Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Scott Cook
A roots balladeer with a rare personal warmth, Canada’s Scott Cook has managed to distil the stories collected over eleven years touring across Canada, the USA, Europe, Asia, Australia and elsewhere into straight-talking, keenly observant verse. Road-worn, painfully honest, and deeply human, his tunes weave threads of folk, roots, blues, soul and country over spacious fingerstyle guitar and clawhammer banjo arrangements. His fourth release, One More Time Around, was nominated for a Canadian Folk Music Award, and its opening track “Pass It Along” won the Folk and Acoustic category in the 2013 UK Songwriting Contest, with UK magazine Maverick Country naming him “one of Canada’s most inspiring and imaginative storytellers”. In 2015 he put together a seven-piece honky-tonk band for his fifth studio album, Scott Cook and the Long Weekends Go Long, and in 2017 he released his sixth album Further Down the Line, earning his second Canadian Folk Music Award nomination, for English Songwriter of the Year. The album is packaged in a 132-page softcover book offering a look back, in words and pictures, on his last decade of near-incessant rambling. Cook is one of the hardest-working DIY troubadours on the road today, averaging over 150 shows and a dozen festivals every year since 2007. All the hard miles notwithstanding, he still believes that songs can change your life, and your life can change the world.
“Scott Cook has distilled his travels down into songs powered by a sharp eye for imagery, a healthy dose of humanity, and that unforgettable voice, that at the same time intones the rigors of the road and the most comfortable couch you have ever slept on.” -David Francey, 3x Juno-winning songwriter
“As good a modern folkie as we have these days. A voice perfect for the genre. An understanding beyond the norm.” –No Depression
“He sings his heart and soul, and in doing so lets light flood into your own… A good eye for imagery, a gentle human touch, a wry sense of humour, a whole lot of integrity, a warm, rugged voice and a bunch of memorable lines… Truly one of Woody Guthrie’s children.” –RnR Magazine
A house concert is an excellent way to enjoy music in an intimate environment and get to know the musician.
Rushad Eggleston
For those not in the know, Rushad is the cellist from another planet. He’s a legend, clown, goblin, cello-shredder, acrobat, wild “jazz” vocalist, bundle of laughs, inventor of bluegrass cello, Grammy Nominee, time traveler, creator of worlds, Pentecostal dancer, proprietor of igwarfnees, president of Norwegian Ostrich Society, winner of some contest in 1725.
Rushad is truly a musical genius and he spends a lot of time exploring boundaries. While it may seem like he’s from another planet, he comes down to earth and plays at places like Carnegie Hall and The Kennedy Center. He was the first string player awarded a full scholarship to the Berklee college of music, and while still there he became their first active student ever to be nominated for a Grammy award. If you have never seen Rushad, now is your chance to witness greatness.
Note: Larger, more comfortable space and room for everyone, come one, come all! No reservations necessary, bring your friends and family and pay at the door! Please enter through the glass doors on 8th or from the parking lot on 9th. We’ll still have a potluck snack break at intermission, but please don’t bring alcohol (church regulation). This is kid friendly and encouraged, Rushad is inspirational. Cash preferred (checks made to Rushad Eggleston if you must)
Máire Ní Chathasaigh & Chris Newman
Award winning harp and guitar duo from Ireland with a virtuosic blend of Irish, Ragtime, and much more.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
DRÅM
Dråm is a Swedish folk music group specialized in the sackpipa, the Swedish bagpipe. Dram means “drone” in a Swedish dialect.
Dram’s members, Erik Ask-Upmark and Anna Rynefors have both received the prestigious Zorn award and the title of Riksspelman (official master musician) for their playing and exposure of the Swedish bagpipes.
Aside from the Swedish pipes, Dram’s other instruments include different Swedish folk whistles and the nyckelharpa keyed fiddle.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
James Kline
Classical guitarist, composer, singer-songwriter, innovator of the 19 string arch harp guitar, James Kline is an artist who constantly renews and reinvents himself.
