Calendar
Submit calendar info to:
calendar@corvallisfolklore.org
Treehouse
Treehouse brings a mix of Irish, Quebecois, and New England style, and put it together with Pacific Northwest flair. Ben and Rachael come from the Irish traditional session background, having played with many groups across Canada and throughout Washington, Oregon, and California. Kevin Craven is recently arrived from Hawaii. He is a Corvallis violin teacher and also plays with the OSU Symphony. Shari teaches fiddle and has played with several Corvallis area bands including Three Finger Jack.
Michael Karcher
Michael Karcher is a popular Seattle caller who originally hails from New York. Michael has been having the time of his life calling around the U.S. and Canada since 2011. Michael calls regular and techno contras for weekly dances and full weekends. He has honed a warm and concise style of teaching and calling, to the delight of dancers across North America.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
Peppino D’Agustino
A young Sicilian artist left Italy over 30 years ago, with the dream of “playing with the greatest guitarists”. Peppino has achieved his dream and he’s now firmly planted in the “who’s who” of the guitar world.
Peppino D’Agostino emerged on the acoustic guitar scene in the early 80’s as a leading member of the second wave of the great fingerstylists that helped redefine the instrument in the ’90s. His remarkable technique, penchant for open tunings, and percussive effects are the basis of his unique compositional style which has been inspiring musicians and audiences alike for decades. Add to that his natural warmth, playfulness, and broad musical tastes and you have the recipe for what he calls “minestrone music”. His virtuosity and his emotional charge have also had a significant influence on the younger generation of fingerstyle guitarists. D’Agostino continues to evolve and grow in ways that would have been hard to predict when he first showcased his melodic yet emotionally intense style on the recordings Acoustic Spirit, Close to the Heart, and Every Step of the Way which was named one of the top three acoustic guitar albums of all time by Acoustic Guitar magazine readers.
Doors open 6pm with a potluck reception.
A house concert is an excellent opportunity to hear great music in a very intimate setting.
The Nettles
The Nettles are well-known on the West Coast for their original approach to contra dance music. Playing traditional music from all over the world, The Nettles create a strong rhythmic groove under soaring improvisations. Rhythmic drive and melodic fluidity allow The Nettles to propel contra dances into the stratosphere.
Laurel Thomas
Laurel Thomas has called contra dances all over Oregon and Washington since 2008. Dancers appreciate her clear teaching, her articulate calling and her carefully crafted programs designed to build skill for beginning dancers while keeping experienced dancers happy with an appropriate level of challenge.
NOTE NEW TIMES: Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
16th Annual FAR-West 2019 Music Conference
FAR-West, one of five regions of Folk Alliance International, celebrates folk music through our annual conference. We invite you to join us this October — to listen, celebrate, recognize, and enjoy the richness of folk music in the West. Our regional conference offers an affordable, intimate and interactive way for acoustic artists and presenters to focus on the folk community in the western region of the US and Canada. Join us for four days of music, learning and connecting. We welcome a wide variety of styles, levels and disciplines, encouraging musical and cultural diversity and excellence.
Che Apalache
A blend of Appalachian and Latin music
Immigration is a powerful topic for Che Apalache bandleader Joe Troop. A polymath, polyglot, and world traveller, Troop left home at a young age, emigrating from this country in search of a better life. Raised in the North Carolina Piedmont, in the foothills of the Appalachian mountains, Troop came of age to the music of bluegrass and all-night jam sessions at festivals, but being a young, queer man in the South, at a certain point he no longer felt welcome in his own home region. He took refuge abroad, traveling Europe and immersing himself in his two great loves: music and language. He studied Spanish in Spain, spent summers in Morocco, and eventually moved to Japan to teach English. He carried his music and his fiddle with him always, picking up elements of flamenco, jazz manouche, and swing. In 2010, Joe immigrated to Argentina, and, looking to make friends and build a scene, he began teaching bluegrass.
