Celtic Harps: Rare Instruments and Wondrous Stories

Lisa Lynne & Aryeh Frankfurter perform with two Celtic harps, the rare Swedish Nyckelharpa, Ukrainian Bandura, Cittern and more.The audience will hear Traditional instrumental music from Sweden and Ireland as well as heartwarming original compositions. They will present an eclectic blend of music, humor and tales from their adventures as modern day troubadours. They hail from Oregon and tour extensively, both having successful recording and performing careers built from years of street performing and a background as rock musicians. They have performed with some of the biggest names in folk and acoustic music and have sold well over a million albums combined. Audiences are spellbound and enchanted with their unique show of breathtaking music both traditional and original, with wondrous stories and humor entwined.

Sponsored by: First Alternative Natural Foods Co-op, 2 Towns Ciderhouse, Block 15 Brewing Company, Downward Dog, KLCC

https://www.facebook.com/events/2152930398284624/

Socks in the Frying Pan

After taking America by storm on their first U.S. tour, the 2014 Irish Music Association Best New Band Socks in the Frying Pan released their eagerly awaited second album- The Return of the Giant Sock Monsters from Outer Space

The award winning trio from County Clare have captivated audiences the world around with their high energy performances, breath-taking musical ability and their trademark 3 part vocal harmonies, and have returned with the follow up to their debut award winning 2013 album.

The new album offers 6 sets of tunes, tastefully diverse and brilliantly crafted, combined with 6 songs, showcasing both vocal and harmonising abilities of each member on their respective songs, totalling a dozen stand-out tracks that will captivate and mesmerize the listener. Demonstrating creative versatility, several of the tunes and one of the songs have been written and arranged by the band. The album experience is exactly that which one encounters at a live Socks show- a high energy, masterfully performed collection of music and song that demonstrates exactly why Socks in the Frying Pan is fast becoming a household name and why they are one of the most loved and sought after Irish bands in the world today.

“Their Sound flows in magnetic, energetic waves, so does their banter on stage”
–Irish Music Magazine

Multiple Grammy-nominee John McCutcheon charms audiences with “story telling that has the richness of fine literature” (Washington Post) and his mastery of a stage full of folk instruments is simply amazing. He plays guitar, fiddle, autoharp, banjo, jaw harp, (hambone if we are lucky) and is best known for his hammered dulcimer playing. A John McCutcheon concert is always energizing, fun, uplifting, community building, and his audiences leave with a renewed sense of hope for humanity. “This notion of telling stories of ordinary people who have done great things, and carrying those stories from one place to another, of telling people ‘this is where I’ve been, these are the stories I can bring you,’ is the heart of what I do,” McCutcheon sums up. “That’s my goal. If you can recognize yourself in my songs, then I’ve done my job.” He lives in Georgia but keeps moving, toward wherever he senses there’s still a story yet to be told.

His 30 recordings have gathered many honors including 7 Grammy nominations. His most recent honors the centenary of Joe Hill’s death on November 19^th, 1915. John McCutcheon brings Joe Hill’s music to a whole new audience. With fresh arrangements, stunning musicianship, and released on a palette that makes these songs feel as though they were written today rather than a century ago, there is a life and vitality that is both rare and refreshing. In honor of Woody Guthrie’s 100th birthday John recorded THIS LAND: Woody Guthrie’s America. He assembled an all-star cast of songs and musicians to honor America’s most enduring folksong writer: Willie Nelson, Tommy Emmanuel, Kathy Mattea, Tim O’Brien, Stuart Duncan, Tom Chapin, Tom Paxton, Maria Muldaur and more. McCutcheon offers fresh new arrangements and exciting new interpretations of many of Woody’s most well-known songs. He has so much material we never know what he might perform, and of course he gives the audience a chance to request their favorites so plan ahead!

But it is in live performance that John feels most at home. It is what has brought his music into the lives and homes of one of the broadest audiences any folk musician has ever enjoyed. People of every generation and background seem to feel at home in a concert hall when John McCutcheon takes the stage, with what critics describe as “little feats of magic,” “breathtaking in their ease and grace…,” and “like a conversation with an illuminating old friend.”

So if you want to laugh, cry, be inspired, and feel like you are a part of a big community, then don’t miss this concert. More information about John McCutcheon his website is at www.folkmusic.com For info or to volunteer, call Chere Pereira 541-753-9224.

Whether in print, on record, or on stage, few people communicate with the versatility, charm, wit or pure talent of John McCutcheon.

The Euphemists

Dave Goldman — piano
Alan Snyder — fiddle
Paula Hamlin — winds
Kaye Blesener — trombone
Jerry Nelson — guitar, wind, percussion

Enjoy contradancing but miss that Big Band sound? Then you’ll love the Euphemists, a band whose motto is “All fiddle tunes get better with horn riffs!” Over the past few years, various pairings of these Portland musicians have said, “We should form a band!” Finally, inspired by the recent immigration of fiddler Alan Snyder from warmer climes, The Euphemists congealed in 2011. The band features a brass front line of Paula Hamlin, Kaye Blesener, and Jerry Nelson, while Jerry’s several guitars share backup rhythmic duties with the keyboard of Dave Goldman.

Eric Curl calling

Eric started calling in 1996 and called in California and Colorado before moving Seattle in 2006. A mechanical engineer working for Boeing, he now enjoys calling in Washington, Oregon and British Columbia on a semi-regular basis. In his spare time, he likes to hike, snowshoe, camp, visit friends and family, play music, and of course, dance and call.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

First and Third Sundays

We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions.  Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.