As a classical guitarist he studied in Spain under a full scholarship from the Spanish government. There he won a number of international awards, including the Ramirez Prize of Santiago de Compostella and the Tarrega Pize of Benicasim. He holds an ARCM diploma from The Royal College of Music of London and has performed throughout eastern and western Europe as well as the United States and Mexico. He has also gained recognition as a composer and was awarded an Individual Artist Grant in music composition from the Marin Arts Council of California.
As a singer-songwritter, James draws inspiration from a slightly more unusual life experience which includes years working as a commercial fisherman, working as a wilderness guide, extensive travel on four continents, and living among Mexico�s Tarahumara Indians. An interest in Renaissance and Baroque music led him to design his own version of the eleven string arch guitar, an instrument which combines the best qualities of the lute and the guitar. The urge to expand his horizons and dedicate more time to composing led James to co- found the neo Celtic group Bardou with whom he performs regularly. He has again reinvented his instrument to become the world�s only player of the 19 string arch harp guitar, a combination of lute, guitar, and Celtic harp.
A modern day troubadour, his performances reflect a wonderful diversity of life experience and musical intrigue and are often punctuated with story telling.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
New World String Project
John Weed • Aryeh Frankfurter • Lisa Lynne • Stuart Mason
Extraordinary instruments and heartwarming music rooted in the Nordic, Celtic, and American folk traditions. 98 strings on stage!
Science tells us that cross pollination can result in hybrid vigor that transcends the sum of its parts. In a parallel vein, the vibrant West Coast traditional music community has given birth to the New World String Project. Four highly skilled and well known multi-instrumentalists have joined forces to create an exciting weave of music rooted in the Celtic, Nordic and American folk traditions. Ancient and modern sounds mingle freely on Swedish nyckelharpa, Celtic harp, fiddle, guitar, cittern, bouzouki, and more. Join the New World String Project for a musical ride that will shake your boots, uplift your spirit and warm your heart.
“(New World String Project) literally pranced through their hour-long program at St. Mary’s in Pacific Grove, displaying both calculated structure and unbridled abandon.” –Monterey County Weekly (CA)
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
Noctumbule
– Marla Fibish and
Bruce Victor –
Original and Traditional, harmonized poetry songs, lots of humor.
This incredible duo are our best friends from where we lived in the bay area. That could make us partial, but indeed they make some of the most beautiful acoustic music you will ever hear. Marla is my idol. She is one of the foremost Irish mandolin players in the world. But that is just the tip of the iceberg. Bruce is the funniest guy we know, a great guitarist with a side hobby as a psychiatrist. They are a songwriting duo that layers incredible sounds and virtuosity with their clever and brilliant songs. They use musical settings of a broad array of poetry that they sing in harmony, original instrumental pieces, and traditional Irish tunes and songs. Aryeh recorded their first album in our home studio and whenever they play, we get to sit in. You will get to hear an unusual array of strings — fine guitars in varied tunings, mandola, mandolin, bouzouki, cittern, tenor guitar — and their blended voices. More about their music: https://www.noctambulemusic.com/us
Go to https://lisalynne.com/cedarhouse-concerts/ for location details.
A house concert is an excellent place to hear and meet great musicians in a very intimate setting.
Peppino D’Agustino
A young Sicilian artist left Italy over 30 years ago, with the dream of “playing with the greatest guitarists”. Peppino has achieved his dream and he’s now firmly planted in the “who’s who” of the guitar world.
