Melody Pie Trio

Neo-Traditional Folk • Roots • Music

Together in melodious folkroots conversation, MPT free-ranges from storysong folk balladry and lyrical harmonic tone poems, to traditional fiddle tunes, bluegrass, country rock, jump blues, swing grooves and improv jam. Fiddler Kevin Craven, cellist Beth Brown and singer-songwriter Ralph Penunuri play an eclectic variety of original and traditional multi-instrumental stylings. 

Scott Cook

A roots balladeer with a rare personal warmth, Canada’s Scott Cook has managed to distil the stories collected over eleven years touring across Canada, the USA, Europe, Asia, Australia and elsewhere into straight-talking, keenly observant verse. Road-worn, painfully honest, and deeply human, his tunes weave threads of folk, roots, blues, soul and country over spacious fingerstyle guitar and clawhammer banjo arrangements. His fourth release, One More Time Around, was nominated for a Canadian Folk Music Award, and its opening track “Pass It Along” won the Folk and Acoustic category in the 2013 UK Songwriting Contest, with UK magazine Maverick Country naming him “one of Canada’s most inspiring and imaginative storytellers”. In 2015 he put together a seven-piece honky-tonk band for his fifth studio album, Scott Cook and the Long Weekends Go Long, and in 2017 he released his sixth album Further Down the Line, earning his second Canadian Folk Music Award nomination, for English Songwriter of the Year. The album is packaged in a 132-page softcover book offering a look back, in words and pictures, on his last decade of near-incessant rambling. Cook is one of the hardest-working DIY troubadours on the road today, averaging over 150 shows and a dozen festivals every year since 2007. All the hard miles notwithstanding, he still believes that songs can change your life, and your life can change the world.

“Scott Cook has distilled his travels down into songs powered by a sharp eye for imagery, a healthy dose of humanity, and that unforgettable voice, that at the same time intones the rigors of the road and the most comfortable couch you have ever slept on.” -David Francey, 3x Juno-winning songwriter

“As good a modern folkie as we have these days. A voice perfect for the genre. An understanding beyond the norm.” –No Depression

“He sings his heart and soul, and in doing so lets light flood into your own… A good eye for imagery, a gentle human touch, a wry sense of humour, a whole lot of integrity, a warm, rugged voice and a bunch of memorable lines… Truly one of Woody Guthrie’s children.” –RnR Magazine

A house concert is an excellent way to enjoy music in an intimate environment and get to know the musician.

The Nettles

Laura Brophy – fiddle
Kevin Johnsrude – guitars
Michael Proctor – bass
Brian Bucolo – percussion

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere. .

Michael Karcher

Michael has been having the time of his life calling around the U.S. and Canada since 2011.

He has honed a warm and concise style of teaching and calling, to the delight of dancers across North America.

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Rushad Eggleston

For those not in the know, Rushad is the cellist from another planet. He’s a legend, clown, goblin, cello-shredder, acrobat, wild “jazz” vocalist, bundle of laughs, inventor of bluegrass cello, Grammy Nominee, time traveler, creator of worlds, Pentecostal dancer, proprietor of igwarfnees, president of Norwegian Ostrich Society, winner of some contest in 1725.

Rushad is truly a musical genius and he spends a lot of time exploring boundaries.  While it may seem like he’s from another planet, he comes down to earth and plays at places like Carnegie Hall and The Kennedy Center.  He was the first string player awarded a full scholarship to the Berklee college of music, and while still there he became their first active student ever to be nominated for a Grammy award.  If you have never seen Rushad, now is your chance to witness greatness.

Note: Larger, more comfortable space and room for everyone, come one, come all!  No reservations necessary, bring your friends and family and pay at the door!  Please enter through the glass doors on 8th or from the parking lot on 9th.  We’ll still have a potluck snack break at intermission, but please don’t bring alcohol (church regulation).  This is kid friendly and encouraged, Rushad is inspirational.    Cash preferred  (checks made to Rushad Eggleston if you must)

Melody Pie Trio

Neo-Traditional Folk • Roots • Music

Melody Pie Trio is fiddler Kevin Craven, cellist Beth Brown and singer-songwriter Ralph Penunuri – in melodious neo-traditional folkroots conversation. Playing an eclectic variety of original and traditional stylings, MPT free-ranges from storysong folk balladry and lyrical tone poems, to traditional Celtic tunes, bluegrass, country rock, jump blues, swing grooves and improv jam.