Nine years later, Che Apalache, led by Troop, features three powerhouse Latin American musicians – two from Argentina, Franco Martino (guitar), Martin Bobrik (mandolin), and Pau Barjau (banjo) from Mexico – and has been taking audiences by storm with their fusion of Latin and American roots music. Famed banjo player and cross-genre trailblazer Béla Fleck was so taken with the band that he signed on to produce their new album, Rearrange My Heart, coming August 9, 2019 on Free Dirt Records. “I love to work with music that intrigues, excites and inspires me,” Fleck explains, “and that describes Che Apalache to a T! We first met at my Blue Ridge Banjo Camp last year. They had come from Buenos Aires and asked to play for me. I was blown away and they blew away the crowd a few days later. It’s been a blast to get to know them in the creative environment; together we’ve come up with what I believe is a truly striking album. I hope you’ll enjoy listening as much as I enjoyed producing.”
With Béla Fleck as producer and a new album on its way, Che Apalache is a success story, but Troop hasn’t returned to the States after over a decade abroad to comfort listeners. He’s here to challenge the narrative, to speak directly on what American policies and perspectives are doing to the world. “We’re trying to take our message to the people who most need to hear it.” Troop explains. “We want to have respectful dialogue with people that aren’t coming from the same place we are, and we want to challenge their way of thinking.” Opening with a traditional greeting in the Uruguayan murga style before segueing into the song “María,” which has touches of candombe, flamenco and Spanish Sephardic Jewish music, Che Apalache’s global sensibilities are clear. The heart of the album, though, lies with the powerful song “The Dreamer,” written about Troop’s friend Moises Serrano. A queer North Carolinian immigrant from Mexico and a DACA recipient, Serrano was raised in the same region as Troop. “The Dreamer” states Che Apalache’s mission: subvert the narrative from within. “We’re reeling people in with music they understand,” Troop explains, “but then we give them a twist. This is all intentional, I’ve had years living outside this country to think about how to do this.” The power of the subversion lies in how well Troop understands Appalachian and Southern audiences, and also in an honest love for the music. The band spent years perfecting Stanley Brothers-style harmonies, trying to get the sound just right. They then married that sound with brutally honest lyrics lamenting Trump’s rhetoric for “The Wall.” This level of subversion brings its own risks though. They sang the song at a famous Virginia fiddler’s convention the same day that Nazis marched in the streets of nearby Charlottesville, and had to drop everything and run for safety when an enraged audience member stormed the backstage to attack them.
Che Apalache was formed to enjoy music, to honor it, and to bridge the gap between North and South America, creating a vision of a truly “American” music. Through the controversy and the political fire that fuels Che Apalache’s music, Troop hasn’t lost sight of what first inspired him, the first moment he fell in love with the music. At just fourteen years old, in a small diner in Boone, North Carolina, he heard a humble man playing with his friends and family. That man was Doc Watson. For Troop and Che Apalache to come full circle and to create a new album with another legend of bluegrass, Béla Fleck, that’s the American dream that Che Apalache embodies.
Dam Beavers
The Dam Beavers is a contra dance band of two vibrant musicians who have charmed the contra dance community with their energy and talent, Ben Schreiber and Scotty Leach. Scotty has been immersed in music since he was born, playing piano and fiddle. He is one with his instrument, at ease with his skill, energizing the dancers. Ben Schreiber plays fiddle in a number of bands, Uncle Farmer, the Off Beats and more. He shows a virtuosity and range that is mesmerizing. They will be playing for contra dancing and doing a week long band and instrument workshop. Fun awaits!
Seth Tepfer
Mr. Tepfer develops database systems for Emory University, including interfaces and web front ends. In his spare time, Mr. Tepfer travels across the country as a contra and square dance caller and dance organizer, from Ithaca, New York to Bonaire, (Netherlands Antillies) to Seattle, Washington. He enjoys many different styles of dance, from Contra to Cajun, Waltzing to Swing and beyond.
At various times in his life, Mr. Tepfer has been a Scottish Country Dancer, a Lincoln-Douglas debator, a trombone player, an Argentine Tango dancer, a dungeon master, a foil and epee fencer, a graphic designer, a polarity therapist, a movie critic, an EMT, a cajun dancer, a macrame artist, a pastry chef, a waltz instructor, a vaudeville-style comedian, and a gas station attendant. Still to come are massage therapy, sky diving, contra dance band member, and polar expeditions.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
Dàimh, Gaelic Supergroup and unchallenged champion, play straight in the eye Highland music and are based around West Lochaber and the Isle of Skye.
