Thunder, and Jerry Jeff Walker. His music is sung at campfires and folk music gatherings, and in living rooms all around the country. Songs like “All God’s Critters,” “Roseville Fair,” “Child of Mine,” and “River,” have become folk classics. Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”

Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.

In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.

As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.

“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.

In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”  A true honor.

Mike and Carleen McCornack

Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes.  While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.

 “i