Heron Valley

Heron Valley are an energetic, young traditional band from Scotland who have serious enthusiasm for the music they play. Their roots lie in Scottish and Irish traditional music, while taking influence from various Folk, Country and Bluegrass styles. The five-piece, energy fuelled group comprises piper/guitarist/whistle player Euan McNab, banjo player/drummer Nick Hamilton, pianist Arlene Mackechnie, guitarist/vocalist Abigail Pryde and bassist Callum Cronin.

Since their inception in 2014, Heron Valley have always ensured that they are conveying the highest amount of energy they have to every crowd they play to, ensuring that people who come to see them live have a fantastic experience. In 2015, they set themselves the challenge of releasing a music video and a debut single, to allow people to clearly see their intentions. This began with their set of tunes, Pressed for Time, and their original idea of filming out on open water on a yacht. The storyline took the band from performing out on this moving boat, to their journey to and performance at a gig. The idea of this was to convey to their audience the enjoyment people have when they come to see them live. This was extremely well received and racked up 85K views, with people all over the world purchasing the single. A year later, they released their second single ‘Home’ along with an extremely diverse music video. This time, they set off at 4AM to climb up Beinn an Lochainn, a hill in the west coast of Scotland. The video sees this journey from bottom to top and shows them playing on cliff edges in the area they all grew up. This gathered an incredible 173K views, and was shared over 2,000 times.

Due to this success, Heron Valley then quickly made a massive impact on the folk scene in Scotland, and 2016 seen them on their tour of 11 Festival stages over the UK, while 2017 seen them on a tour of over 20 festivals around the UK and Europe. Johnny Walley at Folk Music Radio was ‘particularly impressed by the structure of their set, building up the energy incrementally in a series of waves, taking the audience along with them every step of the way.’ With the unbelievable reaction they received at these gigs, and the demand for more recordings of their music, Heron Valley released their debut album, Roam, in May 2017. This has been extremely well received by the public, and has been the focus of their gigs during their 2017 Summer tour. This features 8 brand new tracks of self-penned songs and lively sets of tunes.

The BFD

• Betsey Branch – fiddle
• Fran Slefer – button accordian
• Dan Compton – guitar

The BFD plays for a contra dance about every other month at Fulton Community Center in Portland. Betsy is a versatile musician who loves to explore multiple genres of music. She has wandered her musical way through music from Ireland, Scotland, Appalachia, Quebec, Sweden, England, Bulgaria and New England, to mention a few. She plays regularly for contra and English Country Dances. Fran plays button accordion and fiddle. She grew up in Limerick, Ireland, and lived in Luxembourg, Belgium, Holland, and Dublin before moving to the United States. Fran began playing the fiddle in Dublin, learning from Tralee fiddle player Maire O’Keeffe. Her repertoire delves into the dance music of Ireland, Québec, France and Brittany. Dan Compton is a long-time folkie in the Pacific Northwest music scene, and has performed at numerous concerts, festivals, and music- and dance camps. He’s a captivating fingerstyle player as well as a dynamic flatpicker and accompanist.

Gordy Euler

Gordy has been dancing and calling in this area for over 15 years, and he’s good!

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Birch Pereira
and the
Gin Joints

A staple of the Seattle music scene, the Gin Joints delight audiences with their western-tinged Americana and jazz originals along with modern interpretations of old blues, swing and even early rock’n’roll tunes. Born out of a love of the American song traditions, upright bassist /vocalist / composer Birch Pereira has created unique arrangements and originals that showcase the considerable talents of the Gin Joints musicians.  He is now described as “Making gems of the past sound new and writing new songs that sound like forgotten gems of the past.”   