Formed around the turn of the century and taking the name from the Gaelic word for kinship Dàimh (pronounced Dive) have taken their contemporary take of Highland and Gaelic music to over 20 countries, setting audiences alight from Moscow to San Francisco.
With a reputation as giants of the Bagpipes and Fiddle, Angus Mackenzie and Gabe McVarish lead the melodic powerhouse with fellow founder member Ross Martin underpinning the groove on the Guitar. The Band is joined by new guy Murdo Yogi Cameron on Mandola and Accordion to complete the instrumental line up.
Recent accolades include last year’s award for the “Best Folk Band in Europe” at the prestigious Folkherbst competition in Germany and most recently winner of “Folk Band of the Year” at the Scottish Traditional Music Awards.
A Scottish Heritage Week celebration
Alan Reid
Glasgow born Alan has been taking Scottish folk music all over the world since 1975. He joined the fledgling Battlefield Band in 1969 while studying at Strathclyde University and subsequently recorded almost 30 albums with this hard-working and enduring band, in that time garnering a reputation for his playing and his singing. His groundbreaking keyboard work helped cement the band’s reputation as one of the most influential Celtic bands of its generation. With the band Alan toured the world, bringing Scottish traditional music to audiences in five continents and playing in many prestigious music festivals and venues. Along with former Battlefield Band colleagues he was inducted into the Scottish Traditional Music Hall of Fame in November 2016 in recognition of their contribution to Scots traditional music.
He began composing songs and tunes in the 1980s and from 1990 was the band’s principal songwriter. His songs are noted for their strong storytelling element whilst being firmly grounded in Scots history and tradition. His songbook ”Martyrs, Rogues and Worthies”, was published in 2001 and in 2009 he was nominated in the ‘Composer of the Year’ category at the Scots Traditional Music Awards.
In 2010 he left the ‘Batties,’ to concentrate on his duo with guitarist/singer Rob van Sante. He composed all the music for the duo’s third album, ”The Adventures of John Paul Jones’, which told the story of the Scots born mariner who was a hero for the American colonists during the American Revolutionary War. A presentation of the album (with drama written by Alan) was performed at the 2012 Dumfries and Galloway Arts Festival and at the 2013 Edinburgh Festival. The duo also developed a multi-media show telling Jones’ story which was showcased at Mystic Seaport Sea Festival in Connecticut in 2015.
2014 saw his music featured in the National Theatre of Scotland’s award winning production of “The Glasgow Girls” musical about asylum seekers, while his singing and speaking talents were featured in “The Life and Times of Scrooge”, the solo album of Finnish rock star Tuomas Holopainen of metal band Nightwish. That same year Alan and Rob’s fourth CD “Rough Diamonds” was released and was followed by “The Dear Green Place” in 2017. The duo continues to tour Europe, North America and Australia.
In recent years Alan has taught Scots Song at the prestigious annual “Swannanoa Gathering” in North Carolina, USA. He was also a guest artist in the Linn Records mammoth 12 CD recording of the songs of Robert Burns, Scotland’s beloved National Poet, whose poems, songs and music have endured over the centuries.
As well as the recordings with Battlefield Band and with Rob Van Sante, Alan has released two solo albums, “The Sunlit Eye” and “Recollection”.
A Scottish Heritage Week celebration
Celtic harps,
rare instruments and
wondrous stories
a benefit for OregonFlora
The multi-instrumentalist duo of Lisa Lynne & Aryeh Frankfurter present an afternoon of music with Celtic Harps, Swedish Nyckelharpa, Ukrainian Bandura, Bouzouki, Cittern and more. Join these international performers and recording artists in an evening benefiting OregonFlora, a program that provides resources about the plants of the state. Appetizers, silent auction, and wine raffle are featured.
OregonFlora provides information about the native and naturalized plants of our state through its website, wildflower identification app, and Flora of Oregon books. Our work promotes plant awareness, gardening with native species, and restoration to support sustainable agricultural practices.