Peppino D’Agostino emerged on the acoustic guitar scene in the early 80’s as a leading member of the second wave of the great fingerstylists that helped redefine the instrument in the ’90s. His remarkable technique, penchant for open tunings, and percussive effects are the basis of his unique compositional style which has been inspiring musicians and audiences alike for decades. Add to that his natural warmth, playfulness, and broad musical tastes and you have the recipe for what he calls “minestrone music”. His virtuosity and his emotional charge have also had a significant influence on the younger generation of fingerstyle guitarists. D’Agostino continues to evolve and grow in ways that would have been hard to predict when he first showcased his melodic yet emotionally intense style on the recordings Acoustic Spirit, Close to the Heart, and Every Step of the Way which was named one of the top three acoustic guitar albums of all time by Acoustic Guitar magazine readers.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
American Strings:
An Evening
with Carlene Carter
Hosted by the GRAMMY Museum’s Bob Santelli, director of popular music in the OSU College of Liberal Arts and the Majestic Theatre, the conversation and performance that comprises each segment of American Strings makes for a one of a kind opportunity to appreciate and know better the great American music tradition. This month will feature the daughter of June Carter Cash of the Carter Family and the step-daughter of American music legend Johnny Cash. Carlene Carter blends her traditional roots with her own take on country music. Join Bob Santelli for an American Strings evening of conversation and music as a bit of Nashville comes to Corvallis.
The American Strings series brings renowned artists from around the U.S. to Corvallis and Oregon State University for an in-depth look at how and why stringed instruments play such a profound role in American music.
Sarah Lee Guthrie
As the daughter of Arlo Guthrie and the granddaughter of the legendary folk artist Woody Guthrie, Sarah Lee Guthrie’s lineage is undeniable. But if you close your eyes and forget that her last name is synonymous with the river-legacy of a widening current of American folk music, you’d still be drawn to the clarity and soul behind her voice. There is a gentle urgency to her interpretations of the songs she sings and the classic music of her heritage. It flows from the continuity of her family, her vital artistic life today and the river of songs that have guided her to where she now stands.
(I’ve seen her solo, with her husband, and with her dad, Arlo, and she’s well worth seeing)
Join host Bob Santelli, at this rare opportunity to witness the growth of one of American’s finest young folk singers, through a conversation and live performance.
Jimmie Vaughan
Jimmie Vaughan performing in Florida. By Gage Skidmore.
A founding member of the Fabulous Thunderbirds and the older brother of Texas blues legend Stevie Ray, Jimmie Vaughan brought renewed attention to Texas blues in the 1980s, ultimately leading to Austin, Texas becoming a major American blues center. A multi-GRAMMY Award winner, Vaughan’s “Baby, Please Come Home” was a 2020 GRAMMY nominee in the Best Traditional Blues Album category. He also won a Blues Music Award for Best Male Blues Artist this year.
Hosted by Bob Santelli, Oregon State University’s director of popular music and performing arts, the American Strings series offers a unique opportunity to learn about a variety of genres from across the American music tradition.
If you have any questions or require special accommodations, please contact Isabelle Nissen at 541-231-5820 or OSUFEvents@osufoundation.org.
Rosanne Cash
One of the country’s pre-eminent singer/songwriters, Rosanne Cash has released 15 albums of extraordinary songs that have earned four GRAMMY Awards and nominations for 11 more. She is also an author whose four books include the best-selling memoir Composed, which the Chicago Tribune called “one of the best accounts of an American life you’ll likely ever read.” Her essays have appeared in The New York Times, Rolling Stone, the Oxford-American, the Nation and many more publications. In addition to continual worldwide touring, Cash has partnered in programming or served as artist in residence at Carnegie Hall, Lincoln Center, San Francisco Jazz, the Minnesota Orchestra and The Library of Congress.
Hosted by Bob Santelli, Oregon State University’s director of popular music and performing arts, the American Strings series offers a unique opportunity to learn about a variety of genres from across the American music tradition.
If you have any questions or require special accommodations, please contact Isabelle Nissen at 541-231-5820 or OSUFEvents@osufoundation.org.
Sarah Jarosz
With her captivating voice and richly detailed songwriting, three-time GRAMMY award winner Sarah Jarosz is one of the most compelling musicians of her generation.
In a break from a life of touring since she was 16 years old, Jarosz recorded her new album, “World On the Ground,” while at home during quarantine. Collaborating with producer/songwriter John Leventhal, a five-time GRAMMY award winner known for his work with Elvis Costello, Shawn Colvin and his wife, Rosanne Cash, Jarosz crafted a subtle tapestry of sound perfectly suited to her lyrical storytelling.