Corvallis Guitar Society

The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.

Our Mission

To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.

We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.

Realta

Celtic Supergroup Ímar

There are many reasons to be excited about new Glasgow-based five-piece Ímar – not least a line-up featuring current and former members of Mànran, RURA, Talisk, Barrule, Cara, Mabon and The Lowground, whose collectively crammed trophy-cabinet includes a BBC Young Folk Award and several All-Britain/All-Ireland titles. By far the best and biggest reason, however, is how excited the band are themselves. It’s the combined commonality and diversity of background and influences that fuels Ímar’s unmistakable synergy, centered on the overlapping cultural heritage between Scotland, Ireland and the Isle of Man. All three places once shared the same Gaelic language – the name Ímar comes from a 9th-century king who reigned across this combined territory – and a similar kinship endures between their musical traditions.

Cascade Crossing

Carl Thor – piano, dulcimer, mando
Lori Prime – Fiddle
Rich Goss – guitar, percussion
Sarah Goss – Bass, whistle, oboe

Cascade Crossing is currently one of the hottest and most sought after bands in the Pacific Northwest region. They have developed a reputation for intense creativity, breadth of instrumentation, and energizing dance crowds. Cascade Crossing’s music is influenced by many styles, with touches of baroque, Caribbean, Celtic, Klezmer, traditional, northern, southern, jazz and ragtime. With many original tunes, expect the unexpected, from hard-driving reels to smooth, mysterious jigs. Using their wide range of instrumentation and styles, Cascade Crossing fills the dance hall with an exciting palette of musical colors and textures.

Ric Goldman

From Palo Alto, Ric teaches and calls contra and English Country dances as well as performing Morris dance.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

First and Third Sundays

We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions.  Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.

Máire Ní Chathasaigh & Chris Newman

Award winning harp and guitar duo from Ireland with a virtuosic blend of Irish, Ragtime, and much more.

Doors open 6pm with a potluck reception.

A house concert is an excellent opportunity to hear great music in a very intimate setting.

Corvallis Guitar Society

The goal of the Corvallis Guitar Society is to act as a catalyst to bring local guitarists out of the woodwork and provide an opportunity to perform and enjoy guitar music in a friendly and supportive atmosphere. The accent here is on participation and we hope people will want to participate in the open stage section also – no piece of music is too short or simple (though there is a five minute limit if we have a full sign-up sheet) and you are guaranteed a warm round of applause for showing us what you can do! We do have a limited number of open stage slots so be sure to sign up early at the front desk on the way in.

Our Mission

To promote classical and related guitar styles by providing a supportive performance environment for people of all ages and ability.

We seek to achieve this through a monthly meeting that provides an opportunity to discuss, listen to, and play solo guitar music including classical, flamenco, finger-style, jazz, as well as classical guitar ensemble styles.

Tannahill Weavers

The Tannahill Weavers are one of Scotland’s premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can’t get better…yet continue to do just that.

The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. As the Winnipeg Free Press noted, “The Tannahill Weavers – properly harnessed – could probably power an entire city for a year on the strength of last night’s concert alone. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll.”

Born of a session in Paisley, Scotland and named for the town’s historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. Over the years the Tannies have been trailblazers for Scottish music, and their tight harmonies and powerful, inventive arrangements have won them fans from beyond the folk and Celtic music scenes.

In 2011 the band was inducted into the Scottish Traditional Music Hall of Fame, and in 2014 they were joined by innovative piper Lorne MacDougall.  Lorne comes with a high pedigree, having arranged and performed pipes for the Disney Pixar movie “Brave”, Dreamworks “How to Train Your Dragon 2”, and the BBCs “Dr Who”, along with a long list of other accomplishments.

As they embark on their 50th anniversary year in 2018, they are firmly established as one of the premier groups on the concert stage.  From reflective ballads to footstomping reels and jigs, the variety and range of the material they perform is matched only by their enthusiasm and lively Celtic spirits.”An especially eloquent mixture of the old and the new.”            –New York Times

Scotland’s Tannahill Weavers play acoustic instruments, but the atmosphere at their shows is electric. The quartet is as tight and as versatile as any band in the Celtic music revival. They can summon rock ‘n’ roll intensity or haunting introspection.”
– The Boston Globe, Boston MA

“…as close to perfect as it gets in an imperfect world.”     – Sing Out!

“…the Weavers’ unpretentious manner and superlative playing set them apart from most other Celtic groups… In a world where good taste has become a scarce commodity, the Tannahill Weavers are a wealthy bunch.”     – The Charleston Gazette, Charleston, SC

“…world class musicians with passion and a healthy sense of fun, keeping alive and making accessible the very heart of the tradition itself.”     – Mojo Magazine

The Nettles

Laura Brophy – fiddle;
Kevin Johnsrude – guitars;
Michael Proctor – bass;
Brian Bucolo – percussion;

The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere.

Kelsey Hartman

Since I am a “contraholic,” I can often be found any given weekend dancing or calling a contra dance. My inspiration for calling comes from Frannie Marr, who got me thinking that there was life in contra off the dance floor, and Nils Fredland, whose callers’ workshop at American Week (BACDS) in 2012 spurred me down the caller’s path.

Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm

Each dance is taught.  No partner necessary (it’s traditional to dance each dance with a different partner)

First and Third Saturdays of the month except July, August. Occasional special dances.

First and Third Sundays

We will mix Balkan, Israeli and other folk dances each week, with occasional live music from Balkan, Israeli and other traditions.  Watch the calendar for announcements about special dances, but just come to each dance and learn all sorts of dances.