McKasson & McDonald
Ryan McKasson and Eric McDonald are masters of tradition who purposefully explore the dark corners floating on its edges. Their individual artistry is enhanced when together. In short, the sum creates a greater whole. The result is an alluring complexity, full of spontaneous musicality. Pulling from parallel strands of influence, they create a swirling level of intensity that traverses darkness, light, and everywhere in between. An air of mystery pervades a sound compelling enough to transcend boundaries and appeal to music lovers of all stripes. Devon Leger of Hearth Music says, “This duo really shows how two masterful musicians listen and play off each other.” The music this duo creates is to share, and live performance is the forte. Their mutual attitude stretches beyond the music. The two have been good friends ever since they met, and this is present in their live performances, which are full of organic banter and good humor to go along with the music. They create an environment of their own design, drawing in listeners without pretense. Despite both living active musical lives thousands of miles apart these two musicians have committed to working together to forge a new musical path.
Ryan McKasson has gained a strong reputation as a performer, composer,collaborator and teacher. In 1994, he began attending Alasdair Fraser’s Valley of the Moon Scottish Fiddling School (VOM), which led him deep into the world of traditional music. In 1996 he became the youngest ever to win the US National Scottish Fiddle Championship and in 1997 he was awarded a Merit Scholarship for Viola Performance from the University of Southern California, where he studied with Donald McInnes. Ryan’s professional career took a step forward when in 2004 he spearheaded the formation and development of “The McKassons”. This group released two critically acclaimed albums, Tall Tales (2004) and Tripping Maggie (2006). Over the years Ryan has recorded with a number of influential artists, namely his playing appears on fellow Scottish fiddle champion Hanneke Cassel’s three albums Silver (2006), For Reasons Unseen (2009), and Dot the Dragon’s Eyes (2013), as well as Alasdair Fraser & Natalie Haas’s recording Highlander’s Farewell (2011). In addition to McKasson & McDonald, other current projects include MAC, Ensemble Galilei and The Syncopaths.
Eric McDonald found his way to traditional music through the rich local music scene in his hometown Boston. Nearly a decade after studying at Berklee College of Music under world renowned musicians such as guitarist/mandolinist John McGann and cellist Eugene Friesene, he is now established as one of the USA’s premier accompanists in many styles. Eric cut his teeth playing for contra dances in New England, and can still often be seen from the dance floor. Nowadays he is an active session player, regularly recording and traveling with musicians of many stripes. Touring credits include The Outside Track, Andrea Beaton, Wendy MacIsaac and Katie McNally. In addition to McKasson & McDonald, he can currently be seen touring with the lively trio Daymark, Scottish powerhouse Cantrip, and award winning singer/songwriter Connor Garvey. In addition to guitar accompaniment, Eric’s debut solo album Rove features his unique style and approach to tunes on the mandolin, as well as carefully crafted deliveries of traditional ballads on voice and guitar.
A Scottish Heritage Week celebration
Treehouse
- Rachael Young, piano
- Benjamin Young, whistle and guitar
- Kevin Craven, fiddle
- Shari Ame, fiddle
- Bo Leyden, mandolin, flute
TREEHOUSE is Kevin Craven and Shari Ame on twin fiddles, Ben Young on guitar, whistles and flute, Rachael Young on keyboards and Bo Leyden on mandolin and flute. As well-seasoned musicians, we will serve you up a full sound, infectious rhythms, and creative arranging. Expect delight from the first contra to the last waltz, and all this for the meager cost of two lattes!!!!! Come dance your heart out to some of your local favorites!!!! Treehouse will not disappoint!!!!!.
Shell Stowell started contra dancing in 2015, and has been dancing up and down the West coast ever since. Driven by her passion for the dance, music, and community, Shell now plays the fiddle and helps to organize the Corvallis Contra Weekend. As a dancer, Shell is known for her enthusiasm on and off the dance floor. As a caller, she incorporates her love of teaching, organizing, and music to strive for clear, energetic instruction and variety in her programming. Shell also emphasizes safe, inclusive dance etiquette that promotes positive communication between dancers.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.