On the way to their juried showcase at the Arts Northwest Conference, Birch Pereira will bring an expanded version of the Gin Joints for a great evening of music on Sunday, October 7th at 7 PM.  Joining the usual excellent trio of Jason Goessl on guitar and Adrian Van Batenburg on percussion will be New Orleans native Rex Gregory on sax and clarinet and Portland-basedJordan Vale on trumpet.

Through a special collaboration with the Corvallis School District Theaters, Birch Pereira and the Gin Joints will be performing at the Corvallis High School Main Stage Theater and there is a special student price.  An alumnus of CHS, Birch Pereira began his musical journey in Corvallis with elementary strings and the Heart of the Valley children’s choir.  He followed that with music programs at both high schools including Camerata Orchestra, CHS jazz choir and the Corvallis Youth Symphony.  Birch Pereira received his BA in Jazz Studies (bass performance) from the University of Washington in 2005.   Since then he has become well-known in Seattle as a highly versatile bass player, band leader, composer, producer/engineer and teacher.  With the formation of the Gin Joints he moved out front as vocalist, arranger, composer and bass player — and hasn’t looked back since.

New recording and videos at:  https://www.theginjointsband.com/

Treehouse

• Rachael Young, piano
• Benjamin Young, whistle and guitar
• Kevin Craven, fiddle
• Shari Ame, fiddle
• Bo Leyden, mandolin, flute

*Treehouse* brings a mix of Irish, Quebecois, and New England style, and
put it together with Pacific Northwest flair. Ben and Rachael come from the
Irish traditional session background, having played with many groups across
Canada and throughout Washington, Oregon, and California. Kevin Craven is
recently arrived from Hawaii. He is a Corvallis violin teacher and also
plays with the OSU Symphony. Shari teaches fiddle and has played with
several Corvallis area bands including Three Finger Jack.

Laurel Thomas

Laurel Thomas has called contra dances all over Oregon and Washington since 2008. Dancers appreciate her clear teaching, her articulate calling and her carefully crafted programs designed to build skill for beginning dancers while keeping experienced dancers happy with an appropriate level of challenge.

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Bill Staines

Anyone not familiar with the music of Bill Staines is in for a special treat (if you buy your tickets in advance – he sold out quickly last time).  The Martha Room is a very intimate space and a great place to hear great music.

For forty-five years, Bill has traveled back and forth across North America, singing his songs and delighting audiences at festivals, folksong societies, colleges, concerts, clubs, and coffeehouses. A New England native, Bill became involved with the Boston-Cambridge folk scene in the early 1960’s and for a time, emceed the Sunday Hootenanny at the legendary Club 47 in Cambridge. Bill quickly became a popular performer in the Boston area. From the time in 1971 when a reviewer from the Boston Phoenix stated that he was “simply Boston’s best performer”, Bill has continually appeared on folk music radio listener polls as one of the top all time favorite folk artists. Now, well into his fifth decade as a folk performer, he has gained an international reputation as a gifted songwriter and performer.

Singing mostly his own songs, he has become one of the most popular and durable singers on the folk music scene today, performing over 175 concerts a year. He weaves a blend of gentle wit and humor into his performances and one reviewer wrote, “He has a sense of timing to match the best standup comic.”

Bill’s music is a slice of Americana, reflecting with the same ease his feelings about the prairie people of the Midwest or the adventurers of the Yukon, the on-the-road truckers, or the everyday workers that make up this land.

Bill Staines has recorded twenty-six albums. He has written over three hundred songs, many of which have been recorded by the likes of Peter, Paul, and Mary, Makem and Clancy, Nanci Griffith, Glen Yarborough, Celtic Thunder, and Jerry Jeff Walker. His music is sung at campfires and folk music gatherings, and in living rooms all around the country. Songs like “All God’s Critters,” “Roseville Fair,” “Child of Mine,” and “River,” have become folk classics. Many of Bill’s songs have appeared in grade school music books, church hymnals, and scouting campfire songbooks; he is one of only a few songwriters to have eight songs published in the classic song collection, Rise up Singing. Composer David Amram recently described Bill as “a modern day Stephen Foster…his songs will be around 100 years from now.”