Sarah will talk about her creative process and perform some songs from this new album — a collection of stories from her hometown of Wimberly, Texas — revealing her remarkable gift for slipping into the inner lives of others and patiently uncovering indelible insight.
Get comfy at home, turn up your speakers and join host Bob Santelli as we get to know better this contemporary Bluegrass/Folk/Americana superstar through an intimate evening of music and conversation.
Hosted by Bob Santelli, Oregon State University’s director of popular music and performing arts, the American Strings series offers a unique opportunity to learn about a variety of genres from across the American music tradition.
If you have any questions or require special accommodations, please contact Isabelle Nissen at 541-231-5820 or OSUFEvents@osufoundation.org.
Shemekia Copeland
Providing a soundtrack for our time, Copeland sings about the world around her, blending blues, R&B and Americana into a sound that is all her own. Her riveting new album, “Uncivil War” was recently nominated for five Blues Music Awards, including Song of the Year. It builds on the musically and lyrically adventurous territory that Copeland’s been exploring for over a decade — tackling the problems of contemporary American life head on with nuance, understanding, and a demand for change. It also brings Copeland’s fiercely independent, sultry R&B fire to songs more personal than political.
The Chicago Tribune’s famed jazz critic Howard Reich says, “Shemekia Copeland is the greatest female blues vocalist working today. She pushes the genre forward, confronting racism, hate, xenophobia and other perils of our time. Regardless of subject matter, though, there’s no mistaking the majesty of Copeland’s instrument, nor the ferocity of her delivery. In effect, Copeland reaffirms the relevance of the blues.”
NPR Music calls Copeland “authoritative” and “confrontational” with “punchy defiance and potent conviction,” and says “It’s hard to imagine anyone staking a more convincing claim to the territory she’s staked out—a true hybrid of simmering, real-talking spirit and emphatic, folkie- and soul-style statement-making.”
The Philadelphia Inquirer succinctly states, “Shemekia Copeland is an antidote to artifice. She is a commanding presence, a powerhouse vocalist delivering the truth.”
The American Strings series is free and open to all via Zoom. Register below.
Los Lobos
The Oregon State University College of Liberal Arts (CLA) presents a conversation and some music with Los Lobos front men David Hidalgo and Louie Pérez on Wednesday, March 31 at 5 p.m.
The webcast event is part of CLA’s American String Series. Hosted by OSU Director of Popular Music and Performing Arts Bob Santelli, each segment of American Strings is comprised of a conversation and music by successful artists from a variety of genres, making for a one of a kind opportunity to appreciate and know better the great American music tradition.
Los Lobos (“The Wolves”) is an American rock band from East Los Angeles. Their music is influenced by rock and roll, Tex-Mex and traditional Mexican music. The band gained international stardom in 1987, when their cover version of Ritchie Valens’ “La Bamba” topped the charts in the U.S., the UK and several other countries. Hidalgo (vocals, guitar, accordion, fiddle, requinto jarocho) and Pérez, Jr. (vocals, drums, guitar, jarana huasteca) are two of the founding members of the band and wrote most of their songs together.
Hidalgo he has been featured on albums by T-Bone Burnett, Ry Cooder, Roy Orbison, Dolly Parton, Bonnie Raitt, Paul Simon, Bob Dylan and Tom Waits. He is also a member of the group Los Super Seven, and of the Latin Playboys, a side project with other members of Los Lobos. Pérez, the band’s primary lyricist, started out with Los Lobos playing the jarana, a small Mexican guitar, and singing. As the band ventured more into Norteño music and rock he became the drummer, first playing with just a snare drum. Eventually he moved to the front of the stage and started playing guitar again. Pérez has also been a member of the Latin Playboys. Additionally he paints and has been the art director and artistic supervisor on many of Los Lobos’ albums.
Hidalgo and Pérez will talk with Bob about their longtime collaboration and unique experience in fusing cultures and crossing genres, and play some of their music.
The American Strings series is free and open to all via Zoom. Register below.
Register Here