Hanneke Cassel Trio
Effervescent and engaging, Boston-based fiddler Hanneke Cassel is a performer, teacher and composer whose career spans over two decades. She has graced stages across North America, Europe, Australia and Asia. Her style fuses influences from the Isle of Skye and Cape Breton Island with Americana grooves and musical innovations, creating a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition. Hanneke’s music is a blend of the contemporary and traditional, described by the Boston Globe as “exuberant and rhythmic, somehow wild and innocent, delivered with captivating melodic clarity and an irresistible playfulness.”
Hanneke Cassel’s new release Trip to Walden Pond (April 2017) features traditional Scottish and Cape Breton tunes and seventeen new pieces composed in the Scottish idiom. While her lively style is very much evident, this new album carries a deep, soulful sound with songs of celebration and farewell. Trip to Walden Pond, similar to Hanneke’s five previous albums, offers mellifluous arrangements of traditional fiddle music and original tunes that evoke humor and heart. This latest album also includes several compositions penned by Hanneke as commissions to benefit Many Hopes, a children’s education nonprofit based in Kenya that she avidly supports.
A native of Port Orford, Oregon, Hanneke started out as a Texas-style fiddler and went on to win the 1997 U.S. National Scottish Fiddle Championship, which awarded her the opportunity to study with Alasdair Fraser and introduced her to fiddle camps and the folk community — both of which continue to play an integral role in her life. Hanneke teaches regularly at Fraser’s Valley of the Moon and Sierra Fiddle Camps, the Mike Block String Camp (run by her husband, acclaimed cellist Mike Block), Harald Haugaard’s International Fiddle School, and the West Denmark Fiddle School. She has served as a guest instructor in the American Roots department at Berklee College of Music, where she received her Bachelor’s of Music in Violin Performance.
The Hanneke Cassel Band features Mike Block on cello and guitarist Keith Murphy. Fusing influences from the Isle of Skye and Cape Breton with Americana grooves and musical innovations, this group creates a cutting-edge acoustic sound that retains the integrity and spirit of the Scottish tradition.
Registration opens for the
Corvallis Contra Weekend 2020
February 14-16, 2020
This event sells out quickly, so register now at the event website https://corvallisfolklore.org/ccw/
Joyride
Joyride is a Portland Oregon contra dance band known for fun, skilled play, tune sets carefully tailored to dances, and well-phrased melodies and harmonies set in a danceable groove. George Penk’s rich, compelling fiddle, Erik Weberg’s deft flute, harmonica and bombarde, Sue Songer’s heartbeat piano and Jeff Kerssen-Griep’s vital guitar and percussion provide modern and traditional tunes for dances, weekends and festivals throughout the year. This band loves creating a great experience for everyone, every time. Come catch a lift with Joyride at home or on the road!
Deb Comly
Deb Comly was bitten by the contra bug in 1994 and took off dancing across the country. Her passion for the dance keeps her dancing, calling, teaching, organizing, and playing music in Flagstaff and across the Southwest. Known for her quick and efficient teaching, diverse programing and reassuring demeanor, dancers are comforted to know she’ll be behind the mic! From her beaming smile to her happy feet, Deb’s energy is contagious!
A beginner’s lesson starts at 7:00pm (experienced dancers welcome and encouraged); dance starts at 7:30pm.
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
We dance First and Third Saturdays of the month except for July & August. Occasional special dances. See the rest of the calendar for more info.
Special Monday Contra Dance
Faux Paws
Noah VanNorstrand, Chris Miller and
Owen Morrison have been making music together since 2010, all over North America. Ostensibly based in Brattleboro, VT – their music is a mix of fiddle tunes, bluegrass and country songs, explosive jams and tight harmonies.
George Marshall
George Marshall is one of the top contra callers in the world. He usually calls with Wild Asparagus or Swallowtail, but occasionally graces another group’s dances.
Beginners lesson starts at 7:00pm (experienced dancers welcome) dance starts at 7:30pm
Each dance is taught. No partner necessary (it’s traditional to dance each dance with a different partner)
First and Third Saturdays of the month except July, August. Occasional special dances.