Over the decades, you have heard Bill singing on Garrison Keillor’s A Prairie Home Companion, HBO’s award winning series Deadwood, and Public Radio’s Mountain Stage. Additionally, his music has been used in a number of films including Off and Running, with Cyndi Lauper, and The Return of the Secaucus Seven, John Sayles’ debut as a writer- director.

In 1975, Bill won National Yodeling Championship in Kerrville Texas. Another important recognition was given to him in 2007. Presented by the Boston Area Coffeehouse Association, The Jerry Christen Award recognized Bill’s contribution to New England folk music.

As well as recordings, over 100 of Bill’s songs have been published in three songbooks: If I Were a Word, Then I’d Be a Song, Movin’ It Down the Line, and Music to Me, the latter published by Hal Leonard Corporation. His song, All God’s Critters, has been recently released as a Simon and Schuster children’s book with illustrations by Caldecott honor-winning artist, Kadir Nelson.

“Folk music is rich in the human spirit and experience. I’ve always wanted to bring something of value to people through my songs.” With these thoughts, Bill continues to drive the highways and back roads of the country year after year, bringing his music to listeners, young and old.

In the fall of 2015 Yankee Magazine, New England’s premiere magazine, published it’s “80th Anniversary Issue.” In the issue, along with the likes of Stephen King and Katherine Hepburn, Bill was chosen as “One of the 80 gifts New England has given to America.”  A true honor.

Mike and Carleen McCornack

Mike and Carleen have been entertaining adults and children in Oregon for decades with original and traditional folk tunes.  While they live in Eugene, it’s become rare to see them in Corvallis, and we should take advantage of every chance we get.

 “i

American Strings:
An Evening with
Tom Paxton

An integral part of the songwriting and folk music community since the early 60’s Greenwich Village scene, Tom Paxton has become a celebrated voice of his generation — addressing the issues of injustice and inhumanity, laying bare the absurdities of modern culture and celebrating the tender bonds of family, friends, and community.

Paxton is a GRAMMY® Lifetime Achievement Award Winner and an ASCAP Lifetime Achievement Award Winner. Regarded as one of the great songwriters of our time, he is the man who wrote and lives by those words, “Sweet peace, peace will come, and let it begin with me.”

The American Strings series brings renowned artists from around the U.S. to Corvallis and Oregon State University for an in-depth look at how and why stringed instruments play such a profound role in American music.
Hosted by the GRAMMY Museum’s Bob Santelli, the OSU College of Liberal Arts and the Majestic Theatre, the conversation and performance that comprises each segment of American Strings makes for a one of a kind opportunity to appreciate and know better the great American music tradition.

The Weisenheimers

• Alan Snyder – fiddle,
• Dave Goldman – keyboard

from Portland play zesty dance tunes with a sly sense of humor.

Woody Lane

Woody Lane has been calling contra dances throughout the Pacific Northwest for more than 25 years, and when he’s not calling you can find him dancing.

NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

Alasdair Fraser
&
Natalie Haas

cutting-edge fiddle and cello explorations of Scottish and global music

” … you would think they’d been playing together for centuries. While his fiddle dances, her cello throbs darkly or plucks puckishly. Then [Haas] opens her cello’s throat, joining Fraser in soaring sustains, windswept refrains, and sudden, jazzy explosions. Their sound is as urbane as a Manhattan midnight, and as wild as a Clackmannan winter.”        — Boston Globe

“As many gigs as they must have played together over the past decade or so, there remains a striking spontaneity about Fraser and Haas’s music-making. He has tonal variation and attack to spare, but what makes them so consistently absorbing is the responsiveness each shows to the other. Haas is more than a cellist: she’s the rhythm section who uses the percussive chip’n’chop of her bowing and the double bass-like pulse of her pizzicato playing to great effect. The accompanist’s role moves so fluently between them, building tension all the while, and then they’ll slip into unison and it’s like floodgates opening. ”
— The Herald

“Fraser, one of the most respected of all exponents of the Scots fiddle, would look long and hard to find a more appropriate cellist as a partner…A positive joy.”
— The Scotsman

The musical partnership between consummate performer Alasdair Fraser, “the Michael Jordan of Scottish fiddling”, and brilliant Californian cellist Natalie Haas spans the full spectrum between intimate chamber music and ecstatic dance energy. Over the last 18 years of creating a buzz at festivals and concert halls across the world, they have truly set the standard for fiddle and cello in traditional music. They continue to thrill audiences internationally with their virtuosic playing, their near-telepathic understanding and the joyful spontaneity and sheer physical presence of their music.

Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks (Last of the Mohicans, Titanic, etc.). In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today. She has performed and recorded with a who’s who of the fiddle world including Mark O’Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Jeremy Kittel, Hanneke Cassel, Laura Cortese, and many more.

This seemingly unlikely pairing of fiddle and cello is the fulfillment of a long-standing musical dream for Fraser. His search eventually led him to find a cellist who could help return the cello to its historical role at the rhythmic heart of Scottish dance music, where it stood for hundreds of years before being relegated to the orchestra. The duo’s debut recording, Fire & Grace, won the coveted the Scots Trad Music “Album of the Year” award, the Scottish equivalent of a Grammy. Since its release, the two have gone on to record four more critically acclaimed albums that blend a profound understanding of the Scottish tradition with cutting-edge string explorations. In additional to performing, they both have motivated generations of string players through their teaching at fiddle camps across the globe.

SAC Presents welcomes fiddling supergroup Childsplay with Irish singer Karan Casey in their first-ever appearance in Oregon. This special evening will feature the beautiful singing of Casey, a native of Ireland, with the voices of violins all made by the renowned Massachusetts violin maker, Robert M. Childs. Childsplay brings virtuosic fiddling and features a wide range of outstanding all-star instrumentalists, ranging from all-Ireland and Scottish fiddle champions to members of the Boston Symphony Orchestra, and includes National Heritage award winning Irish step-dancer Kevin Doyle and Pilobolus dance theater member Molly Gawler. This is a multi-faceted evening of live performance you won’t want to miss

Note special location: 

OSU Women’s Building

Special Student rate! $5

A beginner’s lesson starts at 7:00pm (experienced dancers welcome and encouraged); dance starts at 7:30pm.

Special Location:

This dance is hosted by the new Contra Dance Club at Oregon State University and in partnership with CFS. The location is at the OSU Women’s Building, located on the West side of the Memorial Union Quad in central OSU campus. Many parking areas are available around campus and ideal spots are highlighted below.

Map to Women’s Building: Green areas are suggested parking, arrows suggest walking paths to WB (click for link to full document and printable map)

An additional map for OSU parking zones details other lots near WB on campus. All parking on the weekend should be free (and we haven’t seen any info about prohibitive sports events).

The Band: Joyride

Joyride is a Portland Oregon contra dance band known for fun, skilled play, tune sets carefully tailored to dances, and well-phrased melodies and harmonies set in a danceable groove. George Penk’s rich, compelling fiddle, Erik Weberg’s deft flute, harmonica and bombarde, Sue Songer’s heartbeat piano and Jeff Kerssen-Griep’s vital guitar and percussion provide modern and traditional tunes for dances, weekends and festivals throughout the year. This band loves creating a great experience for everyone, every time.  Come catch a lift with Joyride at home or on the road!

The Caller: William Watson

William Watson, a resident of Eugene, OR, danced his first contra in 1989 and began calling in Texas in 1992. Having called numerous contra events in cities coast-to-coast, William’s extensive experience and soothing voice project a calm confidence. His vigilant and thoughtful dance programming ensures a variety of figures, transitions, and sequences to entertain and support new dancers while offering the occasional challenge for the more advanced. His calling proficiency and sensitivities ensure everyone has a good time.

Other Info:

A beginner’s lesson starts at 7:00pm (experienced dancers welcome and encouraged); dance starts at 7:30pm.

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

We dance First and Third Saturdays of the month except for July & August. Occasional special dances. See the rest of the calendar for more info.